scholars iraq » scholars arab (توسيع البحث), scholars great (توسيع البحث), schools iraq (توسيع البحث)
scholars iran » scholars arab (توسيع البحث), scholars france (توسيع البحث), scholars great (توسيع البحث)
Early Islam between Myth and History : Al-Ḥasan al-Baṣrī (d. 110H/728CE) and the Formation of His Legacy in Classical Islamic Scholarship /
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This volume examines the process through which a historical character named al-Ḥasan al-Baṣrī was transformed into a myth by several groups in medieval Islam. Al-Ḥasan lived in the city of Basra, southern Iraq, and was famed for his piety, which attracted to him a large number of disciples who went on to play important roles in the formation of several religious trends. The literary corpus (sayings, stories and letters) ascribed to him has been used as a window into early Islamic religious and intellectual thought. But as this study shows, this corpus was largely forged in different periods, in some cases even a thousand years after al-Ḥasan's death. It tells us more about the beliefs of those who forged the sayings, stories and letters rather than about al-Ḥasan's thought and time.
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1 online resource. :
Includes bibliographical references and index. :
9789047416708
9789004148291
Arab painting : text and image in illustrated Arabic manuscripts /
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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
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Includes addenda and corrigenda. :
1 online resource. :
Includes bibliographical references and index. :
9789004236615 :
0169-9423 ; :
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