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Early Islamic Syria : an archaeological assessment /
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"This book offers an innovative assessment of social and economic developments in Syria-Palestine shortly before, and in the two centuries after, the Islamic expansion (the later sixth to the early ninth century AD), drawing on a wide range of new evidence from recent archaeological work. Alan Walmsley challenges conventional explanations for social change with the arrival of Islam, arguing forconsiderable cultural and economic continuity rather than devastation and unrelenting decline. Much new, and increasingly non-elite, architectural evidence and an ever -growing corpus of material culture indicate that Syria- Palestine entered a new age of social richness in the early Islamic period, even if the gains were chronologically and regionally uneven."--Jacket.
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176 pages : illustrations, maps ; 22 cm. :
Includes bibliographical references (pages 156-170) and index
In the shadow of the church : the building of mosques in early medieval Syria /
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In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
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1 online resource. :
Includes bibliographical references and index. :
9789004328839 :
Available to subscribing member institutions only.
The Great Mosque of Damascus : Studies on the Makings of an Umayyad Visual Culture /
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The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. 'Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.
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1 online resource. :
Includes bibliographical references and index. :
9789004491618
9789004116382
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
The Image of an Ottoman City : Imperial Architecture and Urban Experience in Aleppo in the 16th and 17th Centuries /
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This urban and architectural study of Aleppo, a center of early modern global trade, draws upon archival and narrative texts, architectural evidence, and contemporary theoretical discussions of the relation between imperial ideology, urban patterns and rituals, and architectural form. The first two centuries of Ottoman rule fostered tremendous urban development and reorientation through judiciously sited acts of patronage. Monumental structures endowed by Ottoman officials both introduced a new imperial architecture from Istanbul and incorporated formal elements from the local urban visual language. By viewing the urban and social contexts of these acts, tracing their evolution over two centuries, and examining their discussion in Ottoman and Arabic sources, this book proposes a new model for understanding the local reception and adaptation of imperial forms, institutions and norms.
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1 online resource. :
Includes bibliographical references and index. :
9789047404224
9789004124547
العمارة القديمة في سوريا: جنوب حوران : [Ancient Architecture in Syria: Southern Hauran] /
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The Ancient Architecture in Syria (Southern Hauran) , written by Howard C. Butler and translated by Aisha Moussa, is the product of studying 65 ancient sites in Southern Hauran. It focuses on the archeological and architectural heritage and presents detailed drawings of plans; restoration of buildings; and photographs of monuments, inscriptions and sculptures. The book covers the late pre-historic, Nabataean, Roman, Christian, and early Islamic periods (1st century B.C.E.- 7th century C.E.). Many of the monuments described by Butler have long since disappeared or been destroyed, so this book provides an invaluable, thorough, detailed, and photographic documentation of the archeological treasure in Syria, the cradle of civilizations, particularly in view of the current pressing need for development and investment there. يعد كتاب العمارة القديمة في سوريا (جنوب حوران) ، من تأليف هوارد كروسبي باتلر وترجمة عائشة موسى، ثمرة دراسة 56 موقعًا أثريًا قديمًا في جنوب حوران. ويتناول الكتاب دراسة تراث الفن الأثري والمعماري ويعرض رسمًا مفصلًا للمخططات وترميمًا للمباني وتصويرًا للصروح الأثرية والنقوش والمنحوتات. كما يغطي الكتاب أواخر عصور ما قبل التاريخ والفترة النبطية والرومانية والمسيحية ومطلع الحقبة الإسلامية، في فترة تمتد بين القرن الأول قبل الميلاد ومطلع القرن السابع الميلادي. لقد اختفت العديد من المعالم الأثرية التي صورها باتلر منذ أمد بعيد أو دمرت، لذلك يقدم هذا الكتاب توثيقًا مصورًا لا يقدر بثمن ويعد الأكثر شمولًا ودقة عن الكنوز الأثرية الثمينة في سوريا مهد الحضارات، لا سيما في ظل الحاجة الملحّة الآن لتنشيط مشاريع التنمية وخلق فرص الاستثمار فيها.
