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Homer and the good ruler in antiquity and beyond /
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Homer and the Good Ruler in Antiquity and Beyond focuses on the important question of how and why later authors employ Homeric poetry to reflect on various types and aspects of leadership. In a range of essays discussing generically diverse receptions of the epics of Homer in historically diverse contexts, this question is answered in various ways. Rather than considering Homer's works as literary products, then, this volume discusses the pedagogic dimension of the Iliad and the Odyssey as perceived by later thinkers and writers interested in the parameters of good rule, such as Plato, Philodemus, Polybius, Vergil, and Eustathios.
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1 online resource. :
Includes bibliographical references and index. :
9789004365858 :
Available to subscribing member institutions only.
Yahweh's coming of age /
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In the Judeo-Christian tradition, the deity YHWH is often portrayed as an old man. One of the epithets used of YHWH in the Hebrew Bible, the Ancient of Days, is a source for this depiction of God as elderly. Yet, when we look closely at the early traditions of biblical Israel, we see a different picture : God is relatively youthful, a warrior who defends his people. This book is an examination of the question: How did God become old? The transformation from young deity to Ancient of Days took place at the intersection of two trajectories in the traditions of Israel. One trajectory is reflected in the way that apocalyptic traditions found in the book of Daniel recast the old Canaanite mythic imagery seen in the Ugaritic and early biblical texts. This trajectory allows YHWH to take on qualities, such as old age, that were not associated with him during most of Israel's history but were associated with El in the Canaanite traditions. The second trajectory, a depiction of Israel's God as elderly, is connected with the development of the idea of YHWH as father. The more comfortable the biblical tradents became with portraying YHWH as a father a metaphor that was not embraced in the early traditions the easier it became for the people of Israel to think of YHWH as occupying a stage of the human life cycle.
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vii, 163 pages ; 24 cm :
Includes bibliographical references and indexes. :
1575061724 (hardback : alk. paper)
9781575061726 (hardback : alk. paper)
Early Christianity and classical culture : comparative studies in honor of Abraham J. Malherbe /
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This volume contains 28 essays in honor of Abraham J. Malherbe, whose work has been especially influential in exploring modes of cultural interaction between early Jews and Christians and their Graeco-Roman neighbours. Following an introductory essay on the problems inherent to such comparative studies in the history of New Testament scholarship, the essays are grouped into five topic areas: Graphos - semantics and writing, Ethos - ethics and moral characterization, Logos - rhetoric and literary expression, Ethnos - self-definition and acculturation, and Nomos - law and normative values. Some key examples are studies dealing with The Greek Idea of "Divine Nature" and its relation to the "Divine Man" tradition; Compilation of Letters in Cicero's collection; Radical Altruism in Paul; Greek Ideas of Concord and Cosmic Harmony in 1 Clement; The Rhetorical Use of Friendship Motifs in Galatians in comparison with Second Sophistic Orators; Wills and Testaments in Graeco-Roman perspective.
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1 online resource (xx, 740 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789047402190 :
0167-9732 ; :
Available to subscribing member institutions only.
The study of the ancient Near East in the twenty-first century : the William Foxwell Albright Centennial Conference /
: Papers presented at a conference held at Johns Hopkins University in May, 1991. : x, 422 pages : illustrations, maps ; 26 cm. : Includes bibliographical references and index. : 093146496x (cloth : alk. paper)
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
