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Paul's glory-christology : tradition and rhetoric /
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In 1927 C.A.A. Scott, while commenting on the apostle Paul's Christology, remarked that the \'history of the word Glory in the Bible has yet to be written.\' By using methodology developed in semantics, semiotics, and, more generally, literary theory, Newman examines the origin and rhetoric of Paul's Glory-Christology. The investigation involves three distinct tasks: (1) to plot the tradition-history of Glory which formed part of Paul's linguistic world, (2) to examine Paul's letter, in light of the reconstructed tradition-history of Glory, in order to discern the rationale of Paul's identification of Christ as Glory and, (3) to map out the implications of such an identification for Paul's theological and rhetorical strategy. On the basis of this study, four conclusions are reached for understanding Paul. First, Paul inherited a symbolic universe with signs already \'full\' of signification. Second, knowing the (diachronically acquired) connotative range of a \'surface\' symbol (e.g. Glory) aids in discerning Paul's precise contingent strategy. Third, knowing the \'surface\' symbol's referential power defines and contributes to the \'deeper structure\' of Paul's theological grammar. Finally, the heuristic power within the construals of the Glory tradition coalesce in Paul's Christophany and thus provide coherence at the \'deepest\' level of Paul's Christology.
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Revision of the author's thesis (Ph. D.)--Baylor University, 1989. :
1 online resource (xvi, 305 pages) :
Includes bibliographical references (p. 248-281) and indexes. :
9789004267022 :
0167-9732 ; :
Available to subscribing member institutions only.
Unlocking the Medinan Qur'an /
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"The Qur'anic surahs and passages that are customarily taken to postdate Muhammad's emigration to Medina occupy a key position in the formative period of Islam: they fundamentally shaped later convictions about Muhammad's paradigmatic authority and universal missionary remit; they constitute an important basis for Islam's development into a religion with a strong legal focus; and they demarcate the Qur'anic community from Judaism and Christianity. The volume exemplifies a rich array of approaches to the challenges posed by this part of the Qur'an, including its distinctive literary and doctrinal features, its relationship to other late antique traditions, and the question of oral composition"--
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1 online resource. :
Includes bibliographical references and index. :
9789004509702
9789004509696
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Theatrum Arbitri : theatrical elements in the Satyrica of Petronius /
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Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana ) on the surviving fragments of Petronius' Satyrica . The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica , and a comprehensive account of the theatre of the mimes and its main features.
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Revision of the author's thesis (Ph. D.--University of Glasgow, 1993). :
1 online resource (xxv, 225 pages) :
Includes bibliographical references (p. 197-207) and indexes. :
9789004329515 :
0169-8958 ; :
Available to subscribing member institutions only.