Fun with hieroglyphs /
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Introduces Egyptian hieroglyphs, indicates how they correspond to the English alphabet, and explains how to use them to write words and sentences. Includes rubber stamps and an ink pad for printing messages.
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Issued in a case (29 cm.) with 24 rubber stamps and ink pad. :
63 p. : ill. ; 14 x 15 cm. :
0870996002
0670835765
9780870996009
9780670835768
An account of some recent discoveries in hieroglyphical literature and Egyptian antiquities...
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Thomas Young (1773-1829) was an English physician who was one of the first modern scholars to attempt to decipher ancient Egyptian hieroglyphs. This book, first published in 1823, provides a summary of Young's hieroglyphic research, which he believed Champollion had used without acknowledgement in his important 1822 translations.
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xv, 160 pages ; 24 cm. :
9781108017169
From single sign to pseudo-script : an ancient Egyptian system of workmen's identity marks /
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Writing is not the only notation system used in literate societies. Some visual communication systems are very similar to writing, but work differently. Identity marks are typical examples of such systems, and this book presents a particularly well-documented marking system used in Pharaonic Egypt as an exemplary case. From Single Sign to Pseudo-Script is the first book to fully discuss the nature and development of an ancient marking system, its historical background, and the fascinating story of its decipherment. Chapters on similar systems in other cultures and on semiotic theory help to distinguish between unique and universal features. Written by Egyptologist Ben Haring, the book addresses scholars interested in marking systems, writing, literacy, and the semiotics of visual communication.
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1 online resource (xvi, 291 pages) : illustrations. :
Includes bibliographical references and index. :
9789004357549 :
Available to subscribing member institutions only.
The poetics of grammar and the metaphysics of sound and sign /
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This book examines the seemingly universal notion of a grammatical cosmos. Individual essays discuss how many of the great civilizations provide cognitive maps that emerge from a metaphysical linguistics in which sounds, syllables and other signs form the constructive elements of reality. The essays address cross-cultural issues such as: Why does grammar serve as a template in these cultures? How are such templates culturally contoured? To what end are they applied - id est, what can one do with grammar - , and how does it work upon the world? The book is divided into three sections that deal with the metaphysics of linguistic creation; practices of encoding and decoding as a means of deciphering reality; and language in the widest sense as a medium for self- and cultural transformation. Contributors include: Jan Assman, Sara Sviri, Michael Stone, M. Finkelberg, Yigal Bronner, Martin Kern, Brouria Bitton-Ashkelony, Dan Martin, Jonathan Garb, Tom Hunter, David Shulman, and Sergio La Porta.
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1 online resource. :
Includes bibliographical references and index. :
9789047421658 :
Available to subscribing member institutions only.
Luwian identities : culture, language and religion between Anatolia and the Aegean.
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The Luwians inhabited Anatolia and Syria in late second through early first millennium BC. They are mainly known through their Indo-European language, preserved on cuneiform tablets and hieroglyphic stelae. However, where the Luwians lived or came from, how they coexisted with their Hittite and Greek neighbors, and the peculiarities of their religion and material culture, are all debatable matters. A conference convened in Reading in June 2011 in order to discuss the current state of the debate, summarize points of disagreement, and outline ways of addressing them in future research. The papers presented at this conference were collected in the present volume, whose goal is to bring into being a new interdisciplinary field, Luwian Studies. \'To conclude, the editors of this volume on Luwian identities and the authors of the individual papers are to be congratulatedwith a successful sequel to TheLuwians of 2003 edited by Melchert and with yet another substantial brick in the foundation of the incipient discipline of Luwian studies.\' Fred C. Woudhuizen
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Description based upon print version of record. :
1 online resource (612 pages) :
9789004253414 :
Available to subscribing member institutions only.
A history of the animal world in the ancient Near East /
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This book is about all aspects of man's contact with the animal world; sacrifice, sacred animals, diet, domestication, in short, from the sublime to the mundane. Chapters on art, literature, religion and animal husbandry provide the reader with a complete picture of the complex relationships between the peoples of the Ancient Near East and (their) animals. A reference guide and key to the menagerie of the Ancient Near East, with ample original illustrations.
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1 online resource (xxii, 620 pages) : illustrations. :
Includes bibliographical references (p. 537-601) and index. :
9789047400912 :
Available to subscribing member institutions only.
