from structures » from structure (توسيع البحث), room structures (توسيع البحث), some structures (توسيع البحث)
structures east » structure fast (توسيع البحث), structures et (توسيع البحث), structures part (توسيع البحث)
east painting » easel painting (توسيع البحث), vase painting (توسيع البحث), vase paintings (توسيع البحث)
Anatomies of the Gospels and beyond : essays in honor of R. Alan Culpepper /
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Anatomies of the Gospels and Beyond is an edited volume structured around essays that focus on one of the four canonical Gospels (and Acts) and/or theoretical issues involved in literary readings of New Testament narrative. The volume is intended to honor the legacy of R. Alan Culpepper, Emeritus Professor and Former Dean at Mercer University's McAfee School of Theology. The title of the volume (which alludes to the title of Culpepper's ground-breaking monograph, Anatomy of the Fourth Gospel ) and the breadth of the essays are apt reflections of his research interests over his academic career of over forty years. The twenty-five contributors are internationally recognized experts in New Testament studies; thus, the essays represent a snapshot of current research.
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Includes index. :
1 online resource. :
9789004373501 :
0928-0731 ; :
Available to subscribing member institutions only.
Philological and historical commentary on Ammianus Marcellinus XXVII /
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Book 27 deals with events between 365 and 370. Military operations in the western and eastern half of the Empire take up a large part of the available space. Apart from military matters Ammianus deals with internal affairs. He discusses the terms of office of four Roman urban prefects and paints a picture of Petronius Probus, the mightiest civil official of the period. The most striking part of the book contains a portrait of the emperor Valentinian. This passage forms the centre of the book, which therefore has the structure of a triptych: of the two outer parts each contains military affairs in the West and the East and reports on some notable non-military events, whilst in the central panel Valentinian takes pride of place.
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1 online resource. :
Includes bibliographical references (p. [295]-315) and indexes. :
9789004188389 :
Available to subscribing member institutions only.
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter.
Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten.
The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.