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The Barque of Wenut-Shemau at the Sed-Festival: An Old Kingdom Temple Relief from Herakleopolis /
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In the collection of the University of Pennsylvania Museum is a limestone relief depicting a king at life-size engaged in a boat ritual as part of the Sed-festival. Discovered in 1904 at Herakleopolis, this object can be dated, based on context, iconography, and style to the early Old Kingdom. Only the upper part of this monumental relief is preserved and the name of the king does not survive. However, the associated labels show that the scene depicted a king, accompanied by Iunmutef, receiving the barque of the goddess Wenut-Shemau, or Nekhbet, at the Sed-festival. This relief, reused in the foundations of the Twelfth Dynasty at Herakleopolis derives from what was evidently a large-format tableau of Sed-festival scenes in a royal cult complex of the Old Kingdom. The relief is a forerunner to scenes in the Twentieth Dynasty tomb of Setau at El Kab depicting the arrival of Wenut-Shemau at the site of the Sed-festival. The ceremonial mooring of the barques of Wadjet and Nekhbet at the Sed-festival may form a central, but hitherto unrecognized, element of the Sed-festival. The closest surviving parallels to the Herakleopolis scene occur in fragmentary reliefs from the Valley Temple of Sneferu at Dahshur. Attribution is proposed to Huni, Sneferu or Khufu. The Sed-festival block may have been transported to Herakelopolis from one of the Memphite pyramid complexes, or from Meidum, during the early Twelfth Dynasty. Alternatively, the relief may derive from an early Old Kingdom royal complex at Herakelopolis itself, possibly originating in a mortuary complex of Huni that once stood at that site. doi: http://dx.doi.org/10.5913/jarce.53.2017.a007
The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /
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The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004427136
John within Judaism : Religion, Ethnicity, and the Shaping of Jesus-Oriented Jewishness in the Fourth Gospel /
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In John within Judaism , Wally V. Cirafesi offers a reading of the Gospel of John as an expression of the fluid and flexible nature of Jewish identity in Greco-Roman antiquity. While many have noted John's general Jewishness, few have given it a seat at the ideologically congested table of ancient Jewish practice and belief. By interrogating the concept of "Judaism" in relation to the complex categories of "religion" and "ethnicity," Cirafesi argues that John negotiates Jewishness using strategies of ethnic identity formation paralleled in other Jewish sources from the Second Temple and early rabbinic periods. In this process of negotiation, including its use of "high christology" and critique of Ioudaioi, John coalesces with other expressions of ancient Jewish identity and, thus, can be read "within Judaism.".
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1 online resource. :
Includes bibliographical references and index. :
9789004462946
9789004462939