history influence » history conference (توسيع البحث), aristote influence (توسيع البحث), eastern influence (توسيع البحث)
Islamic philosophy, science, culture, and religion : studies in honor of Dimitri Gutas /
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Islamic intellectual thought is at the center of this collection of articles honoring Dimitri Gutas by friends, colleagues, and former students. The essays cover three main areas: the classical heritage and Islamic culture; classical Arabic science and philosophy; and Muslim traditional sciences. They show the interconnectedness between the Islamic intellectual tradition and its historical predecessors of Greek and Persian provenance, ranging from poetry to science and philosophy. Yet, at the same time, the authors demonstrate the independence of Muslim scholarship and the rich inner-Muslim debates that brought forth a flourishing scholastic culture in the sciences, philosophy, literature, and religious sciences. This collection also reflects the breadth of contemporary research on the intellectual traditions of Islamic civilization. Contributors include: Amos Bertolacci, Kevin van Bladel, Gideon Bohak, Sonja Brentjes, Charles Burnett, Hans Daiber, Gerhard Endress, William Fortenbaugh, Beatrice Gruendler, Jules Janssens, David King, Yahya Michot, Suleiman Mourad, Racha Omari, Felicitas Opwis, David Reisman, Heinrich von Staden, Tony Street, Hidemi Takahashi, Alexander Treiger, and Robert Wisnovsky.
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1 online resource (xii, 493 pages) : illustrations, portrait. :
Includes bibliographical references and index. :
9789004217768 :
Available to subscribing member institutions only.
After one hundred years : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered /
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The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art "a place equal to that of other cultural periods". This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition's historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
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Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004191020 :
Available to subscribing member institutions only.
Sacred Landscapes in Asia : Shared Traditions, Multiple Histories /
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Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. The present volume explores the aesthetic theories underlying many genres of the Asian arts. These characterize the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols through sculptured and picturised representation. Some essays focus on fundamental notions such as Śūnyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilization in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meager literature that exists on the subject and will stimulate further research and study.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753228