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Recherches sur la statuaire royale de la XIXe dynastie /
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"Cet ouvrage constitue la synthèse de la recherche sur la statuaire royale de la XIXe dynastie dont le catalogue a paru en ligne en 2018. Le présent volume regroupe les résultats des observations sur les statues réparties par types. Un premier chapitre expose le nombre de statues par règne et la fréquence des types auxquels elles correspondent, y compris les statues remployées sous la XIXe dynastie et celles qui lui sont attribuées. Les chapitres suivants condensent l'évolution des types de statues en suivant celle de leurs costumes, coiffures et attributs, leur fréquence dans les groupes statuaires, mais aussi des représentations en deux dimensions de ces statues et leurs parallèles dans des scènes rituelles. L'examen mené permet d'établir la place qu'occupe chaque type de statue dans un temple et donne lieu à un essai d'interprétation de sa fonction dans l'ensemble du mobilier du temple. Il se poursuit par une synthèse des provenances, dimensions, matériaux et techniques, une autre consacrée à l'accoutrement et, enfin, une présentation récapitulative du style et de l'iconographie, assortie de notices sur les critères de datation. Une conclusion résume l'état des observations en retraçant le parcours royal à travers les types statuaires dans les parties correspondantes du temple imaginaire. This publication is a synthesis of research on the royal statuarv of the Nineteenth Dynasty. It accompanies the catalogue of these statues that appeared on line in 2019.The present volume contains the results of observations on the royal statues, which are presented by type. The first chapter presents the statues by reign and by the types of statues within each reign, including statues reused by kings of the Nineteenth Dynasty as well as ones attributed to them.The succeeding chapters follow the evolution of statue types alongside the development of costume, coiffure and attributes. The frequency of these features in group statues and in two dimensional representations as well as their parallels in ritual scenes are also studied. The investigation defines the position of each type of statue in the temple and ends with an attempt to understand the rote of each statue type within the temple furniture. The next chapters deal with provenances, dimensions, materials, and techniques of the statues, followed by those on the accessories, and finally the style and the iconography are discussed, accompanied by comments on dating criteria. A general conclusion summarizes these observations, and traces the itinerary of the king through a model temple according to the corresponding statue types."--Page 4 of cover.
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Preface by Nicolas Grimal. :
xxxviii, 708 pages, plates : illustrations (chiefly color) ; 29 cm. :
Includes bibliographical references and index. :
9782724707342
2724707346 :
0259-3823 ;
Anthropology and Biblical Studies : Avenues of Approach /
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Presents the findings of an international research symposium, held at St Andrews University, Scotland, in July 2003. Contributors include both biblical scholars and anthropologists. The essays presented variously explore and review interdisciplinary links, innovations and developments between anthropology and biblical studies in reference to interpretation of both the OT and NT and pseudepigraphal works. Explored are methodological issues, the use of anthropological concepts in biblical studies (identity; purity boundaries; virtuoso religion; spiritual experience; sacred space) and more 'field orientated' work of bible translators in different cultures.
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1 online resource. :
Includes bibliographical references and index. :
9789004397507
The Comparative Poetics of Homeric Literary Imitation from Antiquity to Renaissance France : Aphrodite's Charm /
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Aphrodite's famous ribbon known as the cestus , the irresistible love charm that she loaned to Hera in the Iliad, was, thanks to a fruitful early misreading, transformed by ancient, medieval, and Renaissance authors into a symbol of honorable feminine chastity: in Maurice Scève's 1560 Microcosme , an epic rewriting of Genesis, Eve first appears before an astonished Adam wearing the virginal cestus as a symbolic guarantee of her sexual innocence. This book traces the history of this curious development from Homer to the end of the sixteenth century in France. Through analyses of both famous and little-known texts, it illustrates the complexity and fecund liberty of Homeric reception.
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1 online resource (552 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720879
Qumran prayer and religious poetry /
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Qumran Prayer and Religious Poetry represents the first attempt to undertake a systematic, comprehensive study of the liturgical and poetic texts which were discovered among the Dead Sea Scrolls from Qumran. The collections of prayers, blessings and hymns indicate that fixed prayers were already customary within Judaism during the period of the Second Temple within sectarian circles. In the light of the prayer texts from Qumran the author conducts a systematic study of Jewish prayer beginning with its biblical traditions, through its development during the Second Temple period, and down to rabbinic prayer. By means of comparative literary analysis, the author is able to elucidate the relationship of the Qumran texts to forms and motifs found in parallel text types from various periods and circles within Judaism. This volume provides the reader with tools for a renewed study of the history of prayer in Judaism in the light of new textual evidence from the Second Temple period.
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1 online resource (xxi, 415 pages) :
Includes bibliographical references (p. 371-380) and index. :
9789004350137 :
0169-9962 ; :
Available to subscribing member institutions only.
The Conspiracy of the Prince of Macchia and G.B. Vico /
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In September of 1701, events transpired in Naples that, through frequent retellings, became popularly known as "the conspiracy of the Prince of Macchia." Rapidly gaining fame, this apparently anonymous narrative was soon incorporated by different historians in their history of the transition years between the seventeenth and eighteenth centuries. But who was the initial bard or narrator, the town clerk or citizen who first gave testimony of this event by creating a Latin text of the story of the Prince of Macchia? Giambattista Vico was not among the claimants to the authorship of the fabulous story that changed the future of the Kingdom of Naples. Nevertheless, four scholars across the nineteenth and twentieth centuries were themselves convinced, and managed to convince the intellectual world as well, that Vico, then a young teacher of rhetoric at the University of Naples, was indeed the source of this original Latin narration of this oft retold Neapolitan history. This book provides the original Latin text with a parallel translation, as well as historical context and analysis of both the text's authorship history and the account itself.
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Includes a history and critical analysis of Giambattista Vico's text and role as author. :
1 online resource (xvi, 325 pages) : portraits. :
Includes bibliographical references (p. 303-310) and index. :
9789401209120 :
Available to subscribing member institutions only.