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Logic and Aristotle's Rhetoric and Poetics in Medieval Arabic Philosophy /
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This book examines a widespread, and often misunderstood, doctrine within the medieval Aristotelian tradition, namely the inclusion of Aristotle's Rhetoric and Poetics within the scope of the Organon. It studies this doctrine, as presented by the Islamic philosophers Al- Fārābī, Avicenna, and Averroes, from a purely philosophical perspective, and argues that the logical construal of the arts of rhetoric and poetics is both interesting and illuminating. The book begins by examining some prevalent misconceptions regarding the logical interpretation of the Rhetoric and Poetics. Chapter two considers the Greek background of the doctrine, first through an examination of the Aristotelian divisions of the sciences, and then through an examination of the beginnings of the logical classification of the Rhetoric and Poetics among the Greek commentators from the school of Alexandria. The remainder of the work is devoted to a detailed consideration of the Arabic philosophers' development of the doctrine, both their understanding of its general epistemological and logical underpinnings, and their elaboration of the specific logical structures upon which poetical and rhetorical discourse is based. Consideration is also given to the relationship between contemporary philosophical views of rhetoric and poetics, and the views of these medieval authors.
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1 online resource. :
Includes bibliographical references and index. :
9789004452398
9789004092860
From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol /
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In From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol , Teresa Obolevitch analyzes the category of symbol in broad historical and philosophical context, with a focus on Losev's exploration of symbol over his prolific and tragic career. A survivor of the Stalinist camps, Losev is recognized as the "last classic" of Russian Silver Age philosophy. This book addresses Losev's critical role within the divisive debate over onomatodoxy (imiaslavie), or the divine name, which occupied the minds of Russian thinkers in the early nineteenth century. Obolevitch presents the ancient and patristic roots of onomatodoxy and elucidates its importance for Losev's work in a range of fields, including aesthetics, mathematics, philosophy of language, and religion. Losev's work revolves around the possibility of expressing reality in language and his conception of symbol reflects both the apophatic aspect of Logos, as well as the possibility for new interpretations of reality.
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1 online resource (385 pages) : illustrations. :
Includes bibliographical references and index. :
9789004721999