Envisioning islamic art and architecture : essays in honor of Renata Holod /
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Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests and diverse methodologies of Renata Holod and attend to the physical, material, and aesthetic properties of their objects, offer nuanced explanations of complex relations between objects and historical contexts, and remain critically aware of the shape of the field of Islamic art and architecture, its canonical objects, approaches, and historiographies. Essential reading for scholars working on Islam and the Islamic world in the disciplines of history of art and architecture, history, literature, and anthropology. With contributions by María Judith Feliciano, Christiane Gruber, Leslee Katrina Michelsen, Nancy Micklewright, Stephennie Mulder, Johanna Olafsdotter, Yael Rice, Cynthia Robinson, David J. Roxburgh, D. Fairchild Ruggles, Alison Mackenzie Shah, and Pushkar Sohoni.
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1 online resource (xxx, 311 pages) : illustrations (some color) :
Includes bibliographical references (p. 279-296) and index. :
9789004280281 :
2213-3844 ; :
Available to subscribing member institutions only.
Creating medieval Cairo : empire, religion, and architectural preservation in nineteenth-century Egypt /
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"This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comiť) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city ... this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo."
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xv, 216 pages, [16] pages of plates : illustrations ; 24 cm. :
Includes bibliographical references (pages 188-206) and index. :
9774160959
Earthen Architecture in Muslim Cultures, Historical and Anthropological Perspectives.
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This edited volume follows the panel "Earth in Islamic Architecture" organised for the World Congress for Middle Eastern Studies (WOCMES) in Ankara, on the 19th of August 2014. Earthen architecture is well-known among archaeologists and anthropologists whose work extends from Central Asia to Spain, including Africa. However, little collective attention has been paid to earthen architecture within Muslim cultures. This book endeavours to share knowledge and methods of different disciplines such as history, anthropology, archaeology and architecture. Its objective is to establish a link between historical and archaeological studies given that Muslim cultures cannot be dissociated from social history. Contributors: Marinella Arena; Mounia Chekhab-Abudaya; Christian Darles; François-Xavier Fauvelle; Elizabeth Golden; Moritz Kinzel; Rolando Melo da Rosa; Atri Hatef Naiemi; Bertrand Poissonnier; Stéphane Pradines; Paola Raffa and Paul D. Wordsworth.
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1 online resource. :
9789004356337
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
The Great Mosque of Damascus : Studies on the Makings of an Umayyad Visual Culture /
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The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. 'Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.
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1 online resource. :
Includes bibliographical references and index. :
9789004491618
9789004116382
In the shadow of the church : the building of mosques in early medieval Syria /
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In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
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1 online resource. :
Includes bibliographical references and index. :
9789004328839 :
Available to subscribing member institutions only.
The dragon in medieval East Christian and Islamic art
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
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1 online resource. :
Includes bibliographical references and index. :
9789004209725 :
Available to subscribing member institutions only.
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
A Handbook of Modern Arabic Historical Scholarship on the Ancient and Medieval Periods /
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A Handbook of Modern Arabic Historical Scholarship on the Ancient and Medieval Periods presents 16 studies about modern Arab academic scholarship on the Ancient and Medieval Worlds covering disciplines as diverse as Assyriology and Mamluk studies as well as historiographical schools in the Arab World. This unique work is the first of its kind in any language. It is an important resource for scholars and students of the Ancient Near East and North Africa, Classical and Byzantine studies, and medieval Islamic history who would like to learn more about the work done by their colleagues in the Arab World in these fields over the last 7 decades and to benefit from Arabic secondary sources in their research. دليل الدراسات العربية الحديثة حول العصور القديمة والوسيطة يحتوي هذا الكتاب على 61 بحثا حول الدراسات الأكاديمية المتعلّقة بتاريخ العصور القديمة والوسيطة في العالم العربي، وتغطي هذه الأبحاث تخصصات علمية متنوعة منها الدراسات المسمارية والدراسات المملوكية، إضافةً إلى بعض المدارس التاريخية العربية المعاصرة. الكتاب فريد من نوعه والأول في كافة اللغات، ويُشكّل مصدرا هاما للباحثين والطلبة في دراسات الشرق الأدنى القديم وشمال إفريقيا في العصور القديمة والدراسات الكلاسيكية والبيزنطية والتاريخ الإسلامي الوسيط، وكذلك للمهتمين بعلمي التاريخ والآثار في الدول العربية.
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1 online resource. :
Includes bibliographical references and index. :
9789004460089
9789004460072
L'orientalisme architectural entre imaginaires et savoirs /
: "Les orientalismes en architecture à l'épreuve des savoirs Europe et monde extra-européen XIXe et XXe siècles: actes du colloque international tenu à Paris, à l'Institut national d'histoire de l;art (INHA), les 4 et 5 mai 2006, avec le soutien du programme "Art et architectuer dans la mondialisation" à l'initiative du réseau de recherche "Architectures modernes en Méditerranée (GDRI 71 du CNRS), du Centre de recherches interdisciplinaires sur l'Allemagne (UMR 8131 du CNRS) et du Centre d'histoire sociale de l'Islam méditerranéen (CHSIM-EHESS)."--t.p. verso. : 303 pages : illustrations (some color) ; 24 cm. : Includes bibliographical references and index. : 9782708408517
Muqarnas : an annual on the visual culture of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
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"Sponsored by: The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." :
1 online resource. :
Includes bibliographical references. :
9789047423324 :
Available to subscribing member institutions only.
Sacred precincts : the religious architecture of non-Muslim communities across the Islamic world /
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This book examines non-Muslim religious sites, structures and spaces in the Islamic world. It reveals a vibrant portrait of life in the religious sites by illustrating how architecture responds to contextual issues and traditions. Sacred Precincts explores urban context; issues of identity; design; construction; transformation and the history of sacred sites and architecture in Europe, the Middle East and Africa from the advent of Islam to the 20th century. It includes case studies on churches and synagogues in Iran, Turkey, Cyprus, Egypt, Iraq, Tunisia, Morocco and Malta, and on sacred sites in Nigeria, Mali, and the Gambia. With contributions by Clara Alvarez, Angela Andersen, Karen Britt, Karla Britton, Jorge Manuel Simão Alves Correia, Elvan Cobb, Daniel Coslett, Mohammad Gharipour, Mattia Guidetti, Suna Güven, Esther Kühn, Amy Landau, Ayla Lepine, Theo Maarten van Lint, David Mallia, Erin Maglaque, Susan Miller, A.A. Muhammad-Oumar, Meltem Özkan Altınöz, Jennifer Pruitt, Rafael Sedighpour, Ann Shafer, Jorge Manuel Simão Alves Correia, Ebru Özeke Tökmeci, Steven Thomson, Heghnar Watenpaugh, Alyson Wharton and Ethel S. Wolper.
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1 online resource. :
Includes bibliographical references and index. :
9789004280229 :
Available to subscribing member institutions only.
Moving in the Margins: Desert Travel and Power in Medieval Central Asia /
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Central Asia has been perceived as a landscape of connections, of Silk Roads; an endless plain across which waves of conquerors swiftly rode on horseback. In reality the region is highly fragmented and difficult to traverse, and overcoming these obstacles led to routes becoming associated with epic travel and high-value trade. Put simply, the inhabitants of these lands became experts in the art of travelling the margins. This volume seeks to unravel some of the myths of long-distance roads in Central Asia, using a desert case-study to put forward a new hypothesis for how medieval landscapes were controlled and manipulated.
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1 online resource (300 pages) : illustrations. :
Includes bibliographical references and index. :
9789004710283