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The Comparative Poetics of Homeric Literary Imitation from Antiquity to Renaissance France : Aphrodite's Charm /
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Aphrodite's famous ribbon known as the cestus , the irresistible love charm that she loaned to Hera in the Iliad, was, thanks to a fruitful early misreading, transformed by ancient, medieval, and Renaissance authors into a symbol of honorable feminine chastity: in Maurice Scève's 1560 Microcosme , an epic rewriting of Genesis, Eve first appears before an astonished Adam wearing the virginal cestus as a symbolic guarantee of her sexual innocence. This book traces the history of this curious development from Homer to the end of the sixteenth century in France. Through analyses of both famous and little-known texts, it illustrates the complexity and fecund liberty of Homeric reception.
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1 online resource (552 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720879
Italian Witchcraft and Shamanism : The Tradition of Segnature, Indigenous and Trans-cultural Shamanic Traditions in Italy /
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Shamanism is thriving as an exotic import and a hidden native tradition in Italy today. This ethnographical work uncovers two faces of Italian shamanism. The first is trans-cultural shamans who creatively adapt rituals and beliefs from indigenous cultures worldwide. Second, extensive fieldwork shows how regional folk magic practices of segnatori and segnatrici constitute a little-known but enduring form of native Italian shamanism. By documenting these parallel worlds, contemporary magic workers appear to be the heirs of ancient local healing traditions. Offering rare insights into vernacular religion, this book vividly portrays shamans' past and present on the Italian peninsula.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694187
Les stèles de l'an 3 d'Aspelta /
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"A new stele dated Year III of Aspelta was discovered one fragment after another between 1999 and 2007 on the site of Dukki Gel (Pnubs), one kilometre north of Kerma. What started as archaeological research turned into a police investigation when the largest fragment was confiscated from a Sudanese man who had sent a copy of the text to the Museum of Khartoum to enquire about the potential commercial value of the object in his possession. Five fragments constituting the main part of the upper and median sections of the stele could thus be reassembled, along with two fragments of the lower rim. The scarce number of Napatean inscribed monuments known to us makes every new discover likely to shed entirely new light on this very specific period when the Kushite kings ceased to rule over Egypt but kept close cultural relationships with it beyond the now interrupted political links. The date of the stele - Year III, 1st month of Winter, the 12th - places it twenty days after the stele from Sanam, downstream of the 4th cataract, now in the Louvre Museum (C 250 = E 6209) which is dated Year III, 3rd month of the akhet season, the 22nd day. The latter commemorated the visit to the temple of Amun-Ra Bull of Nubia by a delegation sent by the king to replace the sistrum player of the temple. Reading the inscription of stele from Dukki Gel shows that most members of the delegation of the Sanam stele are still mentioned here, although important redactional discrepancies are to found between the two texts. A comparison of the two inscriptions lets us establish certain orthographic rules followed by the scribe of each stele, one with an Egyptian training while the other one seems to have been influenced by a specific local culture, which the Dukki Gel stele contributes to reveal." -- Page 4 of cover.
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vi, 117 pages : color illustrations, color map ; 29 cm. :
Includes bibliographical references (pages 93-97) and indexes. :
9782724706185 :
0259-3823 ;
154.
The afterlife imagery in Luke's story of the rich man and Lazarus /
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Despite the keen scholarly interest in the Gospel parables, the afterlife scenery in the story of the rich man and Lazarus has often been overlooked. Using insights from the orality studies and intertextuality, the author places the Lukan description of the fate of the dead into the larger Hellenistic matrix, provided by a large number of Greco-Roman and Jewish sources, both literary and epigraphic. Moreover, she challenges several conventional stances in Lukan studies, such as tracing the original of the story to Egypt, or maintaining that eschatology is a key for understanding Luke's work and the purpose for writing it, or harmonizing Luke's eschatological thinking by positing an intermediate state between death and general resurrection. Thus, the book offers fresh insights both to the way the fate of the dead was understood in the ancient world and to the concept of Lukan eschatology.
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Revision of the author's thesis (doctoral)--University of Helsinki, 2004. :
1 online resource. :
Includes bibliographical references (p. [305]-329) and indexes. :
9789047410584 :
0167-9732 ; :
Available to subscribing member institutions only.