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The dragon in medieval East Christian and Islamic art
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This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
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1 online resource. :
Includes bibliographical references and index. :
9789004209725 :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Samson : hero or fool? : the many faces of Samson /
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Samson is a peculiar character. He is the most powerful of the Israelite judges and three whole chapters in the book of Judges are allocated to him. Yet he demonstrates many weaknesses, not least for the charms of women. In the international conference "Samson: Hero or Fool?" organised at the University of Nijmegen in April, 2008, the texts of Judges 16-18 were studied from different perspectives, investigating how the complex character of this (anti)hero lived on in various ways in the later traditions about him. The contributions discuss also the reception history of the Samson traditions in later Jewish, Christian and Islamic literature, as well as his representation in figurative and performing arts
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Includes index. :
1 online resource. :
9789004262362 :
1388-3909 ;
Shunet el-Zebib Documentation and Conservation
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The funerary monument of King Khasekhemwy in Abydos is also known as the Shunet el-Zebib. Little is known about King Khasekhemwy, the last king of the Second Dynasty, but his reign ended in 2686 BC, making Shunet el-Zebib among the oldest surviving mud-brick structures in the world and the best example of Egypt’s earliest tradition of royal mortuary building. Funding from the Egyptian Antiquities Project (EAP) between 1999 and 2006 resulted in documentation and conservation of approximately 50% of the 200-meter perimeter using newly made mud bricks of the same size and originally sourced materials to re-establish structural integrity.
Follow-up funding provided under a subsequent USAID grant in 2010 enabled team members to continue with the stabilization and conservation of the enclosure, parts of which still risked collapse. The precarious situation at the Shunet el-Zebib was evidenced by its inclusion in the World Monuments Fund’s 2008 Watch List of the World’s 100 Most Endangered Sites.
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3788 pics :
Conservation of the monument was originally funded through the American Research Center in Egypt's Egyptian Antiquities Project (ARCE-EAP) under United States Agency for International Development (USAID) Agreement No. 263-G-00-93-00089-00 (1999-2006) and subsequently funded through ARCE's Egyptian Antiquities Conservation Project (ARCE-EAC) under USAID Agreement No. 263-A-00-04-00018-00 (2010-2012).