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Pure gold from the words of Sayyidī ʻAbd al-ʻAzīz al-Dabbāgh =al-Dhabab al-Ibrīz min kalām Sayyidī ʻAbd al-ʻAzīz al-Dabbāgh /
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Around 1720 in Fez Aḥmad born al-Mubārak al-Lamaṭī, a religious scholar, wrote down the words and teachings of the Sufi master ʿAbd al-ʿAzīz al-Dabbāgh. Al-Dabbāgh shunned religious studies but, having reached illumination and met with the Prophet Muḥammad, he was able to explain any obscurities in the Qurʾān, ḥadīth s and sayings of earlier Sufis. The resulting book, known as the Ibrīz , describes how al-Dabbāgh attained illumination and access to the Prophet, as well as his teachings about the Council of the godly that regulates the world, relations between master and disciple, the darkness in men's bodies, Adam's creation, Barzakh, Paradise and Hell, and much more besides. This 'encyclopaedia' of Sufism with its many teaching stories and illustrations provides a window onto social life and religious ideas in Fez a generation or so before powerful outside forces began to play a role in the radical transformation of Morocco.
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1 online resource. :
Includes bibliographical references (p. [933]-944) and indexes. :
9789047432487 :
Available to subscribing member institutions only.
Male domination, female revolt : race, class, and gender in Kuwaiti women's fiction /
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This book investigates various forms of women's resistance to male domination, as represented in Kuwaiti women's fiction. Drawing on Marxist-feminist literary theory, it closely analyses selected texts (published between 1953 and 2000), which reflect the effects of patriarchal culture and tradition on race, class, and gender relations in Kuwait and the Arabian Gulf region in general. It argues that the selected texts portray the pre-oil generations of Kuwaiti/Arabian Gulf women-born before or in the first half of the twentieth century-as resistant and/or revolutionary figures, contrary to the common notion of their stereotypical passivity and submissiveness. This book demonstrates how Kuwaiti women writers have used literature to work for, and contribute to, social change.
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Revision of the author's thesis (doctoral)--University of Edinburgh, 2005. :
1 online resource. :
Includes bibliographical references and index. :
9789047442677 :
Available to subscribing member institutions only.
Le corps dans le roman des écrivaines syriennes contemporaines : dire, écrire, inscrire la différence /
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Le Corps dans le roman des écrivaines syriennes contemporaines , de Martina Censi, explore les représentations du corps dans un corpus de romans en arabe publiés (entre 2004 et 2011) par six écrivaines syriennes. L'auteure conjugue l'analyse du texte littéraire avec la critique féministe et les études de genre. Par cette approche interdisciplinaire, Censi démontre que l'attention reservée par ces écrivaines aux représentations du corps féminin et masculin témoigne de leurs engagements dans la lutte pour l'émancipation des femmes, mais aussi, et surtout, dans celle pour l'affirmation de l'individu dans la société syrienne contemporaine. Les corps des personnages, marqués par leur différence unique, sont le lieu symbolique de la négociation entre les instances individuelles et collectives. In Le Corps dans le roman des écrivaines syriennes contemporaines , Martina Censi explores the representation of the body in a selection of Arabic novels published (between 2004 and 2011) by six Syrian women authors. Taking an interdisciplinary approach, which combines analysis of the literary texts with Feminist Criticism and Gender Studies, Censi demonstrates that, by focusing on the representation of female and male bodies, these novelists deal not only with feminist issues related to women's emancipation. The author reveals that they also engage in a broader analysis concerning the status of the individual in contemporary Syrian society. Marked by their unique difference, the characters' bodies become the symbolic location for the negotiation between individual and collective claims.
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1 online resource. :
Includes bibliographical references and index. :
9789004315259 :
Available to subscribing member institutions only.
Research in the Social Scientific Study of Religion, Volume 32 : Lesser Heard Voices in Studies of Religion /
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The present volume brings together scholars from all over the world in an open section and three special sections that explore how lesser-heard and unheard voices may be studied. Special section 1, Religion in Higher Education interrogates lived experiences of religion in higher education contexts and how certain voices are marginalised and minoritised. Special section 2, Cultural Blindness in Psychology, explores how culture as a lived experience, especially in its religious dimension, is rendered invisible in psychological science. Finally, special section 3 entitled Religious Authority in Practice in Contemporary Evangelical, Charismatic, and Pentecostal Christianity outlines "evangelicalism" and introduces "authority" as a sociological concept from various theoretical perspectives.
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The present volume explores lesser-heard and unheard issues in the study of religion. Among other things, lived experiences of religion in higher education are interrogated; culture is studied as lived experience; and "evangelicalism" is outlined as an emic and etic concept. :
1 online resource. :
Includes bibliographical references and index. :
9789004505315
9789004505308
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
al-Azhar fi ̄alf ʻām /
: "Wa-sayajid al-qariʾ fi hathihi al-ṭabʻah mulḥaqan min iʻdād idārat al-silsilah yataḍaman bayānan bimā jadda ʻala al-Azhar wa-hayātihi al-mukhtalifah fi al-fatrah al-akhīrah, maʻa tarjamah mujazah li-Shīūkh al-Azhar wa-qādatihi": p. 7. : 168 pages ; 20 cm. : Includes bibliographical references.