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Gloses et commentaire du livre XI du Contra Proclum de Jean Philopon autour de la matière première du monde
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The problem of the Materia Prima is certainly one of the most important challenges of late antique Physics. It is interesting to note that such a difficulty has never been focused on an exhaustive treatise in Antiquity. If the question of the matter resists any investigation, it is because the matter is radically 'aneideos' (without form) even though it is the condition 'sine qua non' of the existence of all forms in the sensible world. The present study proposes the first translation in French of the entire eleventh Book of the Philoponus' Contra Proclum (VIe s.) which precisely discusses the status of the Prime Matter. After having clarified the context of such a question in the Neoplatonic Alexandrian School, it puts forward a detailled step-to-step analysis of the Philoponian argument, the notions used by him and a new general theory which attempts to evaluate the pertinence and the internal coherence of his contribution to this very problematic question. Le problème de la Materia Prima est sans aucun doute l'une des questions les plus redoutables de la physique tardo-antique. Du moins s'il faut en croire la difficulté à en circonscrire la théorie dans un traité qui put faire école. Si la matière, en effet, résiste à toute investigation rationnelle c'est qu'elle est foncièrement sans forme bien qu'elle soit la condition sine qua non d'existence de toutes les formes du monde sensible. La présente étude propose la première traduction en Français du Livre XI du Contra Proclum de Jean Philopon (VIe s.). Elle commence par recontextualiser le propos de Philopon en l'inscrivant dans la tradition de la 'Quaestio disputata' de l'Ecole néoplatonicienne d'Alexandrie. Chaque sous-chapitre traduit et exhaustivement annoté est suivi d'une analyse détaillée de l'argument philoponien et des notions mobilisées, ainsi que d'une théorie générale qui essayera à chaque fois d'évaluer la cohérence et la pertinence du propos du grammairien alexandrin.
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1 online resource. :
Includes bibliographical references (p. [219]-226) and indexes. :
9789004210080 :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Mesopotamian medicine and magic : studies in honor of Markham J. Geller /
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Mesopotamian Medicine and Magic. Studies in Honour of Markham J. Geller is a thematically focused collection of 34 brand-new essays bringing to light a representative selection of the rich and varied scientific and technical knowledge produced chiefly by the cuneiform cultures. The contributions concentrate mainly on Mesopotamian scholarly descriptions and practices of diagnosing and healing diverse physical ailments and mental distress. The festschrift contains both critical editions of new texts as well as analytical studies dealing with various issues of Mesopotamian medical and magical lore. Currently, this is the largest edited volume devoted to this topic, significantly contributing to the History of Ancient Sciences.
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1 online resource. :
Includes bibliographical references and index. :
9789004368088