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Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
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This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Studies on the text and versions of the Hebrew Bible in honour of Robert Gordon /
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This collection of previously unpublished essays by outstanding international scholars in honour of Robert P. Gordon, Regius Professor of Hebrew at Cambridge University, covers a wide range of topics, from accuracy, anachronism, and incongruity in the books of Samuel, through the theology of Psalms, ancient Near eastern historiography, and the ideology of the Septuagint, to philology and grammar in the Dead Sea Scrolls, Targum, Josephus, and medieval sources. It should interest readers concerned with inner-biblical exegesis and the Hebrew Bible in relation to its parallels, translations, and versions, as well as with big questions about the classification of the Bible and its antecedents as books, the social context of the Dead Sea Scrolls, and Christian attitudes towards 'original Hebrew'.
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1 online resource (xx, 435 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217379 :
Available to subscribing member institutions only.
Plotinus and the moving image /
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Plotinus and the Moving Image offers the first philosophical discussion on Plotinus' philosophy and film. It discusses Plotinian concepts like \'the One\' in a cinematic context and relates Plotinus' theory of time as a transitory intelligible movement of the soul to Bergson's and Deleuze's time-image. Film is a unique medium for a rapprochement of our modern consciousness with the thought of Plotinus. The Neoplatonic vestige is particularly worth exploring in the context of the newly emerging "Cinema of Contemplation." Plotinus' search for the \'intelligible\' that can be grasped neither by sense perception nor by merely logical abstractions leads to a fluent way of seeing. Parallels that had so far never been discussed are made plausible. This book is a milestone in the philosophy of film. Contributors are: Cameron Barrows, Thorsten Botz-Bornstein, Michelle Phillips Buchberger, Steve Choe, Stephen Clark, Vincenzo Lomuscio, Tony Partridge, Daniel Regnier, Giannis Stamatellos, Enrico Terrone, Sebastian F. Moro Tornese and Panayiota Vassilopoulou.
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1 online resource. :
Includes bibliographical references and index. :
9789004357167 :
0929-8436 ; :
Available to subscribing member institutions only.
The Composition and Tradition of Erimḫuš /
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With The Composition and Tradition of Erimḫuš Kaira Boddy offers the first comprehensive study of the lexical list Erimḫuš. Boddy gives a detailed analysis of its structure and the ways in which the text and its role in scribal scholarship changed over time. Erimḫuš was highly valued by the Assyrian and Babylonian scholars of the first millennium BCE and several centuries earlier even caught the interest of the Hittites, who had their own ingenious ways of interpreting and using the material. Originally a bilingual list collecting groups of Akkadian words and their Sumerian equivalents, Erimḫuš took on a radically different character in Ḫattuša.
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1 online resource. :
Includes bibliographical references and index. :
9789004438170
9789004438163