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Dawn of Egyptian art /
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Published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--Title page verso. :
xii, 275 pages : illustrations (chiefly color), 1 col. map, plans (some col.) ; 26 cm. :
Includes bibliographical references (pages 263-268) and index. :
9781588394606
1588394603
Mapping South American Promises: Potosí, Brazil, and European Visions /
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"Nomen est omen". A name is a prophecy, a destiny, or even a promise. Why was South America once referred to as Peru, "Peruana", or "América Peruana"? What role did the Potosí Mountain play in shaping these designations? And how did these perceptions affect the lands of Brazil? This book offers new insights into these questions, exploring both the continuities and the shifts in European representations of South America. It reveals how, in the first two centuries of its history, Brazil compensated for the scarcity of gold and silver with brazilwood, sugar, the labor and souls of its indigenous peoples, the toil of enslaved Africans, and its geography.
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1 online resource (276 pages) : illustrations. :
Includes bibliographical references and index. :
9789004724860
Building the canon through the classics : imitation and variation in Renaissance Italy (1350-1550) /
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Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004398030 :
2212-9405 ;
Religious diversity in Asia /
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The religious landscape in Asia has long been diverse, with various forms of syncretic traditions and pragmatic practices continuously having been challenged by centrifugal forces of differentiation. This anthology explores representations and managements of religious diversity in Japan, China, South Korea, Vietnam, the Philippines, Indonesia, Sri Lanka, India and diaspora religions originating in these countries, seen through the lenses of history, identity, state, ritual and geography. In addition to presenting empirical cases, the chapters also address theoretical and methodological reflections using Asia as a laboratory for further comparative research of the relevance and use of 'religious diversity'. Religious Diversity in Asia was made possible by a framework grant from the Danish Agency for Science, Technology and Innovation allowing the grant holder (Jørn Borup) and two colleagues (Marianne Q. Fibiger and Lene Kühle) to host a workshop at Aarhus University and to co-arrange workshops in Delhi and Nagoya. We would like to thank professors Arshad Alam and Michiaki Okuyama for hosting these latter workshops at Jawaharlal Nehru University and Nanzan University, and we would like to thank Professor Chong-Suh Kim for the invitation for Jørn Borup to visit Seoul National University. We would also like to extend our gratitude to all the scholars who participated in the workshops and to all the authors we subsequently invited to contribute to our endeavor to create this academically relevant volume.
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Includes index. :
1 online resource. :
9789004415812
Art, Philosophy, and Ideology : Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism /
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This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which he has engaged gives him a unique critical perspective on major debates in philosophical aesthetics and art theory.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697515
Aramaica Qumranica : proceedings of the conference on the Aramaic texts from Qumran at Aix-en-Provence (June 30-July 2, 2008) /
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The Aramaic Dead Sea Scrolls represent roughly 13% of the Qumran library and correspond to a wide range of genres and topics. This book consists of the proceedings of a conference on the Aramaic scrolls from Qumran which took place in Aix-en-Provence in 2008. It includes both the papers themselves and a transcription of the discussions. The 22 papers tackle linguistic, exegetical and historical questions, focusing in particular on: the relation of the Aramaic texts to what we know as the Hebrew Bible; their literary genres; the question of their sectarian or non-sectarian provenance; the character of the corpus, and specifically its relevance to the development of apocalypticism and messianism in the Jewish tradition.
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1 online resource. :
Includes bibliographical references and index. :
9789004194328 :
Available to subscribing member institutions only.
