structure bibliography » future bibliography (توسيع البحث), occulture bibliography (توسيع البحث), literature bibliography (توسيع البحث)
poem structure » form structure (توسيع البحث), poetic structure (توسيع البحث), domed structure (توسيع البحث)
The Silvae of Statius : structure and theme /
: "Revision of my doctoral dissertation submitted in 1976 at the University of North Carolina." : 1 online resource (146 pages) : Includes bibliographical references (p. 134-135) and index. : 9789004327702 : Available to subscribing member institutions only.
Concatenatio Catulliana : A New Reading of the Carmina /
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The arrangement of Catullus' Carmina is one of those controversial issues that in-cite respectable commentators to take up extreme positions. In 1914, the German scholar Bernhard Schmidt described the collection as 'a wild chaos'. Forty-five years later, his compatriot Otto Weinreich riposted with the laconic statement: 'Chaos? Cosmos!' Former attempts to detect a structure in the collection were based on rather subjective assumptions. While translating Catullus' poetry into Dutch, Dr Claes detected an objective foundation: the principle of concatenation, i.e. the recurrence of motifs and phrases in consecutive poems. The generality of this phenomenon proves that the poet conceived of the Carmina as a coherent collection, in which the poems fit like links in a chain. The discovery of this coherence suggests a new reading of Catullus, which has also implications for the constitution of the text.
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1 online resource. :
9789004409040
9789050632881
Rhetoric and redaction in Trito-Isaiah : the structure, growth, and authorship of Isaiah 56-66 /
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Rhetoric and Redaction in Trito-Isaiah attempts to integrate the insights of rhetorical criticism into a diachronic study of Isaiah 56-66. Whereas previous, redaction-critical approaches to these chapters have tended to be strongly fissive in their treatment of this material, insights from rhetorical and stylistic criticism are used here to emphasize the elements of unity and coherence in longer sections of text, and to provide additional criteria by which to delimit and structure sections of this poetry. On this basis, a number of new proposals will be presented concerning the structure and extent of the poems in Isaiah 56-59 and 65-66. The two concluding chapters, building upon the insights from the preceding section, develop a whole series of new suggestions concerning the old problems of the authorship and historical background of Isaiah 56-66.
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1 online resource. :
Includes bibliographical references (p. [208]-217) and indexes. :
9789004275867 :
0083-5889 ; :
Available to subscribing member institutions only.
Hebrew poetry from late antiquity : liturgical poems of Yehudah : critical edition with introduction and commentary /
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The discovery of the Genizah manuscipt collection is nothing less than a revolution for the knowledge of Hebrew literature and Jewish culture in Late Antiquity and the Middle Ages. One of the main results of one hundred years of Genizah research is the rediscovery of Hebrew liturgical poetry which shed much light on various aspects of Jewish studies. For the last half century it has been almost comonplace to discover new poems, unknown poets, novel uses of poetry and unfamiliar poetic versions of familiar prose texts within liturgical settings being revealed among the manuscripts and manuscript fragments. The products of the composers and reciters of synagogue poetry convincingly demonstrate the importance of poetry in Jewish worship and communal life. The major corpora of Palestinian liturgical poetry bear evidence to the prolific literary activity of a number of famous poets who laid the foundations for the development of Hebrew poetry in later periods: Yossi ben Yossi, Yannai, Simon bar Megas, Elazar birabbi Kilir and Yohanan ha-Kohen. One of these mostly Byzantine-Jewish 'melodists' was Yehudah who composed a cycle of poems in accordance with the reading tradition of the Pentateuch and Prophets on the sabbath. This study presents Yehudah's oeuvre with commentaries and deals with its historical and literary context in four introductory chapters. The edition is complemented by indices and a bibliography.
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1 online resource (xxix, 183 pages) : illustrations. :
Includes bibliographical references (p. 180) and index. :
9789004332430 :
0169-734X ; :
Available to subscribing member institutions only.
Like Joseph in beauty : Yemeni vernacular poetry and Arab-Jewish symbiosis /
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Like Joseph in Beauty traces the evolution of an Arabic poetic form called 'Humayni poetry'. From Muslim mystical circles, the courts of aristocrats in Highland Yemen, and kabbalist circles of Yemenite Jews, Humayni poetry distinguishes itself with lyricism, musicality, and eroticism. It also plays a variety of code-switching linguistic games. The book addresses the connections between the Humayni poetry of Yemen and the sacred poetry of Jews from Yemen, a hitherto-neglected chapter in the history of Arabic and Jewish literatures. The book culminates with a discussion of ways in which poets and critics in modern-day Yemen and in Israel transformed this poetry.
