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Ancient Latin Epics in Girolamo Vida's Christiad /
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The Christiad (1535) is a Neo-Latin epic by the Italian Renaissance writer Girolamo Vida, based on the Gospels and written at the behest of Pope Leo X. Long seen as a Christian Aeneid, it emerges in this study as a far more complex work, demonstrating that while Virgil remains the main model, Vida also engages deeply with Lucretius, Ovid, Lucan, Silius Italicus, and Statius. By examining Vida's imitative techniques and integration of multiple epic models, this monograph reassesses the Christiad 's relationship with the ancient Latin epic tradition. In doing so, it sheds new light on the afterlife of these classical poems as print made them more widely available.
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1 online resource (260 pages) : illustrations. :
Includes bibliographical references and index. :
9789004738713
Aëtiana : the method and intellectual context of a doxographer /
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The theme of this study is the Doxography of problems in physics from the Presocratics to the early first century BCE attributed to Aëtius. Part I focuses on the argument of the compendium as a whole, of its books, of its sequences of chapters, and of individual chapters, against the background of Peripatetic and Stoic methodology. Part II offers the first full reconstruction in a single unified text of Book II, which deals with the cosmos and the heavenly bodies. It is based on extensive analysis of the relevant witnesses and includes listings of numerous doxographical-dialectical parallels in other ancient writings. This new treatment of the evidence supersedes Diels' still dominant source-critical approach, and will prove indispensable for scholars in ancient philosophy.
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1 online resource. :
Includes bibliographical references and index. :
9789047425373 :
Available to subscribing member institutions only.
Regimes of comparatism : frameworks of comparison in history, religion and anthropology /
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Historically, all societies have used comparison to analyze cultural difference through the interaction of religion, power, and translation. When comparison is a self-reflective practice, it can be seen as a form of comparatism. Many scholars are concerned in one way or another with the practice and methods of comparison, and the need for a cognitively robust relativism is an integral part of a mature historical self-placement. This volume looks at how different theories and practices of writing and interpretation have developed at different times in different cultures and reconsiders the specificities of modern comparative approaches within a variety of comparative moments. The idea is to reconsider the specificities, the obstacles, and the possibilities of modern comparative approaches in history and anthropology through a variety of earlier and parallel comparative horizons. Particular attention is given to the exceptional role of Athens and Jerusalem in shaping the Western understanding of cultural difference.
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1 online resource. :
9789004387638
Verbal aspect in synoptic parallels : on the method and meaning of divergent tense-form usage in the synoptic passion narratives /
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In Verbal Aspect in Synoptic Parallels Wally Cirafesi answers the question of why the Synoptic Gospels at times employ different tense-forms to communicate the same action. The problem has typically been explained from the perspective of redaction criticism and temporal Aktionsart approaches to the Greek verbesserte Cirafesi challenges these approaches by reframing the discussion in terms of recent advances in verbal aspect theory and discourse analysis. He convincingly demonstrates that such differences in tense-form usage have to do with how each Gospel writer wishes to construct their discourses according to various levels of linguistic prominence.
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1 online resource (xii, 191 pages) :
Includes bibliographical references and index. :
9789004250277 :
Available to subscribing member institutions only.
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242