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منشور في 2021
Imaging and Imagining Palestine : Photography, Modernity and the Biblical Lens, 1918-1948 /

: Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. " Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film " Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem " Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.
: 1 online resource. : Includes bibliographical references and index. : 9789004437944
9789004437937

منشور في 2018
Commenting on Aristotle's Rhetoric, from Antiquity to the Present / Commenter la Rhétorique d'Aristote, de l'Antiquité à la période contemporaine.

: The present volume brings together thirteen articles as so many chapters of a book, devoted to the history, methods, and practices of the commentaries that have been written on Aristotle's Rhetoric . Examining both the linguistic and factual background, these contributions attempt to insert each of the commentaries into its particular historical, political, social, philosophical, and pedagogical context. The historical periods and geographical areas that arise - from Greco-Roman antiquity to Heidegger's philosophy, from the Syriac and Arabic traditions to the Western world - make it possible, in sum, not only to indicate how the Rhetoric has been read and interpreted, but also to offer general perspectives on the practice of explicating ancient texts. Le présent volume rassemble treize articles envisagés comme autant de chapitres d'un livre et dédiés à l'histoire, à la méthode et à la pratique des commentaires à la Rhétorique d'Aristote. Mêlant l'approche matérielle et linguistique, ces contributions se proposent de réinscrire chacun des commentaires dans son contexte historique, politique, social, culturel, philosophique, et pédagogique particulier. Les périodes et les aires géographiques considérées ici-de l'Antiquité gréco-romaine jusqu'à la philosophie de Heidegger, des traditions syriaque et arabe au monde occidental-permettent, in fine , non seulement de suggérer des pistes de lecture pour la Rhétorique et l'histoire des interprétations de la Rhétorique , mais aussi de dessiner des perspectives plus générales sur la pratique du commentaire.
: 1 online resource. : 9789004376243

منشور في 2018
Inquisitionis Hispanicae artes /

: The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
: 1 online resource. : Includes bibliographical references and index. : 9789004365766 : Available to subscribing member institutions only.