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Lived religion : conceptual, empirical and practical-theological approaches : essays in honor of Hans-Günter Heimbrock /
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Lived religion' signifies a shift of focus in order to attend to the religiosity of individuals and groups as embedded in the contexts of life-worlds. It suggests fresh attention to the body, to perception, to experience, to everyday life, and to biography. The essays in this collection gravitate around the concept of 'lived religion', honoring the contributions of Hans-Günter Heimbrock , in which he suggests this conceptual framework for understanding practical theology and religious education and for designing empirical research in theology. The contributions embrace a broad spectrum and include empirical studies, exegetical and historical investigations, contributions on practical theology as well as on the theory and practice of religious education, inviting further reflection and discussion about 'lived religion.'
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1 online resource. :
Includes bibliographical references and index. :
9789047432289 :
Available to subscribing member institutions only.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
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"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
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1 online resource. :
Includes bibliographical references and index. :
9789004417649