local structures » social structures (توسيع البحث), royal structures (توسيع البحث), lexical structures (توسيع البحث)
structures 4.1 » structures 4.3 (توسيع البحث), structure 5.1 (توسيع البحث), structures 11 (توسيع البحث)
4.1 finding » 2.1 finding (توسيع البحث), 4.2 finding (توسيع البحث), 11 finding (توسيع البحث)
The Monks of the Nag Hammadi Codices : Contextualising a Fourth-Century Monastic Community /
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This work tells the story of a community of fourth-century monks living in Egypt. The letters they wrote and received were found within the covers of works that changed our understanding of early religious thought - the Nag Hammadi Codices. This book seeks to contextualise the letters and answer questions about monastic life. Significantly, new evidence is presented that links the letters directly to the authors and creators of the codices in which they were discovered.
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1 online resource (330 pages) : illustrations. :
Includes bibliographical references and index. :
9789004699083
Preferential Rules of Origin in the Law of the WTO and PTAs : The Challenge of 3D Printing /
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Where does a 3D printed good come from? This book examines preferential rules of origin within the context of advanced manufacturing, focusing on 3D printing. From a foundation in the legal and technical aspects of rules of origin, it explores why 3D printing implies reconsidering how materials, labour, and technology factor into the determination of the origin of a good and the risks and opportunities this brings to producers and traders. The book suggests revisiting rules of origin in PTAs and encourages the WTO to promote incorporating rules or origin and new production methods into a balanced trade framework that supports producers, traders, and consumers globally.
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1 online resource (253 pages) : illustrations. :
Includes bibliographical references and index. :
9789004730595
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
The sheikh's house at Quseir Al-Qadim : documenting a thirteenth-century Red Sea port
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Preface Bibliography Introduction 1. Quseir al-Qadim and the Sheikh's House 2. Ceramics 3. Plant Remains 1982. Wilma Wetterstrom 4. Avian Faunal Remains. Steven M. Goodman 5. Textiles, Basketry, Glass, and Coins 6. Texts in Context: The Sheikh's House Texts 7. The Sheikh's House in Context: Quseir al-Qadim, Egypt, and Beyond 8. Conclusions Appendix A. Postscript: The Later History of Quseir al-Qadim and Early Modern Quseir Appendix B. Locus Tables Appendix C. Pottery Tables Appendix D. Bone, Glass, and Coin Tables Appendix E. Document Tables Appendix F. Textile and Archaeobotanical Tables Appendix G. Pottery Plates by Locus Appendix H. Photographs of the Excavations and Several Small Finds Index