have continuity » age continuity (توسيع البحث), space continuity (توسيع البحث), state continuity (توسيع البحث)
paradigm have » paradigm taha (توسيع البحث), paradigm war (توسيع البحث)
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
Was 70 CE a watershed in Jewish history? : on Jews and Judaism before and after the destruction of the Second Temple /
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The destruction of the Temple of Jerusalem in 70 CE, which put an end to sacrificial worship in Israel, is usually assumed to constitute a major caesura in Jewish history. But how important was it? What really changed due to 70? What, in contrast, was already changing before 70 or remained basically - or "virtually" -- unchanged despite it? How do the Diaspora, which was long used to Temple-less Judaism, and early Christianity, which was born around the same time, fit in? This Scholion Library volume presents twenty papers given at an international conference in Jerusalem in which scholars assessed the significance of 70 for their respective fields of specialization, including Jewish liturgy, law, literature, magic, art, institutional history, and early Christianity.
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"This volume presents revised versions of lectures given in January 2009 at a Jerusalem symposium sponsored by Hebrew University's Scholion Center for Interdisciplinary Research in Jewish Studies"--Preface. :
1 online resource (xiii, 548 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004217447 :
Available to subscribing member institutions only.
Studies in the Syriac Magical Traditions /
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The study of the Syriac magical traditions has largely been marginalised within Syriac studies, with the earliest treatments displaying a disparaging attitude towards both the culture and its magical practices. Despite significant progress in more recent scholarship in respect of the culture, its magical practices and their associated literatures remain on the margins of the scholarly imagination. This volume aims to open a discussion on the history of the field, to evaluate how things have progressed, and to suggest a fruitful way forward. In doing so, this volume demonstrates the incredible riches contained within the Syriac magical traditions, and the necessity of their study.
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1 online resource. :
Includes bibliographical references and index. :
9789004467200
9789004467194
Reburial of nonexistents : reconsidering the Meinong-Russell debate /
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Alexius Meinong claimed to uncover a brave new world of nonexistent objects. He contended that unreal objects, such as the golden mountain and the round square, genuinely had properties (such as nonexistence itself) and therefore, deserved a place in an all-inclusive science. Meinong's notion of nonexistents was initially not well-received, largely due to the influence and criticisms of Bertrand Russell. However, it has gained considerable popularity in more recent years as academics have uncovered shortfalls in Russell's philosophy and strived to explain apparent "facts" about the beingless. Some philosophers have continued Meinong's project, further explaining nonexistent objects or formulating logic systems that incorporate them. The more recent developments beg for a re-examination of Meinongianism. This book does just that, putting the theory on trial. Part One considers if Russell truly defeated Meinongianism. It addresses Meinongian rejoinders in response to Russell's main criticisms and further defends Russell's alternative solution, his Theory of Descriptions. Part Two explores the rationale for nonexistents and their use in interpreting three types of statements: characterization, negative existential, and intentional. The book argues that, despite appearances, Meinongianism cannot plausibly account for its own paradigm claims, whereas Russell's framework, with some further elucidation, can explain these statements quite well. Part Three primarily addresses claims about fiction, exploring the short-comings of Meinongian and Russellian frameworks in interpreting them. The book introduces a contextualization solution and symbolic method for capturing the logical form of such claims - one with the complexity to handle cross-contextual statements, including negative existential and intentional ones. It finally considers where that leaves nonexistent objects, ultimately rejecting such so-called entities.
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1 online resource (viii, 133 pages) :
Includes bibliographical references and index. :
9789401200615 :
Available to subscribing member institutions only.
Mediating museums : exhibiting material culture in Tunisia (1881-2016) /
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This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums have been highly significant sites in the definition of social identities. They have worked as sites that diffuse social, economic and political tensions through a vast array of means, such as the exhibition itself, architecture, activities, tourism, and consumerism. The book excavates the evolution of paradigms in which Tunisian popular identity has been expressed through the ethnographic museum, from the modernist notion of 'indigenous authenticity' under colonial time, to efforts at developing a Tunisian ethnography after Independence, and more recent conceptions of cultural diversity since the revolution. Based on a combination of archival research in Tunisia and in France, participant observation and interviews with past and present protagonists in the Tunisian museum field, this research brings to light new material on an understudied area.
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1 online resource. :
Includes bibliographical references and index. :
9789004394971