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1 online resource. :
Includes bibliographical references (p. [327]-339) and index. :
9789047442196 :
Available to subscribing member institutions only.
Throwing Down the Verbal Gauntlet : The Arabic Invective of Jarīr and al-Farazdaq /
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Throwing Down the Verbal Gauntlet<.i> showcases Arab "rapper" poets Jarīr and al-Farazdaq. This eighth-century duo is best known for a series of verbal battles (flytings) they carried out over several decades. Verbal Gauntlet argues that these poets performed in order to elevate their own prestige, just as rappers do in modern-day "Dozens" battles. These were performances for performance's sake, a first for a genre traditionally associated with settling tribal disputes. The book provides a new interpretation of this poetry and changes the way we see the intertwining roles of poet, opponent, and audience.
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1 online resource (240 pages) : illustrations. :
Includes bibliographical references and index. :
9789004716261
The newest Sappho (P. Sapph. Obbink and P. GC inv. 105, frs. 1-4) : studies in archaic and classical Greek song, volume 2 /
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In The Newest Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho scholars dealing with the new papyrus fragments of Sappho that were published in 2014. This set of papyrus fragments, the greatest find of Sappho fragments since the beginning of the 20th century, provides significant new readings and additions to five previously known songs of Sappho (frs. 5, 9, 16, 17 and 18), as well as the remains of four previously unknown songs, including the new Brothers Song and the Kypris Song. The contributors discuss the content of these poems as well as the consequence they have for our understanding of Sappho's life and work.
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1 online resource. :
Includes bibliographical references and index. :
9789004314832 :
Available to subscribing member institutions only.
Primeval histor y Babylonian, biblical, and Enochic : an intertextual reading /
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Most cultures have myths of origin. The Babylonians were the first to combine blocks of traditions about primeval time into primeval histories where humans had a central role. In the first millennium there were different versions that influenced the concepts of primeval history within Jewish religion, both in the Bible and in the parallel Enochic tradition. Atrahasis and the traditions of primeval dynasties had crucial impact on Genesis; the traditions of the primeval apkallus as cosmic guardians were lying behind the Enochic Watcher Story. The book offers a comprehensive analytic comparison between the images of primeval time in these three traditions. It presents new interpretations of each of these traditions and how they relate to each other.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004196124 :
Available to subscribing member institutions only.
Kitāb Adab al-ghināʾ : The Book for the Completion of Musical Knowledge /
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The Book for the Completion of Musical Knowledge is one of two unique treatises coming down to us from the 11th century; the other is Encompasser of the Arts of Ibn al- Ṭaḥḥān al-Mūsīqī . Both are written by practicing musicians and composers, and as such provide, a most welcome musical practices supplement to the tenth-century legacy of music theory and literature, namely, the works of al-Fārābī and al-Iṣfahānī. In composition, al-Kātib provides useful details regarding the process to set a poem to music; in education, he advises students on how to choose a good teacher; in performance, he advises students about to breathe properly and how to ornament vocal and instrumental music.
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1 online resource (240 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712096
Beguiling Guidance : Zechariah Alḍāhirī's Sefer Hamusar, a Hebrew Maqāma from 16th-Century Yemen /
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The only Hebrew picaresque maqāma from Yemen, Sefer hamusar captivates its readers with trickster tales of wandering and adventure while offering moral guidance and a spiritual ascent via kabbalistic study. In Beguiling Guidance , Adena Tanenbaum explores these tensions, along with the literary, social-historical, philosophical, and kabbalistic aspects of Sefer hamusar , and situates the work in its broader 16th-century framework. Applying a fresh reading, she analyzes Alḍāhirī's maqāma as a rich repository of intellectual history; treats his travel narratives as composites of fiction and fact; and uncovers the cultural assumptions and self-definitions underlying his representations of Muslims, which she shows to be far more variegated and nuanced than previously acknowledged. Beguiling Guidance should appeal to readers interested in transregional cultural exchange and the diffusion of texts; pre-modern fiction and travel writing; and Muslim-Jewish power relations in the late medieval/early modern Middle East. It also serves as an introduction to the vibrant culture of a Jewish community that traced its presence in South Arabia back to antiquity.
