Arabic humanities, Islamic thought : essays in honor of Everett K. Rowson /
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This volume brings together studies that explore the richness of the Arabic literary tradition and of Islamic intellectual life, from the beginnings of Islam to the present. The contributors cover an unusually wide range of subjects, including such topics as guile in the Quran, marriage in Islamic law, early esoterica, commentaries on al-Ḥarīrī's Maqamāt , Hellenistic philosophy in Arabic, medieval music and song, scurrilous poetry, Arabic rhetoric, cursing, the modern social and legal history of the Middle East, al-Kharrat's modernist project, and contemporary Islamic thought and responses to it. The volume's range reflects the enormous breadth of Everett Rowson's scholarship and his impact over a lifetime of publishing, editing, teaching, and mentoring in the many fields that constitute the Arabic humanities and Islamic thought. Contributors: Ali Humayun Akhtar, Thomas Bauer, Hans Hinrich Biesterfeldt, Kevin van Bladel, Marilyn Booth, Michael Cooperson, Kenneth M. Cuno, Geert Jan van Gelder, Hala Halim, Lara Harb, David Hollenberg, Matthew L. Keegan, David Larsen, Joseph E. Lowry, Zainab Mahmood, Jon McGinnis, Jeannie Miller, John Nawas, Bilal Orfali, Alex Popovkin, Dwight F. Reynolds, Susan A. Spectorsky, Tara Stephan, Adam Talib, Sarra Tlili, Shawkat M. Toorawa, James Toth, Mark S. Wagner.
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1 online resource. :
Includes bibliographical references and index. :
9789004343290 :
Available to subscribing member institutions only.
Classical Arabic humanities in their own terms : festschrift for Wolfhart Heinrichs on his 65th birthday /
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The volume brings together approaches to different elements of Arabic-Islamic civilization, mainly in the areas of linguistics, literature, literary theory, and prosody, but also including religion, ritual, economics, and zoology. Contributions also touch upon the adjacent areas of the Old Iranian, Persian, Greek and Byzantine written traditions. Some take as their points of departure specific Arabic words (cat, giraffe) or morphemes; others explore literary genres, subgenres (oration, ode, macaronic poem, travel narrative) or figures within them (the trickster, the devil). Cultural concepts such as wishing, gift-giving or discourse are treated, as are aspects of broader phenomena, such as the role of gender in dream interpretation or the relative merits of luxury goods and mass-produced commodities.
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1 online resource. :
Includes bibliographical references and index. :
9789047423812 :
Available to subscribing member institutions only.
How the Human Arrived in Islam and Then Disappeared : From Athens to Baghdad /
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This book argues that while the concept of the human being was a Greek invention, its reinvention was Arab before it was European. Born in Greece in the fourth century BCE, this concept of the human being disappeared at the end of Late Antiquity, before reappearing in the Abbasid Near East. It was Muslim rationalist theologians who revived it in their theodicy of a just God who can only be just by recognizing the agency of human beings in their voluntary acts. Later, Arabic-speaking philosophers gave it a space of its own under the name of 'human sciences,' in the 9th century. But a traditional theology got the better of it. Its reappearance had to wait for the European Renaissance, while retaining its Arab origins.
