structures chapter » scriptures chapter (Expand Search), pictures chapter (Expand Search), statues chapter (Expand Search)
hebrew structures » hebrew scriptures (Expand Search), hebrew scripture (Expand Search), deep structures (Expand Search)
chapter third » chapter thirty (Expand Search), chapter three (Expand Search), chapter thirteen (Expand Search)
Cantos and strophes in biblical Hebrew poetry II : Psalms 42-89 /
:
This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
:
Sequel to: Cantos and strophes in biblical Hebrew poetry, with special reference to the first book of the Psalter (Oudtestamentische studiën ; d. 53). :
1 online resource. :
Includes bibliographical references (p. [561]-566) and index. :
9789004182332 :
Available to subscribing member institutions only.
Song of song s a close reading /
:
This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole.
:
1 online resource. :
Includes bibliographical references (p. [509]-521) and indexes. :
9789004203709 :
Available to subscribing member institutions only.