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Machines intimes : de Baudelaire à Barthes (en passant par Proust et Bataille) /
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Le retour spectaculaire du refoulé est l'un des déterminants du rythme particulier de la modernité. La machine y a aussi sa part. Quand les désirs et les peurs liés à la machine, abandonnés, silencieux, cachés derrière le voile du progrès, émergent, ils créent une sorte de phénoménologie de la machine, qui pendant de nombreuses décennies constitue un point de référence pour des activités littéraires et artistiques. La machine s'y trouve, pour ainsi dire, intériorisée ; inextricablement liée aux affects et aux désirs, elle devient ce que je me propose d'appeler machine intime. Ce processus est étudié ici à travers les œuvres de Baudelaire, Proust, Bataille, Barthes, et quelques autres, dont Roussel, Artaud, Didi-Huberman, ainsi que dans la littérature érotique contemporaine. The spectacular return of the repressed is one of the determinants of the particular rhythm of modernity. The machine also plays its part. When the desires and fears linked to the machine, abandoned, silent, hidden behind the veil of progress, emerge, they create a kind of phenomenology of the machine, which for many decades constituted a point of reference for literary and artistic activities. The machine is, so to speak, interiorised; inextricably linked to affects and desires, it becomes what I propose to call an intimate machine. This process is explored here through the works of Baudelaire, Proust, Bataille, Barthes and others, including Roussel, Artaud and Didi-Huberman, as well as in contemporary erotic literature.
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1 online resource (315 pages) : illustrations. :
Includes bibliographical references and index. :
9789004742734
L'hymnaire manichéen chinois Xiabuzan (Xia bu zan) à l'usage des auditeurs : un manuscrit trouvé à Dunhuang /
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L'Hymnaire manichéen chinois offre un ensemble de 25 hymnes destinées à la pratique de la religion manichéenne par la Section des Auditeurs. Mis au jour à Dunhuang (actuel Gansu) au début du 20ème siècle, après être resté enfoui dans une cache pendant quelque douze siècles, ce rouleau écrit en langue chinoise, comprend plusieurs hymnes transcrites de diverses langues courantes en Asie centrale à l'époque de sa rédaction. Cette traduction apporte une vision nouvelle de la Religion de Lumière, telle qu'elle se vit adoptée par les Chinois, ainsi que de l'ampleur du message du prophète iranien Mani (216-276), aspirant à une portée universelle et destiné à relier entre eux les hommes de tous horizons de par le monde, quelque soit leur origine, leur langue ou leur histoire. L'Hymnaire manichéen chinois presents a collection of twenty-five hymns that were intended for the Manichean religious practice of the class of Auditors. The scroll, which came to light in the early twentieth century in the province of Dunhuang (modern Ganzu) after lying buried for around twelve centuries, contains several hymns transcribed from a variety of languages that were current in Central Asia during the epoch of its redaction. This translation provides a new perspective on the Religion of Light as it was adopted in China, and on the wide reach of the message of the Iranian prophet Mani (216-276) that aimed at universal scope and was meant to unite people from all parts of the world, of whatever origin, language and history.
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Translation into French of a group of hymns in Chinese, originally translated from a variety of Central Asian languages in the 800s and written on a scroll later found in the early 20th century in the province of Dunhuang, modern day Gansu, and held at the British Library under the annotation S 2659. :
1 online resource. :
Includes bibliographical references and index. :
9789004380264 :
0929-2470 ;
Culture persane et médecine ayurvédique en Asie du Sud /
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Cet ouvrage traite des interactions entre l'Ayurveda et la culture médicale persane en Asie du sud. Il présente, pour la première fois, une étude du mouvement de traduction en persan des sources ayurvédiques qui a eu lieu à partir du XIVe siècle. L'image de la culture ayurvédique qui émerge à partir des traités persans offre un nouvel éclairage sur l'histoire de l'Ayurveda à l'époque de l'hégémonie politique musulmane. Les traités persans appliquent de nouvelles catégories à l'analyse des matériaux traduits et ils transforment les modalités de présentation du savoir ayurvédique. En parallèle, l'ouvrage de Fabrizio Speziale aborde le phénomène symétrique de persanisation de l'univers intellectuel des médecins hindous qui, à travers l'apprentissage du persan, s'approprient des connaissances médicales de la culture musulmane. This book looks at the interactions between Ayurveda and Persian medical culture in South Asia. It presents, for the first time, a study of the translation movement of Ayurvedic sources into Persian, which took place from the 14th century onwards. The image of Ayurvedic culture emerging from Persian texts provides a new insight into the history of Ayurveda under Muslim political hegemony in South Asia. Persian treatises apply new categories to the analysis of translated materials and transform the way Ayurvedic knowledge is presented. At the same time, Fabrizio Speziale's book deals with the symmetric phenomenon of Persanization of the Hindu physicians who, through the learning of Persian language, appropriated medical knowledge of Muslim culture.
