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Images of the Nation : Different Meanings of Dutchness, 1870-1940 /
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This collection of case studies investigates the significance and function of national identity. The authors see national consciousness in terms of the circumstances in which it arose, and in terms of the meaning which it had for a specific group or individual. Representations of the nation could serve to legitimize or support specific political or social agendas, or to provide people with a point of fixity amidst changing circumstances. The articles in this volume trace these aspects of national consciousness in the case of a single country: The Netherlands.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9789004654952
Images of eternal beauty in funerary verse inscriptions of the Hellenistic and Greco-Roman periods /
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In 'Images of Eternal Beauty in Funerary Verse Inscriptions of the Hellenistic and Greco-Roman Periods Andrzej Wypustek provides a study of various forms of poetic heroization that became increasingly widespread in Greek funerary epigram. The deceased were presented as eternally young heroes, oblivious of old age and death, as stars shining with an eternal brightness in heavens or in Ether, or as the ones chosen by the gods, abducted by them to their home in the heavens or married to them in the other world (following the examples of Ganymede, Adonis, Hylas and Persephone). The author demonstrates that, for all their diversity, the common feature of these verse inscriptions was the praise of beauty of the dead.
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1 online resource (xii, 245 pages) : illustrations. :
Includes bibliographical references and index. :
9789004233201 :
Available to subscribing member institutions only.
Rhétorique et image : Textes en Hommage à Á. Kibédi Varga /
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Ce livre est centré sur une problématique exclusive, fascinante autant que complexe, celle des rapports entre texte et image. Les auteurs, venus d'horizons très divers - théoriciens et historiens de la littérature et de l'art, philosophes, poètes - invitent le lecteur à lire un tableau de Chardin avec Proust, à interpréter Wilde à travers Whistler, ou à commenter Diderot avec Goethe. Poésie et roman, critique et commentaire, peinture et architecture, typographie et photographie sont convoqués concurremment pour comprendre les textes littéraires et les arts plastiques à partir du dialogue qu'ils n'ont cessé d'entretenir. Les contributions savantes, richement illustrées, sont encadrées par deux poèmes inédits. Ainsi l'inspiration précède et dépasse l'érudition. Ce recueil s'adresse au cœur, à l'œil et à l'esprit de lecteurs prêts à passer allègrement les frontières convenues entre texte et image, théorie et histoire, savoir et création.
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Includes bibliographical references and index. :
9789004650619
Word becomes image : openwork vessels as a reflection of late antique transformation /
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This study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving.
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1 online resource : illustrations (black and white). :
Specialized. :
Includes bibliographical references. :
9781784911300 (PDF ebook) :
Coining images of power : patterns in the representation of Roman emperors on imperial coinage, A.D. 193-284 /
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Current scholarship on Roman imperial representation addresses both the ways in which individual rulers presented themselves to their subjects and how particular aspects of imperial representation developed over time. This book combines these two approaches. It examines the diachronic development of the representation of Roman imperial power as a whole in one medium over a longer period of time. Through a quantitative and qualitative analysis of coin types issued between A.D. 193 and 284, patterns in the representation of third-century Roman emperors on imperial coinage are made visible. The result is a new perspective on the development of imperial ideology in times of crisis.
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1 online resource (xvii, 363 pages) : illustrations. :
Includes bibliographical references and index. :
9789004224001 :
1572-0500 ; :
Available to subscribing member institutions only.
Divine images and human imaginations in Ancient Greece and Rome /
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The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
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Paperback version published 2015. :
1 online resource (xvi, 437 pages) : illustrations, map, plans. :
Includes bibliographical references (p. 303-359) and indexes. :
9789047441656 :
0927-7633 ; :
Available to subscribing member institutions only.
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242
Prefacing the Image : The Writing of Art History in Sixteenth-Century Iran /
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This book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
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1 online resource. :
Includes bibliographical references and index. :
9789004491830
9789004113763
In Hathor's image.
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This first volume contains a prosopographical register of the queens of Egypt from Dynasties I-VI and concentrates on providing an evidence-based assessment of the Egyptian queen within an historical setting. The temporal position of each woman, the monuments and titles she possessed, her familial links and any relevant iconography available are presented.
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One chart on folded leaf in pocket. :
xviii, 405 pages : illustrations, plans, geneal. tables ; 31 cm. + 1 chart (29 x 80 cm folded to 29 x 20). :
Includes bibliographical references (pages [347]-398) and index. :
9788073083816
Company of images : modelling the imaginary world of Middle Kingdom Egypt (2000-1500 BC) /
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From prehistoric figurines and graffiti to modern digital photographs, human beings repeatedly produced images, transforming the world itself into a relentless fabric of images. This volume presents the proceedings of the international conference held at the Institute of Archaeology - UCL, London in 2014 inside the framework of the European project 'EPOCHs', with the aim to explore the fertile imaginary world of Middle Bronze Age Egypt (2000-1500 BC). The final goal is to highlight theoretical and methodological issues in order to explore connections between the images and their society, people who created images and who were recursively affected by the images they created.
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xiv, 511 pages : illustrations (some color), maps, plans ; 26 cm. :
Includes bibliographical references. :
9789042934955
Esoteric images : decoding the late Herat school of painting /
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In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.
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Based on the author's thesis (Hebrew University of Jerusalem, 2012) under alternative title: Pictorial language of the Herat school of painting. :
1 online resource. :
Includes bibliographical references and index. :
9789004398412