toni » tony (توسيع البحث), ton (توسيع البحث), tone (توسيع البحث)
fold » old (توسيع البحث)
holz » holtz (توسيع البحث), holy (توسيع البحث), hold (توسيع البحث)
spolz » polz (توسيع البحث)
stolz » stol (توسيع البحث)
London's waterfront 1100-1666 : excavations in Thames Street, London, 1974-84 /
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This volume presents and celebrates the mile-long Thames Street in the City of London and the land south of it to the River Thames as an archaeological asset. The argument is based on the reporting of four excavations of 1974-84 by the Museum of London near the north end of London Bridge: Swan Lane, Seal House, New Fresh Wharf and Billingsgate Lorry Park. Here the findings of the period 1100-1666 are presented.
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Previously issued in print: 2018. :
1 online resource (xxiv, 514 pages) : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references and index. :
9781784918385 (ebook) :
London's waterfront 1100-1666 : excavations in Thames Street, London, 1974-84 /
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This volume presents and celebrates the mile-long Thames Street in the City of London and the land south of it to the River Thames as an archaeological asset. The argument is based on the reporting of four excavations of 1974-84 by the Museum of London near the north end of London Bridge: Swan Lane, Seal House, New Fresh Wharf and Billingsgate Lorry Park. Here the findings of the period 1100-1666 are presented.
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Previously issued in print: 2018. :
1 online resource (xxiv, 514 pages) : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references and index. :
9781784918385 (ebook) :
The ancient synagogue from its origins to 200 C.E. : a source book /
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Despite the recent explosion of research on ancient synagogues, investigators in the field have hitherto been forced to cull relevant evidence from a vast assortment of scholarly publications. This volume gathers for the first time all of the primary source material on the early synagogues up through the Second Century C. E. In the case of literary, epigraphic and papyrological evidence, catalog entries contain the texts in their original language and in English translation. For archaeological remains, entries provide technical descriptions along with plans and photographs. All listings are accompanied by bibliographic citations and interpretative comments. An Introduction frames the current state of synagogue research, while extensive indices and cross-references allow for easy location of specific allusions. An appendix to the catalog contains source materials on Jewish temples outside of Jerusalem.
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Includes one fold-out mappages. :
1 online resource. :
Includes bibliographical references (p. [295]-311) and indexes. :
9789047430711 :
Available to subscribing member institutions only.
Narrative ethics /
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While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the "ethical turn" in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain's Huckleberry Finn , J. R. R. Tolkien's The Lord of the Rings , Vladimir Nabokov's Lolita , Jonathan Littell's The Kindly Ones , Ann Radcliffe's The Italian and Matthew Lewis's The Monk . Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.
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"The chapters of this volume are revised versions of papers given at an international conference on narrative theory and analysis arranged at the Norwegian Academy of Science and Letters, Oslo, 19-20 November 2010"--Preface. :
1 online resource (xii, 313 pages) : color illustrations. :
Includes bibliographical references and indexes. :
9789401209823 :
0929-8436 ; :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317