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1 online resource (ix, 278 pages) :
Includes bibliographical references and index. :
9789004352766 :
Available to subscribing member institutions only.
Les manuscrits araméens du Wadi Daliyeh et la Samarie vers 450-332 av. J.-C. /
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This book deals with the manuscripts from the Wadi Daliyeh (Samaria Papyri) written in Aramaic in the fourth century B.C.E. in the city of Samaria, in the last decades of the Persian period. The book contains a complete edition of the Wadi Daliyeh manuscripts, their new historical interpretation, and an analysis of their legal aspects. The historical interpretation sheds new light on the history of Samaria and its institutions in the Persian period, as well as on the history of the Persian province of Judaea. This book is particulary useful for historians of Palestine in the Second Temple period, for biblical scholars, and for scholars dealing with Near Eastern legal texts.
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1 online resource. :
Includes bibliographical references (p. [623]-638) and indexes. :
9789047421498 :
Available to subscribing member institutions only.
ʻAli Qoli Jebādār et l'occidentalisme safavide : une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94) /
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In ʿAli Qoli Jebādār et l'Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi , while suggesting the use of the term \'Occidentalism\' for those Safavid paintings that show some exotic and alien details of the Western world. ʿAli Qoli Jebādār et l'Occidentalisme safavide offre un nouveau récit de la vie et des œuvres de ʿAli Qoli Jebādār. Recueillant plusieurs peintures et signatures de l'artiste, Negar Habibi expose à la discussion de divers titres royaux de l'artiste. ʿAli Qoli Jebādār et l'Occidentalisme safavide approfondit également nos connaissances sur l'évolution artistique et socio-politique de la société iranienne à l'aube du modernisme. En consultant sans cesse les sources historiques, Negar Habibi montre la possibilité du patronage féminin et eunuque dans les peintures connues sous le nom de farangi sāzi au XVIIe siècle, tout en suggérant l'utilisation d'un nouveau titre comme l'Occidentalisme pour ces peintures safavides qui montrent des détails exotiques et étrangers appartenant au monde occidental.
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1 online resource (xiv, 207 pages) : color illustrations, portraits. :
Includes bibliographical references (p. [178]-203) and index. :
9789004356139 :
Available to subscribing member institutions only.
Le ministère sacerdotal dans la tradition syriaque primitive : Aphraate, Éphrem, Jacques de Saroug et Narsaï /
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Dans Le ministère sacerdotal dans la tradition syriaque primitive, Tanios Bou Mansour présente une analyse du sacerdoce chrétien chez quatre auteurs syriaques, Aphraate, Éphrem, Jacques et Narsaï, en l'éclairant par le sacerdoce du Christ et en le plaçant dans la continuité du sacerdoce de l'Ancien Testament. L'originalité et l'actualité de nos auteurs résident dans leur conception de l'élection, de la succession apostolique, de traits "sacerdotaux" attribués aux femmes dans la Bible, et surtout du prêtre qui, mandaté par l'Eglise, exécute l'action du Christ et de l'Esprit. In Le ministère sacerdotal dans la tradition syriaque primitive, Tanios Bou Mansour analyzes the Christian priesthood in four Syriac writers: Aphraate, Ephrem, Jacob of Sarug and Narsaï. Their conception of priesthood is illuminated by the Priesthood of Christ and contextualized within the continuity of the priesthood of the Old Testament. These authors' originality and actuality lies in their conception of election, of apostolic succession, of "sacerdotal" traits attributed to women in the Bible, and especially of the priest who, commissioned by the Church, executes the action of the Christ and the Spirit.
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1 online resource. :
Includes bibliographical references and index. :
9789004415126
Books and written culture of the Islamic world studies presented to Claude Gilliot on the occasion of his 75th birthday : Islamicae litterae scripta Claudio Gilliot septuagesimum q...
