The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /
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The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004427136
The Targums : a critical introduction /
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The value and significance of the targums -translations of the Hebrew Bible into Aramaic, the language of Palestinian Jews for centuries following the Babylonian Exile-lie in their approach to translation: within a typically literal rendering of a text, they incorporate extensive exegetical material, additions, and paraphrases that reveal important information about Second Temple Judaism, its interpretation of its bible, and its beliefs. This remarkable survey introduces critical knowledge and insights that have emerged over the past forty years, including targum manuscripts discovered this century and targums known in Aramaic but only recently translated into English. Prolific scholars Flesher and Chilton guide readers in understanding the development of the targums; their relationship to the Hebrew Bible; their dates, language, and place in the history of Christianity and Judaism; and their theologies and methods of interpretation. "With clear presentation of current research and the issues involved, including the Targums and the New Testament, and a rich bibliography, this is the most complete-and up-to-date-introduction to the Targums. An outstanding, highly recommended achievement." Martin McNamara , Emeritus Professor of Scripture, Milltown Institute, Dublin, Ireland
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1 online resource (xvii, 557 pages) : illustrations. :
Includes bibliographical references (p. [511]-539), and index. :
9789004218178 :
Available to subscribing member institutions only.
The Comparative Poetics of Homeric Literary Imitation from Antiquity to Renaissance France : Aphrodite's Charm /
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Aphrodite's famous ribbon known as the cestus , the irresistible love charm that she loaned to Hera in the Iliad, was, thanks to a fruitful early misreading, transformed by ancient, medieval, and Renaissance authors into a symbol of honorable feminine chastity: in Maurice Scève's 1560 Microcosme , an epic rewriting of Genesis, Eve first appears before an astonished Adam wearing the virginal cestus as a symbolic guarantee of her sexual innocence. This book traces the history of this curious development from Homer to the end of the sixteenth century in France. Through analyses of both famous and little-known texts, it illustrates the complexity and fecund liberty of Homeric reception.
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1 online resource (552 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720879
Italian Witchcraft and Shamanism : The Tradition of Segnature, Indigenous and Trans-cultural Shamanic Traditions in Italy /
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Shamanism is thriving as an exotic import and a hidden native tradition in Italy today. This ethnographical work uncovers two faces of Italian shamanism. The first is trans-cultural shamans who creatively adapt rituals and beliefs from indigenous cultures worldwide. Second, extensive fieldwork shows how regional folk magic practices of segnatori and segnatrici constitute a little-known but enduring form of native Italian shamanism. By documenting these parallel worlds, contemporary magic workers appear to be the heirs of ancient local healing traditions. Offering rare insights into vernacular religion, this book vividly portrays shamans' past and present on the Italian peninsula.
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1 online resource (220 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694187
The Book of Clear Arabic Expression regarding the Arab Tribes of Egypt : An edition, translation and study of al-Maqrīzī's al-Bayān wa'l-iʿrāb ʿammā bi-arḍ Miṣr min al-aʿrāb /...
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Al-BayÄn wa'l-iÊ¿rÄb Ê¿ammÄ fÄ« arḠMiá¹£r min al-aÊ¿rÄb is an influential treatise on the Arab and Berber groups that inhabited the Egyptian countryside in the late medieval period. The work brings together al-MaqrÄ«zÄ«'s life-long preoccupation with the history of Egypt and his parallel interest in the history of the Arabs, pitting the lineage-based ideology of Arab rebels against the Mamluk elite of manumitted slaves. Over the past century, the BayÄn has been repeatedly deployed in public debates about the Arab identity of Egypt. This book offers a critical study of the treatise in its fifteenth century context, an academic edition, and a first translation into English.
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1 online resource (270 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704091
The dynamics of intertextuality in Plutarch /
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The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity) as well as non-textual sources (intermateriality). Thirty-six chapters by leading specialists set Plutarch within the framework of modern theories on intertextuality and its various practical applications in Plutarch's Moralia and Parallel Lives . Specific intertextual devices such as quotations, references, allusions, pastiches and other types of intertextual play are highlighted and examined in view of their significance for Plutarch's literary strategies, argumentative goals, educational program, and self-presentation.
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1 online resource. :
Includes bibliographical references and index. :
9789004427860
9789004421707
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643