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The Comparative Poetics of Homeric Literary Imitation from Antiquity to Renaissance France : Aphrodite's Charm /
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Aphrodite's famous ribbon known as the cestus , the irresistible love charm that she loaned to Hera in the Iliad, was, thanks to a fruitful early misreading, transformed by ancient, medieval, and Renaissance authors into a symbol of honorable feminine chastity: in Maurice Scève's 1560 Microcosme , an epic rewriting of Genesis, Eve first appears before an astonished Adam wearing the virginal cestus as a symbolic guarantee of her sexual innocence. This book traces the history of this curious development from Homer to the end of the sixteenth century in France. Through analyses of both famous and little-known texts, it illustrates the complexity and fecund liberty of Homeric reception.
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1 online resource (552 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720879
Christian origins and Greco-Roman culture : social and literary contexts for the New Testament /
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In Christian Origins and Greco-Roman Culture , Stanley Porter and Andrew Pitts assemble an international team of scholars whose work has focused on reconstructing the social matrix for earliest Christianity through the use of Greco-Roman materials and literary forms. Each essay moves forward the current understanding of how primitive Christianity situated itself in relation to evolving Hellenistic culture. Some essays focus on configuring the social context for the origins of the Jesus movement and beyond, while others assess the literary relation between early Christian and Greco-Roman texts.
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1 online resource (vii, 751 pages) :
Includes bibliographical references and index. :
9789004236219 :
Available to subscribing member institutions only.
Plutarch and the New Testament in Their Religio-Philosophical Contexts : Bridging Discourses in the World of the Early Roman Empire /
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How to read Plutarch in the context of New Testament studies? Almost 50 years after the seminal project on the topic led by Hans Dieter Betz, this volume elevates once again the issue's priority. Bridging discourses is a fitting description both of the religio-philosophical spirit of Plutarch, the Platonist philosopher and priest of Apollo at Delphi, and the task of bringing his writings into fruitful dialogue with the writings of the New Testament, Hellenistic Judaism, and Early Christianity. Taken together, these authors constitute the religious Platonism of the early imperial era. Contributions from the fields of New Testament, classics, philosophy, religious studies, and patristics explore various ways of how to establish these bridges.
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"Three meetings of the CHNT-group at annual meetings of the SBL from 2014-2016 were devoted to the topic of this volume.... A selection of the papers delivered at these meetings are being published in this volume, together with additional contributions." :
1 online resource. :
Includes bibliographical references and index. :
9789004505070
9789004505063
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
The dynamics of intertextuality in Plutarch /
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The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity) as well as non-textual sources (intermateriality). Thirty-six chapters by leading specialists set Plutarch within the framework of modern theories on intertextuality and its various practical applications in Plutarch's Moralia and Parallel Lives . Specific intertextual devices such as quotations, references, allusions, pastiches and other types of intertextual play are highlighted and examined in view of their significance for Plutarch's literary strategies, argumentative goals, educational program, and self-presentation.
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1 online resource. :
Includes bibliographical references and index. :
9789004427860
9789004421707