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The classical commentary : histories, practices, theory /
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This collection explores the issues raised by the writing and reading of commentaries on classical Greek and Latin texts. Written primarily by practising commentators, the papers examine philosophical, narratological, and historiographical commentaries; ancient, Byzantine, and Renaissance commentary practice and theory, with special emphasis on Galen, Tzetzes, and La Cerda; the relationship between the author of the primary text, the commentary writer, and the reader; special problems posed by fragmentary and spurious texts; the role and scope of citation, selectivity, lemmatization, and revision; the practical future of commentary-writing and publication; and the way computers are changing the shape of the classical commentary. With a genesis in discussion panels mounted in the UK in 1996 and the US in 1997, the volume continues recent international dialogue on the genre and future of commentaries.
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1 online resource (xxi, 427 pages) :
Includes bibliographical references and index. :
9789047400943 :
0169-8958 ; :
Available to subscribing member institutions only.
Ammianus after Julian : the reign of Valentinian and Valens in Books 26-31 of the Res Gestae /
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In Books 26-31 Ammianus Marcellinus deals with the period of the emperors Valentinian and Valens. The representatives of the new dynasty differ greatly from their predecessor Julian, both personally and in their style of government. The Empire is divided between the two rulers, and suffers increasingly from barbarian invasions. Faced with these changes, Ammianus adapts his historical method. His treatment of the events becomes less detailed and more critical. The years following on the death of Julian are painted in dark colours, as the disaster at Hadrianople casts its shadow before. The papers in this volume, on History and Historiography, Literary Composition and Crisis of Empire, were presented during the conference \'Ammianus after Julian\' held in 2005.
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"This book is the result of an international conference held at the Netherlands Institute for Advanced Study (NIAS) from 2-5 June 2005"--P. [vii]. :
1 online resource. :
Includes bibliographical references and indexes. :
9789047421511 :
Available to subscribing member institutions only.
El-ahwat : a fortified site of the early iron age near Nahal 'Iron, Israel.
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The excavations at el-Ahwat constitute a unique and fascinating archaeological undertaking. The site is the location of a fortified city dated to the early Iron Age (ca. 1220-1150 BCE), hidden in a dense Mediterranean forest in central Israel, near the historic 'Arunah pass. Discovered in 1992 and excavated between 1993 and 2000, the digs revealed an urban "time capsule" erected and inhabited during a short period of time (60-70 years), with no earlier site below or subsequent one above it. This report provides a vivid picture of the site, its buildings, and environmental economy as evinced by the stone artifacts, animal bones, agricultural installations, and iron forge that were uncovered here. The excavators of this site suggest in this work that the settlement was inhabited by the Shardana Sea-Peoples, who arrived in the ancient Near East at the end of the 13th century BCE and settled in northern Canaan. In weighing the physical evidence and the logic of the interpretation presented herein, the reader will be treated to a new and compelling archaeological and historical challenge. "...this final publication of el-Ahwat will hold great value for those studying settlement, architecture, and change in the hill country culture of Iron Age Canaan." Jeff Emanuel
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1 online resource. :
9789047429890 :
Available to subscribing member institutions only.
The Conspiracy of the Prince of Macchia and G.B. Vico /
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In September of 1701, events transpired in Naples that, through frequent retellings, became popularly known as "the conspiracy of the Prince of Macchia." Rapidly gaining fame, this apparently anonymous narrative was soon incorporated by different historians in their history of the transition years between the seventeenth and eighteenth centuries. But who was the initial bard or narrator, the town clerk or citizen who first gave testimony of this event by creating a Latin text of the story of the Prince of Macchia? Giambattista Vico was not among the claimants to the authorship of the fabulous story that changed the future of the Kingdom of Naples. Nevertheless, four scholars across the nineteenth and twentieth centuries were themselves convinced, and managed to convince the intellectual world as well, that Vico, then a young teacher of rhetoric at the University of Naples, was indeed the source of this original Latin narration of this oft retold Neapolitan history. This book provides the original Latin text with a parallel translation, as well as historical context and analysis of both the text's authorship history and the account itself.
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Includes a history and critical analysis of Giambattista Vico's text and role as author. :
1 online resource (xvi, 325 pages) : portraits. :
Includes bibliographical references (p. 303-310) and index. :
9789401209120 :
Available to subscribing member institutions only.
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242