power structures » des structures (توسيع البحث)
structures de » structure de (توسيع البحث), structures _ (توسيع البحث), structure des (توسيع البحث)
de within » one within (توسيع البحث), 2 within (توسيع البحث), 10 within (توسيع البحث)
Contested Spaces, Common Ground : Space and Power Structures in Contemporary Multireligious Societies.
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Spaces are produced and shaped by discourses and, in turn, produce and shape discourses themselves. 'Space' is becoming a significant and complex concept for the encounter between people, cultures, religions, ideologies, politics, between histories and memories, the advantaged and the disadvantaged, the powerful and the weak. As a result, it provides a rich hermeneutical and methodological inventory for mapping interculturality and interreligiosity. This volume looks at space as a critical theory and epistemological tool within cultural studies that fosters the analysis of power structures and the deconstruction of representations of identities within our societies that are shaped by power.
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24 The Festival as Heterotopia in the City as Shared Religious Space. :
1 online resource (404 pages) :
9789004325807 :
Available to subscribing member institutions only.
Faiblesse et force, presidence et collegialite chez Paul de Tarse : recherche littéraire et...
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In 2 Cor. 10-13, as in the entire Pauline corpus, the use of the first person plural is surprising. Paul oscillates between singular ('I') and plural ('We'), sometimes within the same sentence. While this literary feature has never been seriously explored, this study undertakes in the first part an investigation of the meanings of 'we' in ancient Greek texts through several literary genres, from Homer to the Hellenistic period. The second part, devoted to 2 Cor. 10-13, shows the neat architecture of these chapters, and the way the key theological message about weakness (ἀσθένεια) and power (δύναμις) is delivered. Also the occurrences of 'We' and 'I' throughout the text reveal a further underlying theology of authority. En 2 Co 10-13, mais aussi dans l'ensemble du corpus paulinien, l'utilisation de la première personne du pluriel est surprenante. Paul passe souvent du 'je' au 'nous', et inversement, parfois dans la même phrase. Ce trait littéraire n'ayant pas encore été examiné de manière approfondie, la présente étude commence par une enquête sur les sens du 'nous' dans plusieurs genres littéraires - dont le genre épistolaire - d'Homère jusqu'à l'époque hellénistique. La seconde partie, consacrée à 2 Co 10-13, montre l'architecture soignée de ces chapitres ainsi que la manière dont Paul communique le message théologique sur la faiblesse (ἀσθένεια) et la force (δύναμις). L'alternance des 'nous' et des 'je' exprime en outre une véritable théologie de l'autorité apostolique.
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1 online resource (xiii, 730 pages) :
Includes bibliographical references and index. :
9789004290563 :
0167-9732 ; :
Available to subscribing member institutions only.
Henosis : L'union à Dieu chez Denys L'Aréopagite /
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In the first part of this study, the theme of the union ( henosis ) is analysed in Dionysius the Areopagite's De Divinis Nominibus . The starting point of this inquiry is the trinitarian theology of Dionysius. He distinguishes between Union ( henosis ) and distinction ( diakrisis ), ad intra of the divine Persons and ad extra of the divines names, understood as powers. The movement of procession and conversion of the divine names follows the very structure of the treatise: from the Union to the One, a movement called \'the circle of love\'. In a second moment, the word henosis or the formula henosis hyper noun , \'union above the intellect\', are analysed in the De divinis nominibus , where they allude to the \'union without confusion\' of the ideas one with the other, or to the union of intellect with God in the unknowledge. The second part is dedicated to the union with God in the De Mystica Theologia . The author first studies Moses' ascension and his entrance in the Darkness within the tradition of the commentaries of Exodus , such as Philo's or Gregory of Nyssa's treatises De Vita Mosis ; she analyses the progress of negative theology towards the mystical union and she tries to identify the \'unknown God\' with whom the intellect becomes unified in the neoplatonician theory and also in the context of Paul's discourse on the Areopage. She concludes with an examination of the unio mystica and its major features in Pseudo-Dionysius.
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1 online resource (xv, 510 pages) :
Includes bibliographical references (p. 457-479) and index. :
9789004320963 :
0079-1687 ; :
Available to subscribing member institutions only.
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317