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Instructions for the netherworld : the Orphic gold tablets /
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Orphic gold tables are key documents for the knowledge of rites and beliefs of Orphics, an atypical group that configured a highly original creed and that influenced powerfully over other Greek writers and thinkers. The recent discovery of some tablets has forced a noteworthy modification of some points of view and a review ofthe different hypothesis proposed about them. The book presents a complete edition of the texts, their translation and some fundamental keys for their interpretation, in an attempt at updating our current knowledge on Orphic ideas about the soul and the Afterlife stated in those texts. The work is improved with an appendix of iconographic annotations in which some plastic representations in drawings are reproduced related to the universe of tablets, selected and commented on by Ricardo Olmos.
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1 online resource (xii, 379 pages) : illustrations. :
Includes bibliographical references and index. :
9789047423744 :
0927-7633 ; :
Available to subscribing member institutions only.
Kritik des Wachstumsmodells : die Grenzen alttestamentlicher Redaktionsgeschichte im Lichte empirischer Evidenz /
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Mit seiner bahnbrechenden preisgekrönten Kritik des Wachstumsmodells plädiert Benjamin Ziemer für einen Paradigmenwechsel in der alttestamentlichen Literaturgeschichte. Er untersucht in detaillierten Einzelstudien einen repräsentativen Katalog empirischer Beispiele für Redaktion, vom Gilgamesch-Epos über das ägyptische Totenbuch bis hin zu biblischen Büchern (Chronik, Jeremia, Daniel, Esther) und Qumranschriften (Tempelrolle, Sektenregel). Er zeigt, dass die durch Textvergleich nachweisbaren Redaktoren ihre Vorlagen nie nur durch Neues erweitert, sondern immer auch zugleich Formulierungen angepasst oder vervielfältigt, heterogenes Material eingearbeitet oder eine kürzende Auswahl getroffen haben. Bislang dominieren im kontinentaleuropäischen Forschungskontext Fortschreibungs- und Ergänzungshypothesen, nach denen man ein beliebiges Textelement nur der richtigen Entstehungsschicht zuweisen müsse, um seinen ursprünglichen literarischen Kontext wiederherstellen zu können. Dieses Modell stufenweisen ℗»literarischen Wachstums℗± ist, so Ziemer, wissenschaftlich nicht mehr haltbar. With his groundbreaking award-winnig study Kritik des Wachstumsmodells, Benjamin Ziemer is arguing for a change of paradigm in Old Testament literary criticism. He examines a representative list of empirical examples of editorial processes, including the Gilgamesh Epic, the Book of the Dead, books of the Bible and Dead Sea Scrolls. He shows that redactors who can be identified by external evidence never confined themselves to adding new material. Rather, they simultaneously adjusted or duplicated parts of the text, incorporated material from elsewhere or shortened their source texts. Until now, the bulk of redaction critical studies in Europe adhere to the presupposition of textual or literary ℗»growth℗± - assuming that multiple previous layers are to be found intact in the final texts. With Ziemer's study, this model of growth is no longer tenable.
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1 online resource. :
Includes bibliographical references and index. :
9789004410817
The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /
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The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004427136
Ancient Latin Epics in Girolamo Vida's Christiad /
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The Christiad (1535) is a Neo-Latin epic by the Italian Renaissance writer Girolamo Vida, based on the Gospels and written at the behest of Pope Leo X. Long seen as a Christian Aeneid, it emerges in this study as a far more complex work, demonstrating that while Virgil remains the main model, Vida also engages deeply with Lucretius, Ovid, Lucan, Silius Italicus, and Statius. By examining Vida's imitative techniques and integration of multiple epic models, this monograph reassesses the Christiad 's relationship with the ancient Latin epic tradition. In doing so, it sheds new light on the afterlife of these classical poems as print made them more widely available.
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1 online resource (260 pages) : illustrations. :
Includes bibliographical references and index. :
9789004738713
The Power of the Powerless : The Workers Defense Committee (KOR) /
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The Workers' Defence Committee (KOR) was founded in 1976 in Poland. Its primal objective was to help people persecuted by the state. A year later it was transformed into the Committee for the Social Self-Defence 'KOR', which took up the continuous struggle for civil rights. Several hundred activists of the dissent movement created a parallel world in which the germs of civic society emerged - uncensored press and publishing houses, independent groups of students and farmers, the Flying University and free trade unions. Thus, KOR's founders created the new model of opposition in the communist system: acting openly in the framework of the law, founded on human and civil rights, non-violent, focused on reconstructing social ties and social consciousness, inciting social activity. This evolutionary strategy set the direction of democratic transition in Poland.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9783657798162
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242