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Envisioning islamic art and architecture : essays in honor of Renata Holod /
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Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests and diverse methodologies of Renata Holod and attend to the physical, material, and aesthetic properties of their objects, offer nuanced explanations of complex relations between objects and historical contexts, and remain critically aware of the shape of the field of Islamic art and architecture, its canonical objects, approaches, and historiographies. Essential reading for scholars working on Islam and the Islamic world in the disciplines of history of art and architecture, history, literature, and anthropology. With contributions by María Judith Feliciano, Christiane Gruber, Leslee Katrina Michelsen, Nancy Micklewright, Stephennie Mulder, Johanna Olafsdotter, Yael Rice, Cynthia Robinson, David J. Roxburgh, D. Fairchild Ruggles, Alison Mackenzie Shah, and Pushkar Sohoni.
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1 online resource (xxx, 311 pages) : illustrations (some color) :
Includes bibliographical references (p. 279-296) and index. :
9789004280281 :
2213-3844 ; :
Available to subscribing member institutions only.
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
Imperial Ideology and Architecture /
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The goals and tactics of a state's ruling elite influence its artistic and architectural output, shaping the overall characteristics, orientation, and themes of its creations. Architecture reflects political ideology and historical events, showcasing the power and cultural values of the state, with implications for politics and authority. This book presents a comprehensive and nuanced exploration of the intricate interplay between art, politics, and religion within the architectural legacy of Mamluk Damascus. It sheds light on how these dynamics enrich our comprehension of the past and contribute to contemporary dialogues concerning the preservation of cultural heritage.
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1 online resource (125 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697171
Muqarnas : an annual on the visual culture of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
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"Sponsored by: The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." :
1 online resource. :
Includes bibliographical references. :
9789047423324 :
Available to subscribing member institutions only.
Sacred precincts : the religious architecture of non-Muslim communities across the Islamic world /
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This book examines non-Muslim religious sites, structures and spaces in the Islamic world. It reveals a vibrant portrait of life in the religious sites by illustrating how architecture responds to contextual issues and traditions. Sacred Precincts explores urban context; issues of identity; design; construction; transformation and the history of sacred sites and architecture in Europe, the Middle East and Africa from the advent of Islam to the 20th century. It includes case studies on churches and synagogues in Iran, Turkey, Cyprus, Egypt, Iraq, Tunisia, Morocco and Malta, and on sacred sites in Nigeria, Mali, and the Gambia. With contributions by Clara Alvarez, Angela Andersen, Karen Britt, Karla Britton, Jorge Manuel Simão Alves Correia, Elvan Cobb, Daniel Coslett, Mohammad Gharipour, Mattia Guidetti, Suna Güven, Esther Kühn, Amy Landau, Ayla Lepine, Theo Maarten van Lint, David Mallia, Erin Maglaque, Susan Miller, A.A. Muhammad-Oumar, Meltem Özkan Altınöz, Jennifer Pruitt, Rafael Sedighpour, Ann Shafer, Jorge Manuel Simão Alves Correia, Ebru Özeke Tökmeci, Steven Thomson, Heghnar Watenpaugh, Alyson Wharton and Ethel S. Wolper.
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1 online resource. :
Includes bibliographical references and index. :
9789004280229 :
Available to subscribing member institutions only.
Women and Islamic cultures : disciplinary paradigms and approaches, 2003-2013 /
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The first decade of the 21st century witnessed an explosion in scholarly and public interest in women and Islamic cultures, globally. From misguided media representations, to politically motivated state manipulations, to agenda-driven Islamist movements, to feminist and international NGO projects - the subject and image of Muslim women has become iconic and riveting. This volume unpacks the representations, motivations, agendas, and projects by focusing on the advances in scholarly research on women and Islamic cultures in the first decade of the 21st century. The editors of the pioneering Encyclopedia of Women and Islamic Cultures bring together leading scholars, discipline by discipline, to critically analyze state of the art research on women and Islamic cultures from 2003-2013. Editors for this volume include Suad Joseph, Marilyn Booth, Bahar Davary, Hoda Elsadda, Sarah Gualtieri, Virginia Hooker, Amira Jarmakani, Therese Saliba, and Elora Shehabuddin. Contributors include Suad Joseph, Azza Basarudin, Heghnar Zeitlian Watenpaugh, Amira Jarmakani, Sajeda Amin, Kamran Rastegar, Robina Mohammad, Annika Rabo, Ahmed Ragab, Vannessa Hearman, Bahar Davary, Michelle Hartman, Hoda Elsadda, Nerina Rustomji, Amaney Jamal, Vickie Langohr, Hania Sholkamy, Zayn Kassam, Rachel Rinaldo, Samar Habib.
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Includes index. :
1 online resource (380 pages) :
9789004264731 :
Available to subscribing member institutions only.
Architecture, power and religion in Lebanon : Rafiq Hariri and the politics of sacred space in Beirut /
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In Architecture, Power and Religion in Lebanon , Ward Vloeberghs explores Rafiq Hariri's patronage and his posthumous legacy to demonstrate how religious architecture becomes a site for power struggles in contemporary Beirut. By tracing the 150 year-long history of the Muhammad al-Amin Mosque - Lebanon's principal Sunni mosque - and the subsequent development of the site as a commemoration venue, this account offers a unique illustration of how architecture, religion and power become discursively and visually entangled. Set in a multi-confessional society marked by social inequalities and political fragmentation, this interdisciplinary study analyses how architectural practice and urban reconfigurations reveal a nascent personality cult, communal mourning, and the consolidation of political territory in relation to constantly shifting circumstances.
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1 online resource. :
Includes bibliographical references and index. :
9789004307056 :
Available to subscribing member institutions only.
Muqarnas : an annual on the visual cultures of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. Muqarnas 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
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"Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." :
1 online resource. :
Includes bibliographical references. :
9789047429333 :
Available to subscribing member institutions only.
Earthen Architecture in Muslim Cultures, Historical and Anthropological Perspectives.
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This edited volume follows the panel "Earth in Islamic Architecture" organised for the World Congress for Middle Eastern Studies (WOCMES) in Ankara, on the 19th of August 2014. Earthen architecture is well-known among archaeologists and anthropologists whose work extends from Central Asia to Spain, including Africa. However, little collective attention has been paid to earthen architecture within Muslim cultures. This book endeavours to share knowledge and methods of different disciplines such as history, anthropology, archaeology and architecture. Its objective is to establish a link between historical and archaeological studies given that Muslim cultures cannot be dissociated from social history. Contributors: Marinella Arena; Mounia Chekhab-Abudaya; Christian Darles; François-Xavier Fauvelle; Elizabeth Golden; Moritz Kinzel; Rolando Melo da Rosa; Atri Hatef Naiemi; Bertrand Poissonnier; Stéphane Pradines; Paola Raffa and Paul D. Wordsworth.
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1 online resource. :
9789004356337
The Great Mosque of Damascus : Studies on the Makings of an Umayyad Visual Culture /
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The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. 'Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.
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1 online resource. :
Includes bibliographical references and index. :
9789004491618
9789004116382
Abhạ̄th al-Muʼtamar al-Thālith lil-Dirāsāt al-ʻUthmānīyah fī Misṛ /
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Egypt; history; architecture, Islamic; Ottoman era; congresses; papers from the Third Conference for Ottoman Studies in Egypt.
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270, 73 pages : illustrations ; 24 cm. :
Includes bibliographical references. :
9773440982