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1 online resource. :
Includes bibliographical references and index. :
9789004463363
9789004463356
Sacred precincts : the religious architecture of non-Muslim communities across the Islamic world /
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This book examines non-Muslim religious sites, structures and spaces in the Islamic world. It reveals a vibrant portrait of life in the religious sites by illustrating how architecture responds to contextual issues and traditions. Sacred Precincts explores urban context; issues of identity; design; construction; transformation and the history of sacred sites and architecture in Europe, the Middle East and Africa from the advent of Islam to the 20th century. It includes case studies on churches and synagogues in Iran, Turkey, Cyprus, Egypt, Iraq, Tunisia, Morocco and Malta, and on sacred sites in Nigeria, Mali, and the Gambia. With contributions by Clara Alvarez, Angela Andersen, Karen Britt, Karla Britton, Jorge Manuel Simão Alves Correia, Elvan Cobb, Daniel Coslett, Mohammad Gharipour, Mattia Guidetti, Suna Güven, Esther Kühn, Amy Landau, Ayla Lepine, Theo Maarten van Lint, David Mallia, Erin Maglaque, Susan Miller, A.A. Muhammad-Oumar, Meltem Özkan Altınöz, Jennifer Pruitt, Rafael Sedighpour, Ann Shafer, Jorge Manuel Simão Alves Correia, Ebru Özeke Tökmeci, Steven Thomson, Heghnar Watenpaugh, Alyson Wharton and Ethel S. Wolper.
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1 online resource. :
Includes bibliographical references and index. :
9789004280229 :
Available to subscribing member institutions only.
Building between Eastern and Western Mediterranean Lands : Construction Processes and Transmission of Knowledge from Late Antiquity to Early Islam /
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This edited volume examines the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. The essays explore issues of material culture, craft techniques, technological and typological changes and cultural contacts in Syria, Jordan, North Africa and Spain. The volume includes case studies on prestigious architectural complexes, defensive systems and other structures located in major urban centres (Cyrrhus, Bosra, Jerash, Sousse, Kairouan and Cordoba), as well as minor sites and rural buildings. It offers a fresh contribution to the long-lasting historiographic debate on the transition from antiquity to the Middle Ages and how Early Islamic architecture fostered the structural assumptions for new building experiences in many Mediterranean regions. Contributors: Antonio Almagro, Shaker Al Shbib, Stefano Anastasio, Ignacio Arce, Jean-Claude Bessac, Pascale Clauss-Balty, Piero Gilento, Mattia Guidetti, Pedro Gurriarán Daza, Roberto Parenti, Pauline Piraud-Fournet, María de los Ángeles Utrero Agudo, Jean-Pierre van Staëvel, Apolline Vernet, François Villeneuve.
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This book explores the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. :
1 online resource. :
Includes bibliographical references and index. :
9789004516458
9789004516793
Les maisons dans la Syrie antique du IIIe millénaire aux débuts de l"Islam : pratique et...
: At head of title : Institut français d'archéologie du Proche-Orient, Beyrouth, Damas, Amman. : xvii, 332 pages : illustrations, maps ; 28 cm. : Includes bibliographical references and index. : 270530567X
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
Perspectives on early Islamic art in Jerusalem /
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Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif , also known as the Temple Mount, Lawrence Nees provides the first sustained study of the Dome of the Chain, a remarkable eleven-sided building standing beside the slightly later Dome of the Rock, and the first study of the meaning of the columns and column capitals with figures of eagles in the Dome of the Rock. He also provides a new interpretation of the earliest mosque in Jerusalem, the Haram as a whole, with the sacred Rock at its center.
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1 online resource. :
Includes bibliographical references and index. :
9789004302075 :
Available to subscribing member institutions only.