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Politics, poetry, and sufism in medieval Iran : new perspectives on Jami's Salaman va Absal /
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In Politics, Poetry, and Sufism in Medieval Iran Chad Lingwood offers new insights into the political significance of poetry and Sufism at the court of Sulṭān Ya'qūb (d. 896/1490), leader of the Āq Qoyūnlū. The basis of the study is Salāmān va Absāl , a Persian allegorical romance 'Abd al-Raḥmān Jāmī (d. 898/1492), the great Timurid belletrist and Naqshbandi Sufi, dedicated to Ya'qūb. Lingwood demonstrates that Salāmān va Absāl , which modern critics have dismissed as 'crude' and 'grotesque,' is a sophisticated work of political and mystical advice for a Muslim ruler. In the process, he challenges received wisdom concerning Jāmī, the Āq Qoyūnlū, and Perso-Islamic advice literature. Significantly, the study illustrates the extent to which Jāmī's compositions integrated the Timurid and Āq Qoyūnlū realms.
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1 online resource. :
Includes bibliographical references and index. :
9789004255890
The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo /
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This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl's work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of "The Phantom," one of Ibn Dāniyāl's three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
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1 online resource (xiii, 240 pages) :
Includes bibliographical references (p. [229]-233) and index. :
9789004218802 :
0929-2403 ; :
Available to subscribing member institutions only.
A Companion to Mester de Clerecía Poetry /
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Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints' lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004698048
Beholding Beauty : Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry /
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Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry explores the relationship between sexuality, politics, and spirituality in the lyrics of Saʿdi Shirazi (d. 1292 CE), one of the most revered masters of classical Persian literature. Relying on a variety of sources, including unstudied manuscripts, Domenico Ingenito presents the so-called "inimitable smoothness" of Saʿdi's lyric style as a serene yet multifaceted window into the uncanny beauty of the world, the human body, and the realm of the unseen. The book constitutes the first attempt to study Sa'di's lyric meditations on beauty in the context of the major artistic, scientific and intellectual trends of his time. By charting unexplored connections between Islamic philosophy and mysticism, obscene verses and courtly ideals of love, Ingenito approaches Sa'di's literary genius from the perspective of sacred homoeroticism and the psychology of performative lyricism in their historical context.
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1 online resource. :
Includes bibliographical references and index. :
9789004435902
9789004435896
Poetry in Late Byzantium /
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The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire's final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004699687
The medieval reception of the Shahnama as a mirror for princes /
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Nasrin Askari explores the medieval reception of Firdausī's Shāhnāma , or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī's oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma . Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.
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1 online resource (398 pages) :
Includes bibliographical references and index. :
9789004307919 :
Available to subscribing member institutions only.
Metaphor and imagery in Persian poetry /
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ's original use of candle metaphors, the translation of Khayyām's metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
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1 online resource (viii, 281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217645 :
1569-7401 ; :
Available to subscribing member institutions only.
Poetry and exegesis in premodern Latin Christianity : the encounter between classical and Christian strategies of interpretation /
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This volume investigates various exegetical possibilities in Christian Latin poetry during Late Antiquity and the Middle Ages. In the Latin West poetry was mainly associated with the powerful pagan tradition of writers like Vergil and Ovid, and by many poetry was considered to tell lies and provide mere entertainment potentially corrupting the soul. Therefore, Christians initially had reservations about this genre and believed it to be incompatible with Christian worship, literacy and intellectual activity. In practice, however, forms of specifically Christian poetry developed from the end of the third century onwards; theoretical reconciliations were developed around 400 A.D. This collection examines specimens of Christian poetry from Juvencus (the first biblical epicist shortly after 300) up to the thirteenth century. Its particular usefulness lies in the combination of literary theory and hermeneutics, close readings of the texts and new readings on a sound philological basis.
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1 online resource (xi, 360 pages) :
Includes bibliographical references and indexes. :
9789047421320 :
Available to subscribing member institutions only.
An Illustrated Speculum Humanae Salvationis : Green Collection Ms 000321 /
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The medieval Latin poem Speculum Humanae Salvationis (known in English as The Mirror of Human Salvation ) was one of the most popular works of the fourteenth and fifteenth centuries with preachers and laity alike. Utilizing a typological approach to interpretation, it combines Old Testament and New Testament events and figures to depict an integrated narrative of redemption. As such, the Speculum is not only an outstanding model of medieval biblical interpretation, but also a fascinating case study in allegorical reading habits and the interplay between text and image. This Scholars Initiative project comprises the first modern transcription and English translation of the full Latin Speculum, accompanied by annotations tracing the biblical references and detailed notes explaining the visual iconography.
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1 online resource :
Includes bibliographical references and index. :
9789004499072
9789004416512
An Illustrated Speculum Humanae Salvationis : Green Collection Ms 000321 /
:
The medieval Latin poem Speculum Humanae Salvationis (known in English as The Mirror of Human Salvation ) was one of the most popular works of the fourteenth and fifteenth centuries with preachers and laity alike. Utilizing a typological approach to interpretation, it combines Old Testament and New Testament events and figures to depict an integrated narrative of redemption. As such, the Speculum is not only an outstanding model of medieval biblical interpretation, but also a fascinating case study in allegorical reading habits and the interplay between text and image. This Scholars Initiative project comprises the first modern transcription and English translation of the full Latin Speculum, accompanied by annotations tracing the biblical references and detailed notes explaining the visual iconography.
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1 online resource :
Includes bibliographical references and index. :
9789004499072
9789004416512
Difference and disability in the medieval Islamic world : blighted bodies /
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Outlines the complex significance of bodies in the late Medieval central Arab Islamic lands. Did you know that blue eyes, baldness, bad breath and boils were all considered bodily 'blights' by Medieval Arabs, as were cross eyes, lameness and deafness? What assumptions about bodies influenced this particular vision of physical difference? How did blighted people view their own bodies? Through close analyses of anecdotes, personal letters, biographies and autobiographies, erotic poetry, non-binding legal opinions, diaristic chronicles and theological tracts, Kristina Richardson brings the cultural views and experiences of disability and difference in the medieval Islamic world to life. This title investigates the place of physically different, disabled and ill individuals in medieval Islam. It is organised around the lives and works of 6 Muslim men, each highlighting a different aspect of bodily difference. It addresses broad cultural questions relating to social class, religious orthodoxy, moral reputation, drug use, male homoeroticism and self-representation in the public sphere. It moves towards a coherent theory of medieval disability and bodily aesthetics in Islamic cultural traditions.
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ix,158 page : illustrations ; 25 cm. :
Includes bibliographical references (pages 138-156) and index. :
9780748645077