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Anthropology and Biblical Studies : Avenues of Approach /
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Presents the findings of an international research symposium, held at St Andrews University, Scotland, in July 2003. Contributors include both biblical scholars and anthropologists. The essays presented variously explore and review interdisciplinary links, innovations and developments between anthropology and biblical studies in reference to interpretation of both the OT and NT and pseudepigraphal works. Explored are methodological issues, the use of anthropological concepts in biblical studies (identity; purity boundaries; virtuoso religion; spiritual experience; sacred space) and more 'field orientated' work of bible translators in different cultures.
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1 online resource. :
Includes bibliographical references and index. :
9789004397507
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Cinematic Cairo : Egyptian urban modernity from reel to real /
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"The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for the Egyptian film industry since the inception of the art form at the end of the nineteenth century. The "reel" city-imagined, perceived, and experienced-provides the spatial domain that mirrors change and allows for an interrogation of the "real" city as it encountered modernity over the course of a century. Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South."--
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xxxiii, 288 pages : illustrations ; 24 cm. :
Includes bibliographical references. :
9781649031334