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Leonardo da Vinci and Architecture /
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Found scattered among his numerous manuscripts, Leonardo's studies on architecture were conceived during an artistic journey of close to fifty years while their author was in the service of the most prestigious patrons. Dealing with churches, ephemeral monuments, urban reconstruction, fortifications, palaces and villas, and painted architecture-mostly ideal in nature-they are part of the architectural evolution of the late quattrocento and early cinquecento. Leonardo's drawings assimilate the ideas of the pioneers of Renaissance architecture and focus on particular aspects, such as interventions on existing structures, classical orders, staircases, and decoration. Leonardo's analysis sheds light on dialogues with Bramante, Francesco di Giorgio, Giuliano da Sangallo, Michelangelo, Baldassare Peruzzi and Antonio da Sangallo the Younger and allows us to better understand whether his contributions were innovative, or singular interpretations of the achievements of his time. This is an augmented translation of Leonardo e l'architettura (Modena: Franco Cosimo Panini, 2019)
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1 online resource (302 pages) : illustrations. :
Includes bibliographical references and index. :
9789004537279
Anatomies of the Gospels and beyond : essays in honor of R. Alan Culpepper /
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Anatomies of the Gospels and Beyond is an edited volume structured around essays that focus on one of the four canonical Gospels (and Acts) and/or theoretical issues involved in literary readings of New Testament narrative. The volume is intended to honor the legacy of R. Alan Culpepper, Emeritus Professor and Former Dean at Mercer University's McAfee School of Theology. The title of the volume (which alludes to the title of Culpepper's ground-breaking monograph, Anatomy of the Fourth Gospel ) and the breadth of the essays are apt reflections of his research interests over his academic career of over forty years. The twenty-five contributors are internationally recognized experts in New Testament studies; thus, the essays represent a snapshot of current research.
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Includes index. :
1 online resource. :
9789004373501 :
0928-0731 ; :
Available to subscribing member institutions only.
Embodied aesthetics : proceedings of the 1st International Conference on Aesthetics and the Embodied Mind, 26th-28th August 2013 /
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This volume discusses the role of embodiment in the reevaluation of aesthetics as a process of bodily mediated meaning-making. It focuses on the bodily basis of aesthetic appreciation from an evolutionary point of view, on the bodily physical structures such as the brain involved in perception, on aesthetic experience and appreciation, on the role of physiological responses in experiencing the objects of the environment aesthetically, on the role of one's own body in motion in the engagement with the environment, on somatic responses and the experience of meaning, on the pre-reflective experience of the body, on the role of the interplay of different types of physical and sensory activities in the process of education to art appreciation.
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Includes index. :
1 online resource (vii, 150 pages) : illustrations (some color) :
9789004281516 :
0922-6001 ; :
Available to subscribing member institutions only.
Royal Funerary Equipment of a King Sobekhotep at South Abydos: Evidence for the Tombs of Sobekhotep IV and Neferhotep I? /
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Recent excavations at South Abydos have produced evidence for the date and ownership of a group of royal tombs adjacent to the tomb enclosure of Senwosret III. Tombs S9 and S10, two structures investigated initially by Arthur Weigall, are late Middle Kingdom royal tombs constructed using the distinctive format of the late Middle Kingdom royal pyramid interiors known primarily from the Memphite region. Excavations during 2013–2015 in and around tomb S10 now permit its attribution to one of the Thirteenth Dynasty Sobekhotep kings. Evidence includes a monumental funerary stela bearing the nomen Sobekhotep that appears to derive from a now-destroyed chapel associated with S10. The stela was likely reused in an adjacent intrusive tomb: that of the Second Intermediate period king, Woseribre-Senebkay. In Senebkay’s tomb, excavation revealed that king’s canopic chest, constructed from reused planks that had originally belonged to the cofn of a king Sobekhotep. The original painted texts include a distinctive set of Cofn Texts (Spells 777–785), examples of which date to the middle–late Thirteenth Dynasty. The probable chronological range of these spells, paired with additional lines of evidence suggest that S10 is the burial place of one of the longer-reigning Sobekhotep kings of the middle Thirteenth Dynasty, likely Sobekhotep IV. The proximity of S10 to the similarly designed tomb S9 implies royal burials at South Abydos of two closely connected kings, the brother kings Neferhotep I and Sobekhotep IV, who were unusually active at Abydos and may have chosen to associate their tombs with the mortuary complex of Senwosret III. During the later Second Intermediate period, Senebkay (ca. 1650–1600 BCE) and associated kings reused both funerary equipment and materials from these late Middle Kingdom tombs.
Houses in Graeco-Roman Egypt : arenas for ritual activity /
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This book examines different forms of ritual activities performed in houses of Graeco-Roman Egypt. It draws on the rich archaeological record of rural housing and evidence from literature or papyrological references to both urban and rural housing. The introduction critically considers the literature relevant to the topic in order to identify the research gap. Chapter I attempts to reconstruct the structure of urban and rural houses in Graeco-Roman Egypt in the light of papyri and archaeology. This aims to establish the physical and spatial framework for the rituals considered in the following chapters. In line with this reconstruction of domestic properties is the reconstruction of the architectural layout and use of the domestic pylon in Chapter II. Chapter III deals with two rituals enacted before the front door of the house, namely the sacrifice of fish on the 9th of Thoth and the sacrifice of pigs on the 15th of Pachon. Chapter IV considers the ritual of the illumination of lamps for the goddess Athena-Neith within and around houses on the 13th of Epeiph. Chapter V highlights the use of the house as an arena for social types of rituals associated with dining, birthdays, the mallokouria, the epikrisis, and marriage. Chapter VI explores the religious sphere of houses, which is obvious from domestic shrines, wall paintings with religious themes, and figurines of Egyptian and Graeco-Roman deities uncovered from houses. The last chapter deals with mourning rituals, which the house occupants performed after the demise of their beloved animals, such as dogs, and their family members. In the conclusion, I summarize my work and draw out its implications, suggesting that the house was the locus of social, religious, and funerary rituals in Graeco-Roman Egypt.
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vii, 104 pages : illustrations (some color) ; 29 cm. :
Bibliography : pages 93-104. :
9781784914370
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter.
Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten.
The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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732pic :
The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.
Philological and historical commentary on Ammianus Marcellinus XXVII /
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Book 27 deals with events between 365 and 370. Military operations in the western and eastern half of the Empire take up a large part of the available space. Apart from military matters Ammianus deals with internal affairs. He discusses the terms of office of four Roman urban prefects and paints a picture of Petronius Probus, the mightiest civil official of the period. The most striking part of the book contains a portrait of the emperor Valentinian. This passage forms the centre of the book, which therefore has the structure of a triptych: of the two outer parts each contains military affairs in the West and the East and reports on some notable non-military events, whilst in the central panel Valentinian takes pride of place.
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1 online resource. :
Includes bibliographical references (p. [295]-315) and indexes. :
9789004188389 :
Available to subscribing member institutions only.