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1 online resource (510 pages) : illustrations. :
Includes bibliographical references and index. :
9789004733787
Ancient Latin Epics in Girolamo Vida's Christiad /
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The Christiad (1535) is a Neo-Latin epic by the Italian Renaissance writer Girolamo Vida, based on the Gospels and written at the behest of Pope Leo X. Long seen as a Christian Aeneid, it emerges in this study as a far more complex work, demonstrating that while Virgil remains the main model, Vida also engages deeply with Lucretius, Ovid, Lucan, Silius Italicus, and Statius. By examining Vida's imitative techniques and integration of multiple epic models, this monograph reassesses the Christiad 's relationship with the ancient Latin epic tradition. In doing so, it sheds new light on the afterlife of these classical poems as print made them more widely available.
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1 online resource (260 pages) : illustrations. :
Includes bibliographical references and index. :
9789004738713
Clio and the poets : Augustan poetry and the traditions of ancient historiography /
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The Augustan age was one in which writers were constantly reworking the Roman past, and which was marked by a profound engagement of poets with the historians and historical techniques which were the main vehicle for the transmission of the image of the past to their day. In this book seventeen leading scholars from Europe and America examine the fascinating interaction between such apparently diverse genres: how the Augustan poets drew on - or reacted against - the historians' presentation of the world, and how, conversely, historians picked up and transformed poetic themes for their own ends. With essays on poems from Horace's Odes to Ovid's Metamorphoses , on authors from Virgil to Valerius Maximus, it forms the most important topic so central to such a particulary relevant period of literary history.
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Selected papers given at a conference at the University of Durham in 1999. :
1 online resource (xv, 396 pages) : illustrations. :
Includes bibliographical references (p. 363-379) and index. :
9789047400493 :
0169-8958 ; :
Available to subscribing member institutions only.
The renewal of epic : responses to Homer in the Argonautica of Apollonius /
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The Renewal of Epic considers various modes of allusion to Homer in the Argonautica of Apollonius, dealing not only with similarities in phraseology but also with thematic and structural resemblances. After an introduction, two chapters discuss Apollonian techniques in treating repeated Homeric scenes: sacrifice, shipwreck, boxing and battle. The central section of the work considers the multiple links between the adventures of the Argonauts and Odysseus' wanderings. A final chapter explores Apollonius' innovative treatment of the divine, both generally and in particular scenes. The work shows convincingly that the Argonautica reproduces many of the patterns which have been found in the Iliad and Odyssey . It demonstrates the presence of allusion at every level in the poem, linking it to its predecesors and acting as an essential interpretative aid to the reader.
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1 online resource (x, 335 pages) :
Includes bibliographical references (p. 306-317) and indexes. :
9789004329775 :
0169-8958 ; :
Available to subscribing member institutions only.
Song of song s a close reading /
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This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole.
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1 online resource. :
Includes bibliographical references (p. [509]-521) and indexes. :
9789004203709 :
Available to subscribing member institutions only.
A vocabulary of desire : the Song of Songs in the early synagogue /
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In A Vocabulary of Desire , Laura Lieber offers a nuanced, multifaceted and highly original study of how the Song of Songs was understood and deployed by Jewish liturgical poets in Late Antiquity (ca. 4th-7th centuries CE). Through her examination of poems which embellish and even rewrite the Song of Songs, Lieber brings the creative spirit-liturgical, intellectual, and exegetical-of these poems vividly to the fore. All who are interested in the early interpretation of the Song of Songs, the ancient synagogue, early Jewish and Christian hymnography, and Judaism in Late Antiquity will find this volume both enriching and accessible. The volume consists of two interrelated halves. In the first section, four introductory essays establish the broad cultural context in which these poems emerged; in the second, each chapter consists of an analytical essay structured around a single, complete poetic cycle, presented in new Hebrew editions with annotated original English translations. \'The Hebrew text edition is accompanied by a lucid and poetic English translation with annotations and a commentary. In this excellent, scholarly text edition, the commentary is focused and to the point...This reviewer highly recommends this monograph to scholars interested in the early synagogue and its liturgy, late antique and medieval Hebrew poetry, rabbinic Judaism, and early Christianity. The book invites further comparative work in these areas.\' Rivka B. Ulmer, H-Judaic, H-Net Reviews. May, 2015.