Vocalisation in group writing : a new proposal /
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The so-called group writing or syllabic orthography is a special orthography used in Egyptian hieroglyphic texts starting from the New Kingdom/Late Bronze Age. The nature and function of this orthography, especially the way it notates vowels, has been a topic of debate for more than a century, without any consensus being reached. In this book, Marwan Kilani presents a new interpretative model that provides a fresh explanation of how the syllabic orthography notates vowels. The author starts from a critical reanalysis of previous suggestions and from a thorough reassessment of the evidence. He then infers the functioning of the system by comparing the group writing spelling of Late Egyptian words surviving in Coptic with the reconstructions of their vocalizations. This approach leads to the recognition of a system that not only coherently explains all the spellings attested in the corpus, but which also produces interpretations of the spellings in group writing that agree with current reconstructions of the Egyptian vocalization. The book contains indexes and an Appendix listing the words analysed in the study.
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vi, 149 pages : illustrations ; 24 cm. :
Includes bibliographical references and indexes. :
9783943955200
3943955206 :
0946-8641;
Inschriften im ägyptischen Museum Leipzig - Georg Steindorff - der Universität Leipzig.
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This book covers a large part of the period of time in which hieroglyphs and derived scripts including the alphabetically written coptic were used. From hieroglyphic inscriptions on steles and sarcophagi, wishful phrases on amulets through schoolbooks, employment contracts and debts in hieratic script, to an insight into the Mesopotamian cuneiform culture, this volume offers an exciting insight into the different areas of ancient Egyptian life
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116 pages : illustrations (cheifly color), map ; 21 cm. :
Includes bibliographical references (pages 94-101) :
9783447106771
Compositional Format and Spell Sequencing in Early Versions of the Book of the Dead /
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Recent studies of the early development of the Book of the Dead have tended to focus on the content of this group of spells, the objects on which the spells are written, the sequences in which they occur, and their early prototypes, which appear on Middle Kingdom coffins. The physical presentation of the first texts that can be described as fully in the Book of the Dead tradition, however, illustrates how scribes addressed the challenges of transmission of this mortuary corpus hand in hand with the evolution of novel burial practices in the Theban region beginning in the late Second Intermediate period, including the introduction of anthropomorphic coffins, linen shrouds, and papyrus rolls. Both hieratic and cursive hieroglyphic scripts were employed on these media, along with compositional formats suitable to them, as well as the appearance of scribal sketches that evolved into the vignettes for which the quintessential New Kingdom Books of the Dead are justly renowned. An “Ahmoside” sequencing tradition prior to the co-rule of Hatshepsut/Thutmose III is further defined, and the codicil to BD 72 is examined for its relation to the use of linen versus papyrus in Theban burials of the period. http://dx.doi.org/10.5913/jarce.55.2019.a003
Hieratic: An Ancient Egyptian Cursive Script
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Hieratic was the most widely used script in ancient Egypt, but is today relatively unknown outside Egyptology. Generally written with ink and a brush, it was the script of choice for most genres of text, in contrast to hieroglyphs which was effectively a monumental script. The surviving papyri, ostraca and writing boards attest to the central role of hieratic in Egyptian written culture, and suggest that the majority of literate people were first (and not infrequently only) trained in the cursive script. This Element traces the long history of hieratic from its decipherment in the 19th Century back to its origins around 2500 BC, and explores its development over time, the different factors influencing its appearance, and the way it was taught and used.
Le tombeau de Mererouka : paleographie /
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"This new volume in the collection "Paléographie hiéroglyphique" is dedicated to the mastaba of Mereuka (early 6th dynasty). It examines the 356 hieroglyphic signs carved (and sometimes painted) found in the tomb. The palaeographical commentary defines the nature of each sign considering the other variants in the contemporary sources and details their different uses in the monument as well as in others. The book is illustrated by 108 plates based on the publication of the mastaba by the Oriental Institute of Chicago, presenting a selection of characteristic drawings of the various hieroglyphs identified" -- back cover.
The Oriental Institute publications keyed to this volume are numbers 31 and 39 in the series -- cataloger note. :
xxii, 298 pages : illustrations ; 33 cm. :
bibliography : pages xiii-xxii.
Derrida and Film Studies /
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Derrida and Film Studies views Jacques Derrida's in-depth and meandering ideas within the realm of film. Bringing together audiovisual culture and deconstruction, the book explores the spectral turn of cinema. Seeing the phenomenon of film as impacted by deconstruction and poststructuralism, the essays offer a wide spectrum of perspectives and illustrate the reception of Derrida's thought for a new generation of philosophers of film. Using both well-known and pioneering methodologies, this rich volume is an essential guide for understanding the importance of spectrality, hieroglyphics, writing and difference, and alterity in film.
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1 online resource (281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004729186