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In celebration of the many contributions of Claude Gilliot to Islamic studies, an international group of twenty-one friends and colleagues join together to explore books and written culture in the Muslim world. Divided into three sections - authors, genres and traditions - the essays explore themes that have been of central interest and concern to Gilliot himself including the Qurʾān, tafsīr, ḥadīth, poetry, and mysticism. Gilliot's detailed and extensive work on many authors and texts, literary genres, and specific case-studies on many Muslim traditions renders this volume an apt tribute to him as well as offering Islamic studies' scholars valuable research insights on these subjects. The authors of these English, French and German essays are all renowned scholars from Europe and North America, each of whom have benefitted substantially from Gilliot's work and collegiality. With contributions by: Mohammad Ali Amir-Moezzi, Mehdi Azaiez, Anne-Sylvie Boisliveau, Abdallah Cheikh-Moussa, Jean-Louis Déclais, Denis Gril, Manfred Kropp, Pierre Larcher, Michael Lecker, Jane Dammen McAuliffe, Harald Motzki, Tilman Nagel, Angelika Neuwirth, Emilio Platti, Jan van Reeth, Andrew Rippin, Uri Rubin, Walid Saleh, Roberto Tottoli, Reinhard Weipert, Francesco Zappa
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1 online resource (xxiii, 398 pages) : color map. :
Includes bibliographical references and indexes. :
9789004283756 :
Available to subscribing member institutions only.
Unity in diversity : mysticism, messianism and the construction of religious authority in Islam /
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What are the mechanisms of change and adaptation in Islam, regarded as a living organism, and how do they work? How did these mechanisms preserve the integrity of Muslim civilization through the innumerable hazards, divisions and devastations of time? From the perspective of history and intellectual history, this book focuses on a significant, though still largely under studied, aspect of this immense issue, namely, the role of mystical and messianic ferment in the construction and re-construction of religious authority in Islam. Sixteen scholars address this topic with a variety of approaches, providing a fresh outlook on the trends underlying the evolution of Muslim societies and, in particular, the emergence and consolidation of the Ottoman, Safavid and Mughal Empires. Contributors include: Abbas Amanat, Mohammad Ali Amir-Moezzi, Paul Ballanfat, Shahzad Bashir, Ilker Evrim Binbaş, Daniel De Smet, Devin DeWeese, Armin Eschraghi, Omid Ghaemmaghami, Ahmet T. Karamustafa, Todd Lawson, Pierre Lory, Matthew Melvin-Koushki, Orkhan Mir-Kasimov, A. Azfar Moin, William F. Tucker.
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1 online resource. :
Includes bibliographical references and index. :
9789004262805
The trade in papers marked with non-Latin characters :documents and history.
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The nine contributions in The Trade in Papers Marked with non-Latin Characters initiated by Anne Regourd (edition) approach global history through the paper trade. They cover, in addition to a paper used in 14th C Persia, papers used in Africa (Ethiopia, Nigeria, Tunisia) and Asia (the Ottoman Levant, Mecca, Persia, Russia, and Yemen) during the 19th-20th C. Primarily based on paper examination and quantitative data, the book invites us to treat papers as a source, and provides tools to determine the production of manuscripts in space and time for the area of interest. This methodology offers new insights on the competition between suppliers to the various markets particularly in respect of the emergence of import-export trading companies. Le commerce des papiers à marques à caractères non-latins , dont Anne Regourd (éd.) est à l'initiative, a pour projet de traiter d'histoire globale par le commerce du papier. Les neuf contributions réunies ici font apparaître un premier exemple de ce papier, persan, dès le xive s. sous les Moẓaffarides et, principalement, des papiers utilisés en Afrique (Éthiopie, Nigéria, Tunisie) et en Asie (Levant ottoman, La Mecque, Perse, Russie et Yémen), aux xixe et xxe s. S'appuyant sur l'observation des papiers et des données quantitatives, le livre invite à prendre le support de l'écrit comme source de l'histoire du commerce et donne des instruments pour déterminer la production de manuscrits dans l'espace et le temps pour une aire définie. Cette méthode renouvelle notre connaissance de l'approvisionnement des marchés, avec, en particulier, l'apparition de compagnies d'import-export. Contributors are: Michaelle Biddle, Evyn Kropf, Anne Regourd, Francis Richard, Alice Shafi-Leblanc, Jan Just Witkam, Olga Yastrebova. Foreword by Anna-Grethe Rischel.
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1 online resource. :
Includes bibliographical references and index. :
9789004360877 :
1877-9964 ; :
Available to subscribing member institutions only.
