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منشور في 1992
Paul's glory-christology : tradition and rhetoric /

: In 1927 C.A.A. Scott, while commenting on the apostle Paul's Christology, remarked that the \'history of the word Glory in the Bible has yet to be written.\' By using methodology developed in semantics, semiotics, and, more generally, literary theory, Newman examines the origin and rhetoric of Paul's Glory-Christology. The investigation involves three distinct tasks: (1) to plot the tradition-history of Glory which formed part of Paul's linguistic world, (2) to examine Paul's letter, in light of the reconstructed tradition-history of Glory, in order to discern the rationale of Paul's identification of Christ as Glory and, (3) to map out the implications of such an identification for Paul's theological and rhetorical strategy. On the basis of this study, four conclusions are reached for understanding Paul. First, Paul inherited a symbolic universe with signs already \'full\' of signification. Second, knowing the (diachronically acquired) connotative range of a \'surface\' symbol (e.g. Glory) aids in discerning Paul's precise contingent strategy. Third, knowing the \'surface\' symbol's referential power defines and contributes to the \'deeper structure\' of Paul's theological grammar. Finally, the heuristic power within the construals of the Glory tradition coalesce in Paul's Christophany and thus provide coherence at the \'deepest\' level of Paul's Christology.
: Revision of the author's thesis (Ph. D.)--Baylor University, 1989. : 1 online resource (xvi, 305 pages) : Includes bibliographical references (p. 248-281) and indexes. : 9789004267022 : 0167-9732 ; : Available to subscribing member institutions only.

منشور في 1993
Narrative setting and dramatic poetry /

: This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
: Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. : 1 online resource (178 pages) : Includes bibliographical references (p. 162-168) and index. : 9789004329201 : 0169-8958 ; : Available to subscribing member institutions only.