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Ancient Latin Epics in Girolamo Vida's Christiad /
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The Christiad (1535) is a Neo-Latin epic by the Italian Renaissance writer Girolamo Vida, based on the Gospels and written at the behest of Pope Leo X. Long seen as a Christian Aeneid, it emerges in this study as a far more complex work, demonstrating that while Virgil remains the main model, Vida also engages deeply with Lucretius, Ovid, Lucan, Silius Italicus, and Statius. By examining Vida's imitative techniques and integration of multiple epic models, this monograph reassesses the Christiad 's relationship with the ancient Latin epic tradition. In doing so, it sheds new light on the afterlife of these classical poems as print made them more widely available.
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1 online resource (260 pages) : illustrations. :
Includes bibliographical references and index. :
9789004738713
The Hebrew Bible Manuscripts: A Millennium /
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In The Hebrew Bible: A Millennium , scholars from different fields and dealing with different material sources are trying to consider the Hebrew Bible as a whole. The development of new databases and other technological tools have an increasing impact on research practices. By inviting doctoral students, young researchers, and established scholars to contribute, this interdisciplinary book showcases methods and perspectives which can support future scientific collaborations in the field of the Hebrew Bible. This edited volume gathers relevant research from Dead Sea Scrolls Studies, Cairo Genizah Studies, European Genizah Studies, and from Late Medieval Biblical Manuscript Studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004499331
9789004498723
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242