parallel models » parallel woes (توسيع البحث)
text methods » test methods (توسيع البحث), new methods (توسيع البحث), et methode (توسيع البحث)
Ammianus after Julian : the reign of Valentinian and Valens in Books 26-31 of the Res Gestae /
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In Books 26-31 Ammianus Marcellinus deals with the period of the emperors Valentinian and Valens. The representatives of the new dynasty differ greatly from their predecessor Julian, both personally and in their style of government. The Empire is divided between the two rulers, and suffers increasingly from barbarian invasions. Faced with these changes, Ammianus adapts his historical method. His treatment of the events becomes less detailed and more critical. The years following on the death of Julian are painted in dark colours, as the disaster at Hadrianople casts its shadow before. The papers in this volume, on History and Historiography, Literary Composition and Crisis of Empire, were presented during the conference \'Ammianus after Julian\' held in 2005.
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"This book is the result of an international conference held at the Netherlands Institute for Advanced Study (NIAS) from 2-5 June 2005"--P. [vii]. :
1 online resource. :
Includes bibliographical references and indexes. :
9789047421511 :
Available to subscribing member institutions only.
The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /
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The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004427136
Ancient Latin Epics in Girolamo Vida's Christiad /
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The Christiad (1535) is a Neo-Latin epic by the Italian Renaissance writer Girolamo Vida, based on the Gospels and written at the behest of Pope Leo X. Long seen as a Christian Aeneid, it emerges in this study as a far more complex work, demonstrating that while Virgil remains the main model, Vida also engages deeply with Lucretius, Ovid, Lucan, Silius Italicus, and Statius. By examining Vida's imitative techniques and integration of multiple epic models, this monograph reassesses the Christiad 's relationship with the ancient Latin epic tradition. In doing so, it sheds new light on the afterlife of these classical poems as print made them more widely available.
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1 online resource (260 pages) : illustrations. :
Includes bibliographical references and index. :
9789004738713
The Hebrew Bible Manuscripts: A Millennium /
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In The Hebrew Bible: A Millennium , scholars from different fields and dealing with different material sources are trying to consider the Hebrew Bible as a whole. The development of new databases and other technological tools have an increasing impact on research practices. By inviting doctoral students, young researchers, and established scholars to contribute, this interdisciplinary book showcases methods and perspectives which can support future scientific collaborations in the field of the Hebrew Bible. This edited volume gathers relevant research from Dead Sea Scrolls Studies, Cairo Genizah Studies, European Genizah Studies, and from Late Medieval Biblical Manuscript Studies.
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1 online resource. :
Includes bibliographical references and index. :
9789004499331
9789004498723
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242