From the Greeks to the Arabs and Beyond : Volume I: Graeco-Syriaca and Arabica /
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From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields. Vol. I: Graeco-Syriaca and Arabica . Vol. II: Islamic Philosophy . Vol. III: From God's Wisdom to Science : A. Islamic Theology and Sufism ; B. History of Science . Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages ; B. Manuscripts - a Basis of Knowledge and Science ; C. History of the Discipline ; D. Obituaries ; E. Indexes . Vol. V: Unknown Arabic Manuscripts from Eight Centuries - Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III . Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV .
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1 online resource. :
Includes bibliographical references and index. :
9789004441774
9789004441750
Le sanctuaire osirien de douch : travaux de I'Ifao dans le secteur temple en pierre, 1976-1994 /
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"The site of Douch had never been excavated at the time Serge Sauneron, director of the IFAO, began de-sanding the area of the temple of the early Roman Empire in 1976. Before reaching the paved floors, the excavations revealed several levels of occupation under the Late Roman Empire. These campaigns and those subsequent, up until 1994, revealed the existence of several buildings preceding Roman times, such as a Ptolemaic brick sanctuary beneath the temple and other even older buildings, at the least dating back to the Persian time.The history of the archaeological works is followed by six chapters on the architecture of the buildings in the area: the enclosures and their doors, the courtyards and their fittings, the temple and its column porch, the chapel attached to a fault in the ground, probably a place of primitive worship. The text is amply illustrated with maps, sections and elevations. Examination of the construction details enabled to determine the chronological succession of the buildings, and to explain some anomalies or to restitute some of the parts destroyed.The dating of the main brick buildings and their remodeling was possible thanks to Michel Wuttmann who, from 2007 to 2011, had plants extracted from the walls, which were then collected and analyzed by radiocarbon. These new chronological markers allow to propose, in the last chapter, some restitutions of the successive states of the sanctuary in plan and perspective, from the Persian period to the Late Roman Empire."--https://www.ifao.egnet.net/publications/catalogue/DFIFAO/
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vi pages, 2 unnumbered pages, 287 pages, 2 unnumbered pages : illustrations (some color), maps (some color) ; 33 cm + 9 folded supplementary leaflets (in pocket). :
Includes bibliographical references. :
9782724707328 :
0768-2964
The art of the Hekatompedon inscription and the birth of the stoikhedon style /
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt's influential system of proportions and use of grids will be considered determinative for the very first time.
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Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004193277 :
Available to subscribing member institutions only.
Les périples de Kalila et Dimna: Itinéraires de fables dans les arts et la littérature du monde islamique : The Journeys of Kalila and Dimna: Itineraries of Fables in the Arts and...
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Kalīla wa-Dimna is one of the best-known texts of medieval Arabic literature and counts among the most illustrated works in the Islamic world. The extent of the corpus and its journey through the ages make it the ideal material for a reflection on the evolution of iconography in Islamic art. The studies gathered in this volume edited by Eloïse Brac de la Perrière, Aïda El Khiari and Annie Vernay-Nouri, showcase a wide diversity of approaches that convincingly crosses textual investigation, codicology, iconographical study, and physico-chemical analyses. They explore new tracks, either by devoting themselves to the examination of unknown or rarely studied manuscripts, or by proposing innovative readings of this extremely rich work that is Kalīla wa-Dimna. Kalīla wa-Dimna est l'un des textes les plus célèbres de la littérature arabe médiévale et compte parmi les œuvres les plus illustrées du monde islamique. L'étendue du corpus et son parcours à travers les âges en font un extraordinaire matériau pour mener une réflexion sur l'image dans l'histoire des arts islamiques. Les études rassemblées dans ce volume dirigé par Eloïse Brac de la Perrière, Aïda El Khiari et Annie Vernay-Nouri, mettent en œuvre une grande diversité d'approches croisant investigation textuelle, codicologique, iconographique et analyses physico-chimiques. Elles explorent toutes des pistes nouvelles, soit en se consacrant à l'examen de manuscrits inédits ou très rarement étudiés, soit en proposant des lectures innovantes de cette œuvre extrêmement riche qu'est Kalīla wa-Dimna. Contributors: Eloïse Brac de la Perrière, Nathalie Buisson, Mounia Chekhab-Abudaya, Frantz Chaigne, Anna Contadini, Jean-Charles Coulon, Françoise Cuisance, Aïda El Khiari, Rajana Fatima Amalarajah, Béatrice Gruendler, Mika Natif, Bernard O'Kane, Hoa Perriguey, Yves Porter, Francis Richard, Valérie Saurel, Christine Van Ruymbeke, Annie Vernay-Nouri.
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1 online resource. :
Includes bibliographical references and index. :
9789004498143
9789004467101