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1 online resource (550 pages) : illustrations. :
Includes bibliographical references and index. :
9789004700444
The cosmic script : sacred geometry and the science of Arabic penmanship /
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"A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots Explores the sacred geometry of each letter form of the Arabic alphabet as attributed to renowned 10th-century scribe Ibn Muqla Traces Ibn Muqla's system to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam A richly illustrated, two-volume presentation of decades of research with more than 430 full-color illustrations Calligraphy is the central visual art of Islam. At its core resides a perennial challenge: What letter shapes traced by human hands are rightful bearers of the divine message? The answer lies in the "Proportioned Script" of Ibn Muqla, renowned scribe, man of letters, and minister under the great Abbasid Caliphate in 10th-century Baghdad. Emphasizing harmony and geometry, Ibn Muqla's system has governed the practice of Arabic scribal art up to the present day. In this two-volume, richly illustrated study, Ahmed Moustafa and Stefan Sperl analyze each letter form of Ibn Muqla's perfected penmanship and share their decades of research on Islamic letter shapes, revealing the history, linguistics, philosophy, theology, and sacred geometry that underlie this spiritual art form. In volume one the authors reveal the trilogy of prophecy, penmanship, and geometry at the foundation of Ibn Muqla's Proportioned Script. Providing a fully illustrated analysis of Islamic calligraphy's geometrical principles as transmitted in surviving writings and key manuscript sources, they examine the geometric grid of square, circle, and hexagon that informs the pen strokes of each letter shape and explore how the golden ratio appears within the matrix of the grid. They examine the development of Ibn Muqla's system in the context of the sciences, arts, and penmanship of 10th-century Baghdad and trace its origins to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam. In volume two the authors analyze the calligraphic forms of each letter of the Arabic alphabet. They decode the sacred geometry of each form as it appears within the geometric grid, providing letter samples from ancient sources. Unearthing the theoretical and scientific foundations of Arabic calligraphy, this landmark study examines the aesthetic implications of Ibn Muqla's theory for the visual, verbal, and aural arts of Islam as well as the Islamic mystical tradition"--
""A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots"--Provided by publisher"--
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2 volumes : illustrations (chiefly color) ; 29 x 34 cm. :
Includes bibliographical references and index. :
9781620553961 (hardback : set)
Le corps dans le roman des écrivaines syriennes contemporaines : dire, écrire, inscrire la différence /
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Le Corps dans le roman des écrivaines syriennes contemporaines , de Martina Censi, explore les représentations du corps dans un corpus de romans en arabe publiés (entre 2004 et 2011) par six écrivaines syriennes. L'auteure conjugue l'analyse du texte littéraire avec la critique féministe et les études de genre. Par cette approche interdisciplinaire, Censi démontre que l'attention reservée par ces écrivaines aux représentations du corps féminin et masculin témoigne de leurs engagements dans la lutte pour l'émancipation des femmes, mais aussi, et surtout, dans celle pour l'affirmation de l'individu dans la société syrienne contemporaine. Les corps des personnages, marqués par leur différence unique, sont le lieu symbolique de la négociation entre les instances individuelles et collectives. In Le Corps dans le roman des écrivaines syriennes contemporaines , Martina Censi explores the representation of the body in a selection of Arabic novels published (between 2004 and 2011) by six Syrian women authors. Taking an interdisciplinary approach, which combines analysis of the literary texts with Feminist Criticism and Gender Studies, Censi demonstrates that, by focusing on the representation of female and male bodies, these novelists deal not only with feminist issues related to women's emancipation. The author reveals that they also engage in a broader analysis concerning the status of the individual in contemporary Syrian society. Marked by their unique difference, the characters' bodies become the symbolic location for the negotiation between individual and collective claims.
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1 online resource. :
Includes bibliographical references and index. :
9789004315259 :
Available to subscribing member institutions only.
The crisis of citizenship in the Arab world /
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The Crisis of Citizenship in the Arab World argues that the present crisis of the Arab world has its origins in the historical, legal and political development of state-citizen relations since the beginning of modern history in the Middle East and North Africa. The anthology covers three main topics. Part I focuses on the crisis of the social pact in different Arab countries as it became manifest during the Arab Uprisings. Part II concentrates on concepts of citizenship in Islamic doctrine, Islamic movements (Muslim Brotherhood and Salafism), secular political movements and Arab thinkers. Part III looks into the practices that support the claims to equal rights as well as the factors that have obstructed full citizen rights, such as patronage and clientelism. Contributors are: Ida Almestad, Claire Beaugrand, Assia Boutaleb, Michaelle Browers, Nils Butenschøn, Anthony Gorman, Raymond Hinnebusch, Engin F. Isin, Rania Maktabi, Roel Meijer, Emin Poljarevic, Ola Rifai, James Sater, Rachel Scott, Jakob Skovgaard-Petersen, Robert Springborg, Stig Stenslie, Morten Valbjørn, Knut S. Vikør and Sami Zemni. For the Introduction, please click here
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1 online resource. :
Includes bibliographical references and index. :
9789004340985 :
Available to subscribing member institutions only.
