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Der Paradox Eine : antignostischer Monarchianismus im zweiten Jahrhundert /
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These essays propose a new dating of, and historical setting for the letters of \'Ignatius of Antioch\'. In so doing this volume forms an important contribution to the study of Monarchianism and early church history as well. An examination of the fragments of Noëtus of Smyrna, the founder of Monarchianism, leads to the discovery of the oldest Regula fidei , and of its origin as part of anti-gnostic polemics. On the ground of late second-century parallels, especially Melito and Irenaeus, this Regula can be dated between 160 and 180 CE. It is within this context that the so-called Letters of Ignatius fit seamlessly. As a result of these findings this volume argues for a significant revision of our understanding of early church history. Monarchianism (\'Sabellianism\', \'Patripassianism\'), later considered heretical, is shown to have been the almost universally accepted belief within the Church up to the period of the Roman bishops Zephyrinus and Callistus.
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1 online resource (xviii, 332 pages) :
Includes bibliographical references (p. 317-332) and index. :
9789004313163 :
0920-623X ; :
Available to subscribing member institutions only.
The Barque of Wenut-Shemau at the Sed-Festival: An Old Kingdom Temple Relief from Herakleopolis /
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In the collection of the University of Pennsylvania Museum is a limestone relief depicting a king at life-size engaged in a boat ritual as part of the Sed-festival. Discovered in 1904 at Herakleopolis, this object can be dated, based on context, iconography, and style to the early Old Kingdom. Only the upper part of this monumental relief is preserved and the name of the king does not survive. However, the associated labels show that the scene depicted a king, accompanied by Iunmutef, receiving the barque of the goddess Wenut-Shemau, or Nekhbet, at the Sed-festival. This relief, reused in the foundations of the Twelfth Dynasty at Herakleopolis derives from what was evidently a large-format tableau of Sed-festival scenes in a royal cult complex of the Old Kingdom. The relief is a forerunner to scenes in the Twentieth Dynasty tomb of Setau at El Kab depicting the arrival of Wenut-Shemau at the site of the Sed-festival. The ceremonial mooring of the barques of Wadjet and Nekhbet at the Sed-festival may form a central, but hitherto unrecognized, element of the Sed-festival. The closest surviving parallels to the Herakleopolis scene occur in fragmentary reliefs from the Valley Temple of Sneferu at Dahshur. Attribution is proposed to Huni, Sneferu or Khufu. The Sed-festival block may have been transported to Herakelopolis from one of the Memphite pyramid complexes, or from Meidum, during the early Twelfth Dynasty. Alternatively, the relief may derive from an early Old Kingdom royal complex at Herakelopolis itself, possibly originating in a mortuary complex of Huni that once stood at that site. doi: http://dx.doi.org/10.5913/jarce.53.2017.a007