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The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
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\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
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Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
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The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
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1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
Fascism's Urban Epicenter : Remaking Rome in the Era of Charismatic Politics /
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This book re-imagines the heart of Rome, animating it with the mass rituals of Mussolini's pioneering regime of twentieth-century totalitarianism. It retrieves from a post-war amnesia the ceremonial events, urban sites, and historic monuments of the Duce's charismatic rulership, demonstrating how architecture and urbanism functioned as instruments of persuasion in fashioning a fevered national identity. Piazza Venezia and its surrounding structures emerge anew as material and spatial exemplars of an illiberal modernity, first as incubator and then as cockpit of a novel form of politics. Here you will experience the frenzied crowd at pavement level as a quintessential phenomenon of Fascist rule.
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1 online resource (422 pages) : illustrations. :
Includes bibliographical references and index. :
9789004743526
Cittadini of Venice : Shaping Identities between Networks and Patronage (c. 1530-1690) /
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In this volume Giulia Zanon sheds new light on our grasp of social hierarchy and the possibilities for social mobility in pre-modern Italy. By adopting an interdisciplinary approach that combines deep archival research with a multitude of artistic and architectural artefacts, this work breaks new ground by contextualizing the part played by social relationships and the arts in publicly affirming and displaying the prestige of the middling sorts, the cittadini , in early modern Venice.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004695603
Kaṭṭaikūttu : The Flexibility of a South Indian Theatre Tradition /
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This book gives an insight into Kaṭṭaikkūttu, a living Tamil theatre tradition. Taking the perspective of performers as a starting point, it analyses how this theatre tradition has been able to adjust itself to changing conditions and challenges because of its inherent flexibility. The phenomenon of flexibility pervades both the formation and internal arrangements of theatre companies and the actual performances themselves. The first part of the book focuses on Kaṭṭaikkūttu in its historical and social context. It traces the theatre's disengagement from its organic embedding in the social and ritual village organization and its transition towards a more autonomous and more professional regional theatre form during the last fifty to hundred years. This transformation was accompanied by processes of professionalization and commercialization, which had their impact on the practitioners and the performances. The second part of the book provides a detailed analysis of the working of oral Kaṭṭaikkūttu texts in performance. Through a flexible handling of the oral - verbal and musical - material within the boundaries of a relatively fixed framework underlying these texts, Kaṭṭaikkūttu performers try to fulfill to the best of their abilities the demands of sponsors, audiences and occasions.
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Includes bibliographical references and index. :
9789004644922