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Verbal aspect in synoptic parallels : on the method and meaning of divergent tense-form usage in the synoptic passion narratives /
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In Verbal Aspect in Synoptic Parallels Wally Cirafesi answers the question of why the Synoptic Gospels at times employ different tense-forms to communicate the same action. The problem has typically been explained from the perspective of redaction criticism and temporal Aktionsart approaches to the Greek verbesserte Cirafesi challenges these approaches by reframing the discussion in terms of recent advances in verbal aspect theory and discourse analysis. He convincingly demonstrates that such differences in tense-form usage have to do with how each Gospel writer wishes to construct their discourses according to various levels of linguistic prominence.
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1 online resource (xii, 191 pages) :
Includes bibliographical references and index. :
9789004250277 :
Available to subscribing member institutions only.
The Composition and Tradition of Erimḫuš /
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With The Composition and Tradition of Erimḫuš Kaira Boddy offers the first comprehensive study of the lexical list Erimḫuš. Boddy gives a detailed analysis of its structure and the ways in which the text and its role in scribal scholarship changed over time. Erimḫuš was highly valued by the Assyrian and Babylonian scholars of the first millennium BCE and several centuries earlier even caught the interest of the Hittites, who had their own ingenious ways of interpreting and using the material. Originally a bilingual list collecting groups of Akkadian words and their Sumerian equivalents, Erimḫuš took on a radically different character in Ḫattuša.
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1 online resource. :
Includes bibliographical references and index. :
9789004438170
9789004438163
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242