structure research » future research (توسيع البحث), structure reverse (توسيع البحث), agriculture research (توسيع البحث)
setting structure » settlement structure (توسيع البحث)
research program » research programme (توسيع البحث), research programmes (توسيع البحث), research problem (توسيع البحث)
Experimental Practices in Interdisciplinary Art : Engaging the Margins /
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Experimental Practices in Interdisciplinary Art presents the work of contemporary artists who are committed to experimenting in the marginal areas where artmaking, practice-based research, and scholarship intersect. Some work in laboratory settings, some in studios, and some in wild landscapes or abandoned buildings. But all are committed to interrogating the way that art is created and positioned in a culture that continues to marginalize artists working across disciplinary boundaries. Their projects range from inquiries into the way surveillance technologies are used to reinforce power structures to collaboratories that help us to re-envision our relationship with the natural world and with each other. In reflecting on their wide-ranging explorations and unusual methods, these unique artists provide fruitful insights for bringing creativity to bear on issues of public import. See Less
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004708174
The Mishnah : social perspectives /
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The Mishnah - the second-century law code that lays the foundation, after Scripture, of normative Judaism - encompasses all subjects that pertain to the life of the Jewish nation and as such provides a systematic basis for Israel's social order and world view. Any social program has its own politics, economics, and philosophy which together define a given social entity rather than any other. And any system defining the structure of a society strives to establish a set of harmonised and coherent fundamental principles, viewpoints and attitudes in treating the components of its theory of the community. It has been long shown that the Mishnah is such a well-composed theory of world-construction. It is demonstrated here how its specific message concerning the politics and economics that define the social order recapitulate those of Aristotle. This publication has also been published in paperback, please click here for details.
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" ... reprise of established research ..."--Preface. :
1 online resource (xviii, 267 pages) :
Includes bibliographical references and index. :
9789004294127 :
0169-9423 ; :
Available to subscribing member institutions only.
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter.
Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten.
The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.