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The afterlife imagery in Luke's story of the rich man and Lazarus /
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Despite the keen scholarly interest in the Gospel parables, the afterlife scenery in the story of the rich man and Lazarus has often been overlooked. Using insights from the orality studies and intertextuality, the author places the Lukan description of the fate of the dead into the larger Hellenistic matrix, provided by a large number of Greco-Roman and Jewish sources, both literary and epigraphic. Moreover, she challenges several conventional stances in Lukan studies, such as tracing the original of the story to Egypt, or maintaining that eschatology is a key for understanding Luke's work and the purpose for writing it, or harmonizing Luke's eschatological thinking by positing an intermediate state between death and general resurrection. Thus, the book offers fresh insights both to the way the fate of the dead was understood in the ancient world and to the concept of Lukan eschatology.
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Revision of the author's thesis (doctoral)--University of Helsinki, 2004. :
1 online resource. :
Includes bibliographical references (p. [305]-329) and indexes. :
9789047410584 :
0167-9732 ; :
Available to subscribing member institutions only.
Cinematic Cairo : Egyptian urban modernity from reel to real /
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"The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for the Egyptian film industry since the inception of the art form at the end of the nineteenth century. The "reel" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the "real" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South."--
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xxxiii, 288 pages : illustrations ; 24 cm. :
Includes bibliographical references. :
9781649031334