History of Italian Philosophy.
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This book is a treasure house of Italian philosophy. Narrating and explaining the history of Italian philosophers from the Middle Ages to the twentieth century, the author identifies the specificity, peculiarity, originality, and novelty of Italian philosophical thought in the men and women of the Renaissance. The vast intellectual output of the Renaissance can be traced back to a single philosophical stream beginning in Florence and fed by numerous converging human factors. This work offers historians and philosophers a vast survey and penetrating analysis of an intellectual tradition which has heretofore remained virtually unknown to the Anglophonic world of scholarship.
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1 online resource (1438 pages) :
9789401205221 :
Available to subscribing member institutions only.
From the Greeks to the Arabs and Beyond : Volume 2: Islamic Philosophy /
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From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields. Vol. I: Graeco-Syriaca and Arabica. Vol. II: Islamic Philosophy. Vol. III: From God's Wisdom to Science : A. Islamic Theology and Sufism ; B. History of Science. Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages ; B. Manuscripts - a Basis of Knowledge and Science ; C. History of the Discipline ; D. Obituaries ; E. Indexes. Vol. V: Unknown Arabic Manuscripts from Eight Centuries - Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III. Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV.
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1 online resource. :
Includes bibliographical references and index. :
9789004441811
9789004441781
Lenn E. Goodman : Judaism, humanity, and nature /
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Lenn E. Goodman is Professor of Philosophy and Andrew W. Mellon Professor in the Humanities at Vanderbilt University in Nashville, Tennessee. Trained in medieval Arabic and Hebrew philosophy and intellectual history, his prolific scholarship has covered the entire history of philosophy from antiquity to the present with a focus on medieval Jewish philosophy. A synthetic philosopher, Goodman has drawn on Jewish religious sources (e.g., Bible, Midrash, Mishnah, and Talmud) as well as philosophic sources (Jewish, Muslim, and Christian), in an attempt to construct his own distinctive theory about the natural basis of morality and justice. Taking his cue from medieval Jewish philosophers such as Maimonides, Goodman offers a new theoretical framework for Jewish communal life that is attentive to contemporary philosophy and science.
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1 online resource (xv, 239 pages) :
Includes bibliographical references (p. 231-239). :
9789004280762 :
2213-6010 ; :
Available to subscribing member institutions only.
The Philosophical Colony: Writing the History of Philosophy in the Eighteenth and Nineteenth Centuries /
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In the eighteenth and nineteenth centuries, ethnologists, linguists, historians, and especially historians of philosophy identified other "cultures," which they distinguished from the West in order to subject them to empirical study. Consequently, Europe was conceived as the unique territory of philosophy, analytical rationality, and reflexive thinking. This book offers an interdisciplinary history of the history of philosophy and investigates how the scientific imagination was constructed in the West. It contributes to debates on the ideological assumptions and political aims of the European social sciences and humanities.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9789004721432
De la figuration humaine au portrait dans l'art islamique /
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Ce livre présente une étude historique et culturel sur l'art figuration humaine et le portrait dans un contexte islamique médiéval basé sur des sources littéraires et iconographiques. Avec: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati This book presents an art historical and cultural study of human figuration and portraiture in a medieval islamic context, based on literary and iconographic sources. With contributions by: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati
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1 online resource (xii, 218 pages) : color illustrations. :
Includes bibliographical references and index. :
9789004283855 :
Available to subscribing member institutions only.