The Intellectual Conscience of Art /
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At the core of this issue is the question of the concept of art. Could the task of art be transfered to philosophy, as Arthur Danto maintains? Or is there still a moral assignment for art inherent to Modernism? Various artists and theorists will respond to these questions in this issue. Among them are: J.C. Ammann, Victor Burqin, Don Cameron, Arthur Danto, Catherine David, Chris Dercon, Marlene Dumas, Jan Hoet, Joseph Kosuth, Donald Kuspit, Pieter Laurens Mol, Maarten van Nierop, A.B. Oliva, Frank Reynders and Haim Steinbach.
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004664777
The Archive of Development /
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In the current debate on art, thought on time has commanded a prominent position. Do we live in a posthistorical time? Has objective art historical time and belief in a continual progress shifted to a more subjective experience of the ephemeral? Has (art) history fallen away and, if so, what does this mean for the future of art? How does a visual archive relate to artistic memory? This volume investigates positions, arguments and comments regarding the stated theme. Philosophers and theorists explore the subject matter theoretically. Curators articulate the practice of art. The participants are: Hans Belting, Jan Bor, Peter Bürger, Bart Cassiman, Leontine Coelewij, Hubert Damisch, Arthur C. Danto, Bart De Baere, Okwui Enwezor, Kasper König, Sven Lütticken, Manifesta (Barbara VanderLinden), Hans Ulrich Obrist, Donald Preziosi, Survival of the Past Project (Herman Parret, Lex Ter Braak, Camiel Van Winkel), Ernst Van Alphen, Kirk Varnedoe, Gianni Vattimo, and Kees Vuyk.
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Includes bibliographical references and index. :
9789004664791
Ancient Egypt in the Modern Imagination : Art, Literature and Culture
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Cover; Half Title; Title; Copyright; Dedication; Contents; Figures; Contributors; Introduction; Part I The Egyptological Imaginary; Chapter 1 'Wonderful Things' in Kingston upon Hull; Chapter 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; Chapter 3 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art; Chapter 4 Ancient Egypt in William S. Burroughs's Novels; Chapter 5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; Part II Death and Mysticism Chapter 6 Egyptomania, English Pyramids and the Quest for ImmortalityChapter 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; Chapter 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; Chapter 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; Chapter 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell; Part III Gender and Sexuality; Chapter 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture Chapter 12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920Chapter 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; Chapter 14 Egyptian Excesses: Taylor, Burton and Cleopatra; Chapter 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Notes; Introduction; 1 'Wonderful Things' in Kingston upon Hull; 2 'Let Sleeping Scarabs Alone': When Egypt Came to Stonehenge; 3 'Mummy First: Statue After': Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 4 Ancient Egypt in William S. Burroughs's Novels5 Between Success and Controversy: Christian Jacq and the Marketing of 'Egyptological' Fiction; 6 Egyptomania, English Pyramids and the Quest for Immortality; 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space; 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One; 9 Celtic Egyptians: Isis Priests of the Lineage of Scota; 10 Jack the Ripper and the Mummy's Curse: Ancient Egypt in From Hell 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth-Century Women's Culture12 'The Use of Old Objects': Ancient Egypt and English Writers around 1920; 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic; 14 Egyptian Excesses: Taylor, Burton and Cleopatra; 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls' Comics; Bibliography; Index
The Modern Hercules : Images of the Hero from the Nineteenth to the Early Twenty-First Century /
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The Modern Hercules explores the reception of the ancient Greek hero Herakles - the Roman Hercules - in western culture from the nineteenth century to the present day. Each chapter considers a particular work or theme in detail, exploring this complex hero's transformations of identity and significance in a wide range of modern media, including literature, visual arts and film. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero's perennial appeal.
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1 online resource. :
Includes bibliographical references and index. :
9789004440067
9789004440005
Funerary Inscriptions in Early Modern Europe : Shaping Identities to Remember /
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This volume brings together studies that consider funerary inscriptions from Early Modern Europe (1400-1800) from various angles: their material dimension, their literary character, the content of what they are stating, their relation to sculpted and other decorations, and the wider context of a culture of commemoration and remembrance. The central question is: how were funerary inscriptions used to shape the memory of a deceased person in such a way as to determine how (s)he would be remembered and what (s)he would be commemorated for? How would this image fit in the contemporary collective culture of remembrance or in narrower spheres, as for instance specific religious groups or denominations? Contributors are: Faith D. Acker, Kaylee P. Alexander, Ramona Baltolu, Jens Borchert-Pickenhan, Veronika Brandis, Christopher Joby, Jan L. de Jong, Katharina Kagerer, Rodney Lokaj, Anu Mänd, Luise Mervin, John Nassichuk, Stefania Pasti, Snezana Rajic, Robert Seidel, Federica Vermot, Arsenii Vetushko-Kalevich, Maia Wellington Gahtan, and Stamatis Zochios.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711709
Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
Making Copies in Early Modern Times : Models and Copies in an Interdisciplinary Context /
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This book explores new approaches to the study of the complex relation between models and copies. Excellent studies dedicated to copies continue to be published, focusing mainly on works of art and techniques, but the research should be extended in directions that have remained virtually unexplored until now, considering new perspectives and contexts. This volume intends to push the boundaries of current research on copies, proposing new points of view and considering new relations between models and their reproductions. Contributors include: R. Arnheim, E. Vandeweghe, F. Gallaire, B. Leshem, C. Naya, P. Alvarez, S. Suykens, S. Rose, D. Boerio, M. Rijks, M. Bellavitis, B. Anderson, Guthrie, E. Giffin, and S. Abplanalp.
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1 online resource (400 pages) : illustrations. :
Includes bibliographical references and index. :
9789004522220