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"This volume examines six piyyutim ... 1. An anonymous qedushta shel sheva for Passover (ca. fifth century) ; 2. A shivata for Passover by Yannai (sixth century) ; 3. A qerova for Passover by Yannai ; 4. A shivata for the Prayer for Dew by Eleazar birabbi Qallir (late sixth-early seventh century) ; 5. A qedushta for the first Sabbath following a wedding by Eleazar birabbi Qallir ; 6. A yotzer for Passover by Eleazar birabbi Qallir"--ECIP introduction. :
1 online resource (pages) :
Includes bibliographical references and index. :
9789004278592 :
1571-5000 ; :
Available to subscribing member institutions only.
The Books behind the Masks : Sources of Warfare Leadership in Ancient Egypt. Ancient Warfare Series Volume 4 /
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The study of the ancient Egyptian military and warfare now encompasses the background court society in which the various eulogies drawn up for the glorification of the kings were composed. This study proceeds from a previous analysis of the leadership characteristics of the military pharaohs to their underlying war records to the literary compositions that the pharaohs had drawn up for their glorification. A study of these court-inspired accounts fits within the overarching new perspectives of royally directed and inspired ancient Egyptian literature. The historical background covers the New Kingdom pharaohs Kamose, Thutmose III, Ramesses II and III, with Merenptah, plus Pianchy. The concentration is primarily upon the narrative structures employed in each of these king's monumental inscriptions.
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1 online resource. :
Includes bibliographical references and index. :
9789004466111
9789004466104
The Rhetorical Design of Isaiah 40-48/55 : Zion's Incomparable Saviour and His Servants /
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In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems.
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This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned. :
1 online resource. :
Includes bibliographical references and index. :
9789004513976
9789004514768
The narrative voice in the Theogony of Hesiod /
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This volume offers analysis of the narratological structure of the Theogony with the purpose of elucidating a major, unifying theme in this poem: the relationship between the divine and mortal realms. The techniques of narratology are herein employed to support the argument that Hesiod portrays the cosmos as sharply divided between gods and men. The Theogony should therefore be read as a didactic poem explaining primarily the position of man vis-à-vis the gods. The first half of this book discusses relevant scholarship and introduces the theme of relationship of gods to men in the Theogony . The second half of the book discusses how Hesiod employs Character-Text, Attributive Discourse, Embedded Focalization, Anachrony, and Commentary to achieve his didactic purposes.
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1 online resource (xv, 206 pages) :
Includes bibliographical references (p. 193-202) and indexes. :
9789047413851 :
0169-8958 ; :
Available to subscribing member institutions only.
The Rāsa Māna ke Pada of Kevalarāma : A Medieval Hindi Text of the Eighth Gaddī of the Vallabha Sect /
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This book of the well-known Braj specialist, Prof Dr A.W. Entwistle (University of Washington), focuses on the medieval tradition of the eighth branch of the Vallabha sect. The lengthy introduction deals with the sectarian background of the branch, including a survey of the relevant tradition and history of medieval Vaiṣṇava devotion as a whole and the Vallabha sect in particular. It discusses the structure of the Puṣṭimārga and its gaddīs, or branches, since Rāsa Māna ke Pada is part of the literary heritage of the sect's Eighth Gaddī which, until partition in 1947, was based at Dera Ghazi Khan (now in Pakistan). It gives a , survey of the life and works of the founders of this gaddī, ŚrI Lālajī, and of his grandson Kevalarāma. Due attention is also paid to the language of the text and in an appendix a comparative etymological glossary is given that cites examples from other Braj Bhāṣā authors in order to support interpretations of the more obscure words and idioms. The main part of the book consists of a critical edition of the Rāsa Māna ke Pada , a collection of poems attributed to Kevalarāma, and an annotated translation into English.
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Includes bibliographical references and index. :
9789004646629
Cantos and strophes in biblical Hebrew poetry II : Psalms 42-89 /
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This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
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Sequel to: Cantos and strophes in biblical Hebrew poetry, with special reference to the first book of the Psalter (Oudtestamentische studiën ; d. 53). :
1 online resource. :
Includes bibliographical references (p. [561]-566) and index. :
9789004182332 :
Available to subscribing member institutions only.