The Alphabetisation of Thought : Orthography, Locke, and Natural Philosophy /
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The Alphabetisation of Thought is a bold and original study about the rise, spread and dominance of orthographic thinking in the Early Modern period. Starting out as a local, grammatical mode of thinking, it soon gained momentum, strength and depth, turning into a development that provoked a wholesale reorganisation of thought along the lines of alphabetical writing. The study brings together an unprecedented range of texts from areas as diverse as grammar, epistemology, classical scholarship, natural philosophy and cryptography. A major source of evidence is Locke's doctrine of ideas as laid out in his Essay Concerning Human Understanding . Echoing the orthographic debate of the preceding 150 years, it affords not only crucial insight into the final stages of the alphabetisation process, but also glimpses of its legacy.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004684850
Poetry in Late Byzantium /
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The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire's final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004699687
Mapping South-South Connections during the Decolonization Process and Cold War (1810-1990) : The Islamicate and Ibero-American Worlds /
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Mapping South-South Connections during the Decolonization Process and Cold War (1810-1990): The Islamicate and Ibero-American Worlds offers a groundbreaking exploration of the period's historical, political, and cultural networks. Through interdisciplinary approaches-from diplomacy and visual culture to women's studies and political science-this volume highlights state and non-state actors who shaped international relations beyond Euro-American paradigms. Rooted in a research project and major international conference, and enriched by additional contributions, it introduces original studies on underexplored connections between Ibero-America and the Islamicate world, often drawing on primary sources difficult to access due to geographic, linguistic, or political barriers. Contributors are Martín Bergel, Fernando Camacho Padilla, Eudald Cortina Orero, Fernando Escribano Martín, Alberto García Molinero, Mario Matus González, Raffaele Mauriello, Reinaldo M. Sánchez Porro, Juan José Vagni, and Barış Ahmet Yörümez.
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1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004755253
Japanese Art - Transcultural Perspectives /
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The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history. See Less
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1 online resource (420 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704176
Insects and Colors between Art and Natural History /
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This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle. See Less
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1 online resource (296 pages) : illustrations. :
Includes bibliographical references and index. :
9789004684553
The Animal Names of the Arab Ancestors : Explaining the Non-human Names of Arab Kinship Groups, Volume 2-1 Appendices /
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In the Arab world, people belong to kinship groups (lineages and tribes). Many lineages are named after animals, birds, and plants. Why? This survey evaluates five old explanations - "totemism," "emulation of predatory animals," "ancestor eponymy," "nicknaming," and "Bedouin proximity to nature." It suggests a new hypothesis: Bedouin tribes use animal names to obscure their internal cleavages. Such tribes wax and wane as they attract and lose allies and clients; they include "attached" elements as well as actual kin. To prevent outsiders from spotting "attached" groups, Bedouin tribes scatter non-human names across their segments, making it difficult to link any segment with a human ancestor. Young's argument contributes to theories of tribal organization, Arab identity, onomastics, and Near Eastern kinship.
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1 online resource (450 pages) : illustrations. :
Includes bibliographical references and index. :
9789004690400
The Mongol Empire between myth and reality : studies in anthropological history /
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In The Mongol Empire between Myth and Reality , Denise Aigle presents the Mongol empire as a moment of contact between political ideologies, religions, cultures and languages, and, in terms of reciprocal representations, between the Far East, the Muslim East, and the Latin West. The first part is devoted to "The memoria of the Mongols in historical and literary sources" in which she examines how the Mongol rulers were perceived by the peoples with whom they were in contact. In "Shamanism and Islam" she studies the perception of shamanism by Muslim authors and their attempts to integrate Genghis Khan and his successors into an Islamic framework. The last sections deal with geopolitical questions involving the Ilkhans, the Mamluks, and the Latin West. Genghis Khan's successors claimed the protection of "Eternal Heaven" to justify their conquests even after their Islamization.
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1 online resource. :
Includes bibliographical references and index. :
9789004280649 :
Available to subscribing member institutions only.
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index
The Apostles in Early Christian Art and Poetry /
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The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ's stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.
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Revision of the author's thesis (Ph. D.--Radboud Universiteit Nijmegen, 2014). :
1 online resource. :
Includes bibliographical references and index. :
9789004309746 :
Available to subscribing member institutions only.