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Interart Poetics : Essays on the Interrelations of the Arts and Media /
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In this anthology are gathered 28 essays, devoted to the interrelations of the arts and media. They present together the current state of the emerging field of Interart Studies. The contributors - Stephen Greenblatt, Claus Clüver, Erika Fischer-Lichte, John Neubauer, Steven Paul Scher, Walter Bernhart, Ulrich Weisstein, Eric T. Haskell, Eric Vos, Thomas Elsaesser, among others - are leading international scholars in the fields of Art History, Literary Criticism, Musicology, Film, Theatre and Media Studies. In challenging ways they promote interdisciplinary strategies in the study of the traditional arts: dance, literature, music, painting, sculpture, theatre etc, as well as of the modern media: film, TV, video, computer-generated arts, etc. The essays collected engage in a broad perspective of topics, approached from varying theoretical, methodological or ideological viewpoints. No single thread runs through the diversely conceived essays, yet it is evident that what all contributors appear to envision is the importance today of investigations into the problems of what might be called the interart - or intermedia - discourse. Aimed at university teachers, scholars, students and even artists, this book will meet the demands from those interested in modern modes of interart and intermedia analysis.
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1 online resource (356 pages) : illustrations. :
Includes bibliographical references and index. :
9789004650947
Ovid in exile : power and poetic redress in the Tristia and Epistulae ex Ponto /
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In response to being exiled to the Black Sea by the Roman emperor Augustus in 8 AD, Ovid began to compose the Tristia and Epistulae ex Ponto and to create for himself a place of intellectual refuge. From there he was able to reflect out loud on how and why his own art had been legally banned and left for dead on the margins of the empire. As the last of the Augustan poets, Ovid was in a unique position to take stock of his own standing and of the place of poetry itself in a culture deeply restructured during the lengthy rule of Rome's first emperor. This study considers exile in the Tristia and Epistulae ex Ponto as a place of genuine suffering and a metaphor for poetry's marginalization from the imperial city. It analyzes, in particular, Ovid's representation of himself and the emperor Augustus against the background of Roman religion, law, and poetry.
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1 online resource. :
Includes bibliographical references (p. [217]-231) and indexes. :
9789047424079 :
Available to subscribing member institutions only.
Founding the year : Ovid's Fasti and the poetics of the Roman calendar /
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This book considers the relationship between the Fasti , Ovid's long poem on the Roman calendar, and the calendar itself, conceived of as consisting both in the rites and commemorations it organizes and in its graphic representation. The Fasti treats the calendar, recently revised by Caesar and Augustus, as its most important cultural model and as a quasi-literary 'intertext': the poem simultaneously reshapes and is itself shaped by the calendar. The study includes chapters on Book 4 and the rites of April, on the addition of Julio-Claudian holidays to the calendar, and on the final two books of the poem as shaped by the renaming of the months Quintilis and Sextilis for Julius Caesar and Augustus.
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1 online resource (326, [4] pages of plates) : illustrations. :
Includes bibliographical references (p. 297-308) and indexes. :
9789047409595 :
Available to subscribing member institutions only.
Literature and society in the fourth century AD : performing paideia, constructing the present, presenting the self /
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Late Antiquity is often assumed to have witnessed the demise of literature as a social force and its retreat into the school and the private reading room: whereas the sophists of the Second Sophistic were influential social players, their late antique counterparts are thought to have been overshadowed by bishops. Literature and Society in the Fourth Century AD argues that this presumed difference should be attributed less to a fundamental change in the role of literature than to different scholarly methodologies with which Greek and Latin texts from the second and the fourth century are being studied. Focusing on performance, the literary construction of reality and self-presentation, this volume highlights how literature continued to play an important role in fourth-century elite society.
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1 online resource. :
Includes bibliographical references and index. :
9789004279476 :
Available to subscribing member institutions only.
Muqarnas : an annual on the visual culture of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
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"The Aga Khan Program for Islamic architecture, thirtieth anniversary special volume." :
1 online resource. :
Includes bibliographical references. :
9789047426745 :
Available to subscribing member institutions only.
Poetry in Late Byzantium /
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The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire's final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004699687
Passer en douce à la douane : L'écriture minimaliste de Minuit: Deville, Echenoz, Redonnet et Toussaint /
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Les quatre auteurs réunis ici, Deville, Echenoz, Redonnet et Toussaint, ont beaucoup attiré l'attention de la critique littéraire depuis la fin des années 80. Or, l'objectif de cette étude est, tout en respectant leur singularité, d'analyser leurs romans à partir de traits communs. Publiés aux Éditions de Minuit, ils représentent une pratique de l'écriture caractéristique de la littérature française actuelle, que l'on qualifie ici d'`écriture minimaliste'. Outre ce minimalisme, les recherches romanesque de ces auteurs se rejoignent sur un certain nombre de points. Ainsi, le jeu citationnel qu'ils pratiquent ne manque pas de mettre en cause la représentation de la réalité. De plus, l'organisation de leurs récits témoigne d'une réflexion sur les notions d'ordre et de chaos, de hasard et de nécessité. Enfin, l'étude de leur vision du monde montre que la réalité y fait tout de même sa rentrée 'en douce'. Le jeu d'ensemble que propose ce livre s'attache à repérer, à la lumière du Nouveau Roman et du postmodernisme, un nouveau territoire dans le paysage littéraire français et souligne en même temps quelques affinités entre la littérature et la pensée actuelles.
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1 online resource (236 pages) : illustrations. :
Includes bibliographical references and index. :
9789004648821
Poetry for patrons : literary communication in the age of Domitian /
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A study of the phenomenon of literary patronage, both non-imperial and imperial, during the reign of the Roman emperor Domitian (81-96 A.D.). This work centres on the Epigrams of Martial and the Silvae of Statius. The book deals not only with the relationships between poets and patrons, but also with the audiences and the functions of patron-oriented poetry. It includes discussions of such topics as \'patronage\' versus \'friendship\', the poetic \'I\', the role of poetry at symposia and festivals, dedication and publication, the influence of rhetoric on poetry, and the poetic representation of imperial power. The book should prove of interest not only to specialists in Roman poetry, but also to ancient historians and to students of literary patronage in other cultures. All Latin and Greek is translated.
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Enlargement of author's thesis (Ph. D.)--University of Leiden, 1995. :
1 online resource (xiv, 493 pages) :
Includes bibliographical references (p. 445-469) and index. :
9789004351141 :
Available to subscribing member institutions only.
Enargeia in classical antiquity and the early modern age : the aesthetics of evidence /
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The present study provides an extensive treatment of the topic of enargeia on the basis of the classical and humanist sources of its theoretical foundation. These serve as the basis for detailed analyses of verbal and pictorial works of the Classical Antiquity and the Early Modern Age. Their theoretical basis is the tradition of classical rhetoric with its principal representatives (Aristotle, Cicero, Quintilian) and their reception history. The 'enargetic' approach to the arts may be described as rhetoric of presence and display, or aesthetics of evidence and imagination. Visual imagination plays a major role in the concepts of effect in oratory, poetry, and drama of the Classical Antiquity and the Early Modern Age. Its implementations are manifested in the Second Sophistic and in the Early Modern Age, there above all in the works of William Shakespeare.
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1 online resource. :
Includes bibliographical references and index. :
9789004231184 :
1865-1148 ; :
Available to subscribing member institutions only.