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Cult and Ritual in Persian Period Egypt : An Analysis of the Decoration of the Cult Chapels of the Temple of Hibis at Kharga Oasis /
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"Ancient Egyptian temple walls expressed royal and political ideologies, reflected the ancient Egyptian secular and spiritual world order, supplied a medium for the reenactments of assorted myths, and implied a metaphor for the universe. The Temple of Hibis is one of the most important temples from Late Period Egypt. Despite the conventional overall architecture plan of the temple, it exhibits numerous particularities. While the more prominent parts of the temple, such as the sanctuary, have been studied by numerous scholars, in other areas the decoration schemes remain largely unexplained. This book focuses on the decorative schemes of several chapels in the earlier part of the temple, chapels that were either established and/or were decorated during the first Persian Period (525-404 BCE). These chapels were located around the main sanctuary A, but have rarely been the subject of scholarly discussions. It concentrates on a few chapels of the Temple of Hibis: chapels F and G to the south of sanctuary A on the first level of the temple and all the decorated chapels, E1, E2, H1, and H2, on the second level of the temple. Each chapter begins with a brief description of the scenes and their basic layout and a complete translation of the accompanying texts. A more in-depth analysis regarding both text and image follows in the commentary. It includes the analysis of the different aspects of the gods, their origins, and the development of their cults that are significant to the scenes and to each other. Also discussed are their coherence, any aspects that are especially emphasized, and any other information that could be gleaned from the whole scene. The analysis tries to detail the specific composition that makes up the mosaic of the picture, wall, or room. Attention is paid to both the scenic arrangement and the hieroglyphic inscriptions, as the interpretation of one would be meaningless without the other. Attention is given to investigating the general function of the different rooms by means of their decoration and by identifying the patterns or important themes generated by the layout of the scenes. The results are summarized in the last chapter. A number of line drawings have been inserted into the text beside a described scene as an aid to the reader"--
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xv, 294 pages : illustrations (some color), maps ; 28 cm. :
Includes bibliographical references (pages 225-264) and index. :
9781950343096
Grounding Critique : Marxism, Concept Formation, and Embodied Social Relations /
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Grounding Critique: Marxism, Concept Formation, and Embodied Social Relations argues that marxism must have a robust understanding of embodied social relations, such as race, gender, and sexuality, in order to produce the knowledge necessary for transformative social change. Tanyildiz subjects two important strands of marxist social theory -marxist-feminism and social reproduction theory- to a methodological examination and demonstrates their shortcomings. Focusing on these strands' critiques of intersectionality as a moment of crystallization in concept formation, Grounding Critique explores alternative ways of using Marx's method to understand contemporary human praxis. See Less
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1 online resource (195 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712225
Philosophy of language, Chinese language, Chinese philosophy : constructive engagement /
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From the constructive-engagement vantage point of doing philosophy of language comparatively, this anthology explores (1) how reflective elaboration of some distinct features of the Chinese language and of philosophically interesting resources concerning language in Chinese philosophy can contribute to our treatment of a range of issues in philosophy of language and (2) how relevant resources in contemporary philosophy of language can contribute to philosophical interpretations of reflectively interesting resources concerning the Chinese language and Chinese texts. The foregoing contributing fronts constitute two complementary sides of this project. This volume includes 12 contributing essays and 2 engagement-background essays which are organized into six parts on distinct issues. The anthology also includes the volume editor's theme introduction on comparative philosophy of language and his engaging remarks for three parts.
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1 online resource. :
Includes bibliographical references and index. :
9789004368446 :
0922-6001 ; :
Available to subscribing member institutions only.
The Dead Sea scrolls in context : integrating the Dead Sea scrolls in the study of ancient texts, languages, and cultures /
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The Dead Sea Scrolls enrich many areas of biblical research, as well as the study of ancient and rabbinic Judasim, early Christian and other ancient literatures, languages, and cultures. With nearly all Dead Sea Scrolls published, it is now time to integrate the Dead Sea Scrolls fully into the various disciplines that benefit from them. This two-volume collection of essays answers this need. It represents the proceedings of a conference jointly organized by the Hebrew University of Jerusalem and the University of Vienna in Vienna on February 11-14, 2008.
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Proceedings of a conference jointly organized by the Hebrew University of Jerusalem and the University of Vienna in Vienna on February 11-14, 2008. :
1 online resource (2 volumes (xvi, 962 pages), [16] pages of plates) : illustrations (some color), maps. :
Includes bibliographical references and index. :
9789004194205 :
0083-5889 ; :
Available to subscribing member institutions only.
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242