online his » online i (توسيع البحث), online ii (توسيع البحث), online iii (توسيع البحث)
his three » i three (توسيع البحث)
infinity » infinite (توسيع البحث), affinity (توسيع البحث)
Marsilio Ficino as Reader of Plotinus: The 'Enneads' Commentary /
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This book represents the first ever systematic philosophical study of Marsilio Ficino's Commentary on Plotinus' 'Enneads' (first published in Florence, 1492), this work of Ficino being arguably as definitive for the Florentine thinker's later work as the Platonic Theology was for his earlier. Publication of the present study uniquely illuminates the extent to which Plotinus had always been the crucial influence over Ficino's revolutionary projects of introducing Platonic thought based on original Greek sources to western Europe, correcting certain features of late medieval and Renaissance Aristotelianism, and laying the foundations of a new Christian Platonism. The study can be read both as an independent introduction to Ficino's later philosophy and as the complement to the first modern edition and translation of the Commentary on the 'Enneads' itself also by Stephen Gersh ( I Tatti Renaissance Library , 2017-).
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1 online resource (579 pages) : illustrations. :
Includes bibliographical references and index. :
9789004701892
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Lost in a Sea of Letters : Saʿd al-Dīn Ḥamūya and the Plurality of Sufi Knowledge /
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In Lost in a Sea of Letters , Cyril Uy explores the life and work of Saʿd al-Dīn Ḥamūya (d. 1252), a Mongol-era Sufi whose arcane treatises inspired generations of mystics and messiahs. Reading Ḥamūya in dialogue with contemporaries across Central Asia, Iran, and the Eastern Mediterranean, Uy excavates a world in which knowledge was an embodied sensibility: a way of being that could improvise across all dimensions of human experience. Ḥamūya's performative writing reworked the foundations of this knowledge, provoking readers to live reality through the cacophony of his Sufi free jazz. Foregrounding Ḥamūya's deconstructive ethos and radical openness to interpretation, Uy reveals how embracing plurality could thrive as a mode of social, intellectual, and spiritual competition.
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1 online resource (350 pages) : illustrations. :
Includes bibliographical references and index. :
9789004725072