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The Comparative Poetics of Homeric Literary Imitation from Antiquity to Renaissance France : Aphrodite's Charm /
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Aphrodite's famous ribbon known as the cestus , the irresistible love charm that she loaned to Hera in the Iliad, was, thanks to a fruitful early misreading, transformed by ancient, medieval, and Renaissance authors into a symbol of honorable feminine chastity: in Maurice Scève's 1560 Microcosme , an epic rewriting of Genesis, Eve first appears before an astonished Adam wearing the virginal cestus as a symbolic guarantee of her sexual innocence. This book traces the history of this curious development from Homer to the end of the sixteenth century in France. Through analyses of both famous and little-known texts, it illustrates the complexity and fecund liberty of Homeric reception.
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1 online resource (552 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720879
The Barque of Wenut-Shemau at the Sed-Festival: An Old Kingdom Temple Relief from Herakleopolis /
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In the collection of the University of Pennsylvania Museum is a limestone relief depicting a king at life-size engaged in a boat ritual as part of the Sed-festival. Discovered in 1904 at Herakleopolis, this object can be dated, based on context, iconography, and style to the early Old Kingdom. Only the upper part of this monumental relief is preserved and the name of the king does not survive. However, the associated labels show that the scene depicted a king, accompanied by Iunmutef, receiving the barque of the goddess Wenut-Shemau, or Nekhbet, at the Sed-festival. This relief, reused in the foundations of the Twelfth Dynasty at Herakleopolis derives from what was evidently a large-format tableau of Sed-festival scenes in a royal cult complex of the Old Kingdom. The relief is a forerunner to scenes in the Twentieth Dynasty tomb of Setau at El Kab depicting the arrival of Wenut-Shemau at the site of the Sed-festival. The ceremonial mooring of the barques of Wadjet and Nekhbet at the Sed-festival may form a central, but hitherto unrecognized, element of the Sed-festival. The closest surviving parallels to the Herakleopolis scene occur in fragmentary reliefs from the Valley Temple of Sneferu at Dahshur. Attribution is proposed to Huni, Sneferu or Khufu. The Sed-festival block may have been transported to Herakelopolis from one of the Memphite pyramid complexes, or from Meidum, during the early Twelfth Dynasty. Alternatively, the relief may derive from an early Old Kingdom royal complex at Herakelopolis itself, possibly originating in a mortuary complex of Huni that once stood at that site. doi: http://dx.doi.org/10.5913/jarce.53.2017.a007
Les stèles de l'an 3 d'Aspelta /
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"A new stele dated Year III of Aspelta was discovered one fragment after another between 1999 and 2007 on the site of Dukki Gel (Pnubs), one kilometre north of Kerma. What started as archaeological research turned into a police investigation when the largest fragment was confiscated from a Sudanese man who had sent a copy of the text to the Museum of Khartoum to enquire about the potential commercial value of the object in his possession. Five fragments constituting the main part of the upper and median sections of the stele could thus be reassembled, along with two fragments of the lower rim. The scarce number of Napatean inscribed monuments known to us makes every new discover likely to shed entirely new light on this very specific period when the Kushite kings ceased to rule over Egypt but kept close cultural relationships with it beyond the now interrupted political links. The date of the stele - Year III, 1st month of Winter, the 12th - places it twenty days after the stele from Sanam, downstream of the 4th cataract, now in the Louvre Museum (C 250 = E 6209) which is dated Year III, 3rd month of the akhet season, the 22nd day. The latter commemorated the visit to the temple of Amun-Ra Bull of Nubia by a delegation sent by the king to replace the sistrum player of the temple. Reading the inscription of stele from Dukki Gel shows that most members of the delegation of the Sanam stele are still mentioned here, although important redactional discrepancies are to found between the two texts. A comparison of the two inscriptions lets us establish certain orthographic rules followed by the scribe of each stele, one with an Egyptian training while the other one seems to have been influenced by a specific local culture, which the Dukki Gel stele contributes to reveal." -- Page 4 of cover.
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vi, 117 pages : color illustrations, color map ; 29 cm. :
Includes bibliographical references (pages 93-97) and indexes. :
9782724706185 :
0259-3823 ;
154.
Cult and Ritual in Persian Period Egypt : An Analysis of the Decoration of the Cult Chapels of the Temple of Hibis at Kharga Oasis /
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"Ancient Egyptian temple walls expressed royal and political ideologies, reflected the ancient Egyptian secular and spiritual world order, supplied a medium for the reenactments of assorted myths, and implied a metaphor for the universe. The Temple of Hibis is one of the most important temples from Late Period Egypt. Despite the conventional overall architecture plan of the temple, it exhibits numerous particularities. While the more prominent parts of the temple, such as the sanctuary, have been studied by numerous scholars, in other areas the decoration schemes remain largely unexplained. This book focuses on the decorative schemes of several chapels in the earlier part of the temple, chapels that were either established and/or were decorated during the first Persian Period (525-404 BCE). These chapels were located around the main sanctuary A, but have rarely been the subject of scholarly discussions. It concentrates on a few chapels of the Temple of Hibis: chapels F and G to the south of sanctuary A on the first level of the temple and all the decorated chapels, E1, E2, H1, and H2, on the second level of the temple. Each chapter begins with a brief description of the scenes and their basic layout and a complete translation of the accompanying texts. A more in-depth analysis regarding both text and image follows in the commentary. It includes the analysis of the different aspects of the gods, their origins, and the development of their cults that are significant to the scenes and to each other. Also discussed are their coherence, any aspects that are especially emphasized, and any other information that could be gleaned from the whole scene. The analysis tries to detail the specific composition that makes up the mosaic of the picture, wall, or room. Attention is paid to both the scenic arrangement and the hieroglyphic inscriptions, as the interpretation of one would be meaningless without the other. Attention is given to investigating the general function of the different rooms by means of their decoration and by identifying the patterns or important themes generated by the layout of the scenes. The results are summarized in the last chapter. A number of line drawings have been inserted into the text beside a described scene as an aid to the reader"--
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xv, 294 pages : illustrations (some color), maps ; 28 cm. :
Includes bibliographical references (pages 225-264) and index. :
9781950343096
The afterlife imagery in Luke's story of the rich man and Lazarus /
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Despite the keen scholarly interest in the Gospel parables, the afterlife scenery in the story of the rich man and Lazarus has often been overlooked. Using insights from the orality studies and intertextuality, the author places the Lukan description of the fate of the dead into the larger Hellenistic matrix, provided by a large number of Greco-Roman and Jewish sources, both literary and epigraphic. Moreover, she challenges several conventional stances in Lukan studies, such as tracing the original of the story to Egypt, or maintaining that eschatology is a key for understanding Luke's work and the purpose for writing it, or harmonizing Luke's eschatological thinking by positing an intermediate state between death and general resurrection. Thus, the book offers fresh insights both to the way the fate of the dead was understood in the ancient world and to the concept of Lukan eschatology.
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Revision of the author's thesis (doctoral)--University of Helsinki, 2004. :
1 online resource. :
Includes bibliographical references (p. [305]-329) and indexes. :
9789047410584 :
0167-9732 ; :
Available to subscribing member institutions only.